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Full-Text Articles in Arts and Humanities
Disaster And Hope In The Comic Universe Of 'Gardening In The Tropics', Molly Mosher
Disaster And Hope In The Comic Universe Of 'Gardening In The Tropics', Molly Mosher
Dissertations and Theses
In this paper, I explore ideas of dominion and how Western canon has helped propagate ideas of human domination of the natural world. Using Joseph W. Meeker’s The Comedy of Survival, I trace a line from the advent of the literary tragedy to the climate crisis. To contrast, I use his idea of comedy as the antidote to domination — a way of thinking that might inspire collaboration with the natural world. I will explore the comic with, predominately, Olive Senior’s Gardening in the Tropics, alongside Jamaica Kincaid’s gardening studies and Mona Lisa Saloy’s essay on environmental destruction. To …
Juan Bautista Aguirre (1725-1786) Y Los Orígenes De La Nación Ecuatoriana, Alex Paul Lima
Juan Bautista Aguirre (1725-1786) Y Los Orígenes De La Nación Ecuatoriana, Alex Paul Lima
Dissertations, Theses, and Capstone Projects
The purpose of this study is to demonstrate how mid-eighteenth century notions of patria, nación, and Nuestra América predate latter nation-building constructs, particularly at the turn of the 19th century. Benedict Anderson's (1991) assertion that Spanish-American Creoles attained a sense of belonging to an "imagined community", towards the end of the 18thcentury,fails to take into account the limitations of print capitalism due to extremely low literacy rates and rare access to the printing press. This dissertation focuses on the life and work of Jesuit poet, orator, and philosopher Juan Bautista Aguirre (Daule [Ecuador], 1725-Tivoli [Italy], 1786). His poems and sermons, …
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Dissertations, Theses, and Capstone Projects
This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …