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Full-Text Articles in Arts and Humanities

Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco Jan 2024

Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco

The Coastal Review: An Online Peer-reviewed Journal

Adriana Cavarero's conceptualization of Medusa serves as a potent metaphor for the subtle redirection of violence of oblivious women who ignored the brutalization of pregnant victims during Argentina’s military dictatorship (1976-83). In Luis Puenzo’s La historia oficial (1985) and Santiago Mitre’s Argentina 1985 (2022), skillfully unveil the ghastly practice of torturing pregnant women, unraveling the vulnerability of both mothers and their infants, evoking a sense of disgust and repugnance that is eventually shared by oblivious women. Beyond mere storytelling, these films challenge prevailing power dynamics and discourses, shedding light on the complicit ignorance of elite women during an era marked …


Carlos Riobó. Caught Between The Lines: Captives, Frontiers, And National Identity In Argentine Literature And Art. U Of Nebraska P, 2019., Manuela Borzone Feb 2021

Carlos Riobó. Caught Between The Lines: Captives, Frontiers, And National Identity In Argentine Literature And Art. U Of Nebraska P, 2019., Manuela Borzone

Studies in 20th & 21st Century Literature

Review of Carlos Riobó. Caught between the Lines: Captives, Frontiers, and National Identity in Argentine Literature and Art. U of Nebraska P, 2019. xii +180 pp.


David William Foster. El Eternauta, Daytripper, And Beyond: Graphic Narrative In Argentina And Brazil. Austin: U Of Texas P, 2016., Laura M. Fernandez Sep 2017

David William Foster. El Eternauta, Daytripper, And Beyond: Graphic Narrative In Argentina And Brazil. Austin: U Of Texas P, 2016., Laura M. Fernandez

Studies in 20th & 21st Century Literature

Review of David William Foster. El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and Brazil. Austin: U of Texas P, 2016.


Políticas De Lo Estético En La Ilustración De Ciencia Ficción. El Caso De “Think Blue, Count Two” De Cordwainer Smith, Silvia Gabriela Kurlat Ares Sep 2017

Políticas De Lo Estético En La Ilustración De Ciencia Ficción. El Caso De “Think Blue, Count Two” De Cordwainer Smith, Silvia Gabriela Kurlat Ares

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Desde el período del Dadá se han ido borrando los límites entre las formas artísticas y sus soportes, entre las estéticas de uso y las estéticas formales, entre los espacios altos y bajos de producción cultural, y también, entre la percepción de centros y periferias que parecen haberse astillado y reproducido a la interioridad de espacios hasta hacer de la hegemonía misma, al decir the Beasley Murray, un concepto no sólo inestable sino casi inexistente. En el caso de la ciencia ficción, esa porosidad hace a la constitución misma de una estética que opera desde la factura del naturalismo pero …


Leopoldo Lugones And Jorge Luis Borges On Science: The Garden Of Forking Opinions, John G. Zehnder Sep 2015

Leopoldo Lugones And Jorge Luis Borges On Science: The Garden Of Forking Opinions, John G. Zehnder

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper attempts to show how the fantastic authors Leopoldo Lugones and Jorge Luis Borges expressed different viewpoints about science and technology through their short stories. These Argentine authors are among Latin America’s most famous authors in the genre of the fantastic. However, these two literary luminaries diverged greatly with regard to their opinion about the role of science in society. While Lugones considered scientific progress to a grave threat to the moral fabric and well-being of society, Borges believed that scientific theories underpin and intersect with a variety of different experiences and thus can serve as tools to explore …


Cutting Off Cardiologists: The Disappeared In “Puro Corazón” By Luisa Valenzuela, Diane E. Marting Jan 2015

Cutting Off Cardiologists: The Disappeared In “Puro Corazón” By Luisa Valenzuela, Diane E. Marting

Studies in 20th & 21st Century Literature

Luisa Valenzuela’s neglected short story “Puro corazón” ('All Heart') uses surreal imagery and plot to write about the increasing violence in Buenos Aires during the time immediately prior to the Dirty War (la Guerra Sucia). By mimicking a police report, Valenzuela’s story manages to reproduce the experience of censorship and repression that denied the fate of the disappeared. This article shows how the story forges ludic connections between the human body (especially hearts, blood, and cardiologists), the censorship and repression in the early 1970s in Argentina, and the discourse that marked the official response to los desaparecidos, …


Orders And Disorders, Wills To Powers - Arlt And Nietzsche, The Astrólogo And The Sociedad Secreta, Robert S. Wells Sep 2013

Orders And Disorders, Wills To Powers - Arlt And Nietzsche, The Astrólogo And The Sociedad Secreta, Robert S. Wells

Dissidences

In his essay, “On Nietzsche’s Side,” Maurice Blanchot says of Nietzsche, “Transcendence obsesses him, as that which he must endlessly surmount to be free.” The same can be said of Roberto Arlt – himself a reader and a student of Nietzsche – and his own obsession with order. These obsessions with transcendence and order take on peculiar and contradictory modes of expression in both thinkers, as they often contort what might otherwise be common notions. Under the influence of Nietzsche, Arlt’s delirious yet methodically contradictory thought thus deforms and even does violence unto that which it treats and unto itself. …


Remnants Of The Disappeared: Subjectivity And The Politics Of Postdictatorial Cultural Memory In Sergio Chejfec's Los Planetas, Andrew C. Rajca Jan 2013

Remnants Of The Disappeared: Subjectivity And The Politics Of Postdictatorial Cultural Memory In Sergio Chejfec's Los Planetas, Andrew C. Rajca

Dissidences

No abstract provided.


On The Dark Side: Conrad's "The Secret Sharer" And Valenzuela's "La Palabra Asesino" , Donald L. Shaw Jan 2008

On The Dark Side: Conrad's "The Secret Sharer" And Valenzuela's "La Palabra Asesino" , Donald L. Shaw

Studies in 20th & 21st Century Literature

Conrad’s famous “The Secret Sharer” and the short story “La palabra asesino” [“The Word ‘Killer’” in its English translation] by the Argentine Luisa Valenzuela both concern psychological self-exploration and self-discovery, through contact with a killer, a situation which challenges conventional moral standards. It is suggested that a comparison between the two stories may throw reciprocal light on both of them. In each story an act or acts of murder becomes a trigger which sets off a train of psychological events, somewhat different in the two cases. Discussion of the differences highlights the authors' priorities and the significance they attach to …


The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli Jan 1995

The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli

Studies in 20th & 21st Century Literature

The article analyzes Valenzuela's novel in relation to Shaw's summary of projections about the directions the new novel will or should take. Specifically, it examines the novel in terms of the detective novel to which the title alludes and demonstrates that Valenzuela departs from the traditional detective novel with its quest for knowledge. In Valenzuela's novel there are no definitive answers, only obscurely intuited connections, which we would perhaps prefer not to make, for Valenzuela eschews both a master narrative and a narrative of mastery. Nonetheless, as the article demonstrates, the protagonists' search for motives, their quest to understand the …