Arts and Humanities Commons^™

What Makes A Mad Genius? The Sociopolitical Role Of The Mad Genius Label In United States Early Modern Dance, Erica Best

Dance Summer Fellows

This project explores the sociocultural and political implications of the use of the labels “mad” and “genius,” as they relate to two prominent 20th-century modern dance choreographers – Alvin Ailey and Martha Graham. Martha Graham is in multiple writings called a genius, both by critics and dancers. However, although a similarly prominent figure in the canon of modern dance, Alvin Ailey is not called a genius nearly as often. This is notable given the many parallels in their artistic and personal lives. Both artists contributed significantly to the history of modern dance in the 20th century, were sponsored by the …