Arts and Humanities Commons^™

Chilean Cinema In The 21st Century World (Review), James L. Richie Iv

Vernacular: New Connections in Language, Literature, & Culture

No abstract provided.

Nationless States And Stateless Beings: The Politics Of Identity And Citizenship In Claudio Mir’S Mondongo Scam And Cheech Marin’S Born In East L.A., Rebecca A. Barnes

Vernacular: New Connections in Language, Literature, & Culture

In the colloquial sense of the term, the word citizen refers to an individual who belongs to a nation, either by birthright or by naturalization. Therefore, citizenship denotes a political and a social belonging, an ideological home, and, in most cases, a strong foundation for the development of one’s personal identity. However, since nations are inherently artificial structures, made only tangible in the present day by a few centuries of recorded history, a philosophical approach to the term citizen complicates this definition. Based off critics including Hannah Arendt, Homi Bhabha, Fernando Ortiz, and Jacques Derrida, this essay seeks to explore …

La Contribución De La Ópera Bufa Manita En El Suelo De Carpentier Y García Caturla En El Debate Primitivista De Principios Del Siglo Xx, Anna M. Martija Perez

Vernacular: New Connections in Language, Literature, & Culture

The present work is an approach to Manita en el suelo, the only opera bufa that Alejo Carpentier created in collaboration with the Cuban musician Alejandro García Caturla. The genuine friendship that united Carpentier and Caturla was the result of their identification not only in their love for music, but also an accentuated interest in all things primitive, together with a deep sense of social justice. At the same time, they are also united by respect for the African heritage and the recognition that it should have in the history of Cuba. In Manita en el suelo, Carpentier …

De La Esclavitud A La Libertad: La Historia De Una Esclava Afromexicana, Margaree G. Jackson

Vernacular: New Connections in Language, Literature, & Culture

Resumen: “De la esclavitud a la libertad: La historia de una esclava afromexicana,” es una colección de poemas descolonizados contados desde la perspectiva de una mujer afromexicana ficticia del siglo XVII. La protagonista, Maricela Rivas, es una esclava que nació en la plantación azucarera Nuestra Señora de la Concepción, una plantación verdadera ubicada en Veracruz, México. Su historia se basa en las pocas historias que existen sobre la vida de la mujer afromexicana que formaba parte esencial de la sociedad y cultura mexicana pero que le falta representación y una voz. Estos poemas le dan una voz y perspectiva al …

Re-Reading Alencar's Iracema Through Saer's Lens, Felicia Trievel

Vernacular: New Connections in Language, Literature, & Culture

Abstract:

The topic of European colonization is one that is discussed frequently throughout Latin American literature in a variety of different manners. Two books that discuss the colonization of different countries in extremely different ways are Iracema (1865) by José de Alencar and El entenado (1983) by Juan José Saer. The former examines the colonization of Brazil by Portuguese colonists, taking away much of the culture of the indigenous people previously inhabiting Brazil. El entenado examines the colonization of Argentina by the Spaniards. When one reads these two novels it is impossible not to compare the two due to the …

María Teresa Ramírez Nieva: La Griot De Los Ancestros Y Las Ancestras, Catalina Rojas

Vernacular: New Connections in Language, Literature, & Culture

María Teresa Ramírez Nieva: La Griot de los Ancestros y las Ancestras

La poesía de María Teresa Ramírez es una poesía de resistencia y cimarronaje, de reafirmación de la vida y la libertad, de “recuperación y defensa de los territorios ancestrales” que han sido históricamente amenazados y usurpados en un Pacífico colombiano de abandono, guerra territorial, desplazamiento y muerte. Es a través de sus obras La noche de mi piel (1988), Flor de Palenque (2008), Abalenga (2008), Mabungú Triunfo (2013), Mabungú Triunfo: Cosmogonía Africana Tomo II (2016), como se eleva la voz poética de la ancestralidad Pacífica alrededor de la …

En Nombre Del Gobierno: El Perú Y Uchuraccay: Un Siglo De Política Campesina, Fritz Culp

Vernacular: New Connections in Language, Literature, & Culture

Review of: Del Pino, Ponciano. En nombre del gobierno: El Perú y Uchuraccay: un siglo de política campesina.

Decades removed from the heights of violence and revolution in Peru, Ponciano del Pino returns to the infamous murders of eight reporters in the Andes. Unlike the normalization of daily bloodshed, village massacres and other atrocities that culminated in the loss of over 69,000 lives, these deaths managed to interrupt the numbness to the destructive war machine driven by the insurgent political party Partido Comunista del Perú—Sendero Luminoso, the Communist Party of Peru—Shining Path, and the Peruvian Armed Forces. At …

The Parallels Of White Supremacy Discourse In Bitita’S Diary And Racism In A Racial Democracy, Jerry Scruggs

Vernacular: New Connections in Language, Literature, & Culture

This paper explores the workings of white supremacy within a rural Brazilian context. France Winddance Twine’s Racism in a Racial Democracy serves as an ideological basis for this analysis of Carolina Maria de Jesus’s Bitita’s Diary, and shows how systemic and rampant white supremacy has weighed on the psyche of Afro-Brazilians and how it persists to the present day.

Cross-Cultural Analysis Of Turn-Taking Practices In English And Spanish Conversations, Claudia B. Martínez

Vernacular: New Connections in Language, Literature, & Culture

Conversation analysis is primarily concerned with the tacit rules of turn-taking in standard systems of conversation—that is, with how people maneuver through spoken conversations to make themselves heard, while still allowing for dialogue to take place. Sacks, Schegloff & Jefferson had largely influenced the groundwork for this field in the late 1970s by setting forth certain proprieties of speech that deem overlaps, or interruptions, generally untoward and counterproductive. My goal here is to rethink this theory, however, to illuminate certain culturally specific instances of overlapping that do indeed lend themselves to the flow of the conversation. I compare such instances …