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Full-Text Articles in Arts and Humanities
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
La Adaptación Afro-Futurística Y El Placer Como Supervivencia En "Los Pueblos Silenciosos" De Elena Palacios Ramé, Samuel Ginsburg
La Adaptación Afro-Futurística Y El Placer Como Supervivencia En "Los Pueblos Silenciosos" De Elena Palacios Ramé, Samuel Ginsburg
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
In “The Silent Towns,” from the 1950 collection The Martian Chronicles, Ray Bradbury tells the story of the last man and woman left on Mars. While Walter has romanticized visions of a perfect match, he is ultimately disappointed by Genevieve’s and chooses to live out his life alone. Sixty years later, director Elena Palacios Ramé revived this science fiction classic to ask a simple question with a complex answer: What happens if you move the story to Havana? In the short film Los pueblos silenciosos (2010), Palacios replaces Mars with an abandoned Cuban capital, matching Walter with an extravagant Afro-Cuban …
Indigenous Trauma In Mainstream Peru In Claudia Llosa’S The Milk Of Sorrow., Rebeca Maseda
Indigenous Trauma In Mainstream Peru In Claudia Llosa’S The Milk Of Sorrow., Rebeca Maseda
Dissidences
Despite winning several international awards and being praised by the critics, the Peruvian film La teta asustada (The Milk of Sorrow, Claudia Llosa, 2008) was deemed racist by some blogospheres and critics. The indigenous peoples have not traditionally controlled their own representations, and thus have been subject to misrepresentations; exoticization, criminalization, infantilization, etc. This paper offers a nuanced multivalent analysis that regards not only images and stereotypes, but also voices, points of view, music and mise-en-scène, in order to argue that The Milk of Sorrow provides an ethnocentric view. Several trauma authors speak of the moral obligation of …
Cynthia Tompkins. Experimental Latin American Cinema. Austin: U Of Texas P, 2013. X+ 294 Pp., Carolina Rocha
Cynthia Tompkins. Experimental Latin American Cinema. Austin: U Of Texas P, 2013. X+ 294 Pp., Carolina Rocha
Studies in 20th & 21st Century Literature
Review of Cynthia Tompkins. Experimental Latin American Cinema. Austin: U of Texas P, 2013. x+ 294 pp.
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …
Werner Herzog As Double Translator:Thinking From Subalternity In Aguirre, The Wrath Of God, Aarti Smith Madan
Werner Herzog As Double Translator:Thinking From Subalternity In Aguirre, The Wrath Of God, Aarti Smith Madan
Dissidences
No abstract provided.