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Ironie Et Autoréflexivité Dans Un Dimanche Au Cachot De Patrick Chamoiseau, Olga Hel-Bongo Dec 2016

Ironie Et Autoréflexivité Dans Un Dimanche Au Cachot De Patrick Chamoiseau, Olga Hel-Bongo

Présence Francophone: Revue internationale de langue et de littérature

Social pressures in Patrick Chamoiseau’s novel, Un dimanche au cachot, can be read not only in the theme of slavery, but also as a discourse on the narrative text itself, in which the essay plays an important role, and in the author’s denial of his art and status. Chamoiseau’s intention of subversion is omnipresent through parody or renunciation of all forms of excess. The offensive concerns, on the one hand, the memory of slavery as a social and historical institution transmitting values of order, hierarchy and traumatism in the minds. It concerns the whole narrative act and the relation between …


Alfred Alexandre : Écrivain « Post-Créol(Ist)E » ?, Françoise Simasotchi-Bronès Dec 2016

Alfred Alexandre : Écrivain « Post-Créol(Ist)E » ?, Françoise Simasotchi-Bronès

Présence Francophone: Revue internationale de langue et de littérature

Alfred Alexandre’s novels Bord de canal (2004) and Les villes assassines (2011) are set in the poorest urban slums of Fort-de-France. In both novels, the marginal characters exemplify the paradoxes of a Martinican society shifwrecked under the flow of rampant globalization. Alexandre’s portrayal of a decadent urban humanity stands far from the Creole community codes as imagined by the novelists who have preceded him, and signifies his intention to break away from their recurring themes. My purpose, here, is to assess what is truly innovative in this newly labelled “post-Creole” writing. It seems that investing those markedly social and scriptural …