Arts and Humanities Commons^™

Féminas Speaking Up: Three Papers On Feminine Transgender Identities, Gender Identity Activism, And Language Reform In Lima, Peru, Ernesto Cuba

Dissertations, Theses, and Capstone Projects

In this three-paper dissertation, I explore the linguistic and discursive practices of Féminas, a leading transgender rights activist organization based in Lima, Peru. Building on scholarship on language ideologies (Irvine & Gal, 2000), queer linguistics (Motschenbacher, 2011), and socio-onomastics (Ainiala & Östman, 2017), I analyze the role that language beliefs and language-in-use plays in performing local (trans)gender identities and shaping grassroots politics within this specific community of practice (Eckert & McConnell-Ginet, 1992). Based on an extensive corpus of semi-structured interviews and ethnographic material gathered during my long-term investigation with Féminas, I present three studies exploring distinct –though related– ideologically-driven sociolinguistic …

Metric Schemas And Projections In Three Colombian Folk Genres, Lina S. Tabak

Dissertations, Theses, and Capstone Projects

This dissertation explores how stylistic expertise can affect metric perception, through the analysis of three Colombian folk genres—cantos de boga and currulaos from the Pacific region and joropos from the Eastern plains bordering Venezuela. Specifically, it considers the tension between metric perceptions which arise from bottom-up mechanisms for entrainment (such as projections), and those which are based on top-down mechanisms (such as schemata). This tension is at play when more and less musically enculturated listeners perceive entirely different metric structures when listening to identical music.

Taking bottom-up and top-down metric perception as a thread, this dissertation isolates three additional metric …

Representaciones Ideológicas Del Lenguaje Entre La Población Mexicana En Nueva York, Maria Del Rocio Carranza Brito

Dissertations, Theses, and Capstone Projects

The purpose of this dissertation is to explore the linguistic ideologies that Mexican migrants bring when migrating and reproduce in their daily interactions with other Spanish and English speakers, as well as the representations of the language presented in their linguistic behaviors. This work presents an intersectional analysis where the factors of gender, migratory status, education, and work are determining factors in the adoption, maintenance, and reproduction of language ideologies, which affect the linguistic decisions of the speakers in their use of Spanish, learning of English and the support of bilingualism. Based on the stereotypical idea of Spanish as the …

The Nawat Language Revitalization In El Salvador And How Its Digital Activism Transcends Borders, Sergio J. Mendoza Gallardo

Dissertations, Theses, and Capstone Projects

In this research project I seek to show how digital activism for Nawat revitalization can transcend beyond the Salvadoran borders. The goal is to show how the revitalization of Nawat can have a better chance to be successful thanks to technology. Nawat is the last indigenous language in El Salvador, and its position within Salvadoran society has been uncertain for many years. Thus, I aim to show how technological efforts can help revitalize Nawat language with the efforts that are already being done. Although El Salvador has had a dark ethnic history regarding indigenous people, there are actions being taken …

Del Ornitorrinco A La Radio Ambulante: La Nueva Crónica Latinoamericana En La Era Neoliberal, Ulises Gonzales

Dissertations, Theses, and Capstone Projects

This dissertation explores the presence of neoliberal hegemonic imaginaries in narrative journalism written in Latin America between 1995 and 2021.

There are strong connections between a period of decline in the readership of some of the authors of the so-called “Latin American Boom,” the penetration of neoliberal economic policies in the region (with the privatization of State companies and the expansion of the telecommunications industry), and the renewed interest in non-fiction writing published by a number of print publications in the region during the last decade of the 20th Century and the beginning of the 21st Century, as in magazines …

Destination Icaic: Cosmopolitan Intellectuals, Documentary Film And The Image Of The Cuban 1960s, Gabriel Arce-Riocabo Rollins

Dissertations, Theses, and Capstone Projects

This study analyzes the interaction between foreign intellectuals and ICAIC (Instituto cubano de artes e industrias cinematográficas) in shaping the image of Cuba in the 1960s. I make the case that the idea of Revolution was a product of cosmopolitan intellectual engagement and that in this process documentary film was a privileged medium. By tracing the development of normative stories of commitment, cosmopolitanism, and aesthetic experimentation embodied both in written texts and travel essay films, I argue that such circulation destabilizes fixed ideas of Cuban, Revolutionary or Intellectual. The archive of Danish filmmaker and ICAIC collaborator Theodor Christensen as well …

A Queens Community Teacher Storytelling Project: A Qualitative Research Study Of Five Local Afro-Caribbean And Latina Public School Teachers And Community Teachers In New York City, José Alfredo Menjivar Ortéz

Dissertations, Theses, and Capstone Projects

This dissertation thesis examines the lived experiences, life stories, and storytelling of five Afro-Caribbean and Latina people, who are all local from the borough of Queens, alumni of New York City’s public schools, and since then, became their local public school teachers, classroom practitioners, and local community teachers. We refer to this specific and unique population of teachers as alumni-community teachers and to these and other similar stories as teacher life stories.

This qualitative research and study were conducted through a series of writing workshops and semi-structured interviews. The study’s main examination is preoccupied to understand how local teachers make …

España Rarita: Performances Festivas En Tiempos Queer (2008–2020), Daniel Valtueña Martínez

Dissertations, Theses, and Capstone Projects

This dissertation studies performing arts practices that reimagine Spanishness after the 2008 financial crisis from a theoretical framework based in queer temporalities. I argue how the recession not only allowed Spanish citizens to claim their rights through the organization of social movements such as the 15M or through cultural objects mimetically representing the crisis through a variety of artistic expressions, but that the 2008 financial crisis also enabled a wide range of creators to reimagine how the Spanish State has been traditionally represented. The contemporary performers I study in my dissertation originally propose new visions of the commons by calling …

The Beehive, The Favela, The Castle, And The Ministry: Race And Modern Architecture In Rio De Janeiro, 1811–1945, Luisa Valle

Dissertations, Theses, and Capstone Projects

This dissertation deploys a multidisciplinary and decolonial framework to investigate the architecture of cortiços, the Favela Hill, the Castelo Hill, and the Ministry of Education and Public Health (MES) building as constitutive of the history of modernization and modernity in the Centro (city center) of Rio de Janeiro, 1811-1945. The first three chapters investigate the distinct geographies, formal and material qualities, and populations of cortiços, the Favela Hill, and the Castelo Hill, as well as their racialization and essentialization by the “unsanitary” and “degenerate” labels bestowed upon these landscapes by the state. Traditional narratives and practices of modern architecture and …

Colonial Education: Puerto Ricans And The Carlisle Indian School, Progenitors Of The Mythic Identity, Melissa Swinea

Dissertations, Theses, and Capstone Projects

‘GOD HELPS THOSE WHO HELP THEMSELVES’ reads a subheading of The Red Man –a historic periodical memorializing the tune of 19th century Americana with references to Godliness and its connection to Indianness and ostentatious capitalism in a canon of school newspapers. The Red Man was the staple periodical of the Carlisle Indian Industrial Institute published monthly and declared “in the interest of Indian education and civilization” for the annual price of 50 cents[1] The subject and recipients of The Red Man would also include 193 Puerto Rican students sent to Carlisle through the U.S.’s campaign to Americanize the Caribbean …

Indigenous Mexicans In New York City: Immigrant Integration, Language Use, And Identity Formation, Leslie A. Martino-Velez

Dissertations, Theses, and Capstone Projects

As indigenous Mexican immigrants migrate, settle, and raise families in the United States, parents, particularly women, and their children increasingly have contact with community institutions, such as schools. Despite their growing numbers in U.S. schools, indigenous children, youth, and their parents are often invisible due to their ethnolinguistic identities and undocumented status. Understanding what parents do to help their children is essential to understanding the first generation's integration and their children, the second generation.

To better understand this, I conducted an ethnographic research study at a bilingual Head Start program in New York City, in East Harlem, where many undocumented …

Disrupting Paradise: A Pan-Caribbean Film Series, Dessane L. Cassell

Dissertations, Theses, and Capstone Projects

As one of the regions most economically dependent on tourism in the world, the Caribbean is a place where the impacts of colonial myth-making remain viscerally felt. Long framed as a tropical “paradise,” the Caribbean has been marked by campaigns to package and promote the region as idyllic, picturesque, and available for (primarily Western) consumption. Building upon the writings of Krista Thompson, Ian Gregory Strachan, and Angelique V. Nixon, Disrupting Paradise connects the myth of “paradise” and the modern tourism industry to the long, extractive history of colonialism in the region. Taking shape as a film series, this project examines …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar

Dissertations, Theses, and Capstone Projects

The Nuyorican movement was a cultural and intellectual movement beginning in the late 1960s through the 1970s that coincided with the era of civil rights struggle in the United States. The artists, writers, poets, and others in the movement were of Puerto Rican descent and resided in New York neighborhoods such as El barrio or Spanish Harlem, Loisaida or the Lower East Side and the South Bronx. The term “Nuyorican” was embraced as a badge of honor and pride by New York’s Puerto Rican community. It was during this time that cultural-specific institutions such El Museo del Barrio, Taller Boricua, …

The Grammatical Systems Of Attentionworthiness: Positional Signals And Invariant Meanings In Spanish Word Order, Eduardo Ho-Fernández

Dissertations, Theses, and Capstone Projects

This dissertation presents a Columbia School analysis of word order phenomena in Spanish. The data was sourced from a corpus of manually collected utterances extracted from six volumes of Latin American short stories written in the twentieth century. The study employs various qualitative and quantitative techniques in order to test the various hypotheses offered as explanations of the distributional problems selected for the study. The observations roughly correspond to word orders that the grammatical tradition describes as having to do with either verbs with one argument (SV, VS, OV, VO) or verbs with two arguments (SVO, OVS, VSO, VOS, SOV, …

¿Cómo Traducimos "Ni Una Más" Al Inglés?: Latin American Manifestation Of The Phenomenology Of Femicide, And The United States’ Subsequent Internal Neglect, Suemi Mendez

Dissertations, Theses, and Capstone Projects

This paper aims to tackle two components in analyzing the phenomenological concept of femicide, most simply known as the killing of women because they are women through structural violence and oppression. First, it will develop its deployment within the Latin American framework as it has been adapted to function within the regional lexicon, both socially and legislatively. This assessment will serve to address the successes and failures thus far in tackling femicide as the location with the highest statistics globally. Through this foregrounding, it will lead into how this revised deployment of femicide fits into the context of Global North …

Los Cuerpos En Conflicto Del Chavismo: Cuatro Obras Venezolanas En La Era De La Revolución Bolivariana, Rebeca Pineda Burgos

Dissertations, Theses, and Capstone Projects

In my dissertation, I study the novels Tiempos del incendio (2014) by José Roberto Duque, and Patria o muerte (2015) by Alberto Barrera Tyszka, the film Pelo malo (2013) by Mariana Rondón, and the performance El beso emancipador (2013) by Deborah Castillo. These works were created in a period of intense political and social transformations in Venezuela, in the context of the sickness and death of the president and leader of the Bolivarian Revolution Hugo Chávez (1999-2013). Because they contemplate nationalist symbols, historical events recovered by power, spaces taken by the State, and traditional claims in the country now exercised …

Fact And Fiction In Mexican Film: 1970s, 2000s, Lily M. Ryan

Dissertations, Theses, and Capstone Projects

This dissertation aims to address generic preoccupations between fiction and documentary film, while also providing a historical analysis of two decades in Mexican cinema, the 1970s and the 2000s. It looks at nine Mexican fiction films that rely on the conventions of documentary in both form and content. Whether through a fictionalized historical recreation, a “mockumentary style,” or a clear interest in the reality of everyday life, each one of these films plays with the boundaries of documentary and fiction. While the influence of documentary is quite evident in some, in others, this influence remains subtle. In my examination of …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Una Isla, Dos Literaturas: Contrapunteo De La Literatura De La Isla Y La Diáspora Dominicanas (1965–2018), Jose L. Peralta

Dissertations, Theses, and Capstone Projects

Una isla, dos literaturas.

Contrapunteo de la literatura de la isla y la diáspora dominicanas (1965-2018)

by

Jose Luis Peralta Genao

Advisor: Carlos Riobó

The literary works written by Dominican Diaspora as well as the ones written in the island have been dealing with a very complicated phenomena grown as the result of Dominican massive emigration of twenty century, namely the definition of dominicaness (dominicanidad). In the search of a broader notion of this concept the idea of being Dominican gets build and transforms in different Dominican literary spaces. By searching national discursive elements that construct that Dominican identities in …

Queer Baroque: Sarduy, Perlongher, Lemebel, Huber David Jaramillo Gil

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the ways in which queer and trans people have been understood through verbal and visual baroque forms of representation in the social and cultural imaginary of Latin America, despite the various structural forces that have attempted to make them invisible and exclude them from the national narrative. My dissertation analyzes the differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho, while exploring their individual limitations and potentialities for voicing the joys and pains of being queer and trans in an exclusionary society. As I analyze the literary works of each artist, …

Revisiting Juchitán: Witnessing An Indigenous Mexico Within The Latin American Archive, Michelle G. De La Cruz

Dissertations, Theses, and Capstone Projects

Throughout archives of photographic collections, as one discovers the focused, artistic selective process of images that become part of a photographer’s collection, one must venture further and ask: will these choices be decisively remembered by an individual or collective audience or actively be dismissed, misunderstood, and denied presence? For my master’s thesis, I will be analyzing Mexican photographer Graciela Iturbide’s photobook, Juchitán de las Mujeres, a photo-collection of the women-empowered indigenous society in Oaxaca, Mexico which erupted during Latin American photography’s prime in the 20th century, turning away from a deeply exoticized past and towards a celebration of Hispanism as …

Más Allá De La Comisión De La Verdad Y Reconciliación: Memoria, Cuerpo Y Producción Cultural De Mujeres En El Perú (2005–2013), Otilia M. Mendiolaza

Dissertations, Theses, and Capstone Projects

This dissertation examines literary and cinematographic works concerning the war between the Peruvian Armed Forces and the Peruvian Communist Party Shining Path (1980-2000) produced by contemporary women artists. In particular, it analyzes how these works reveal topics overlooked by the report of the Truth and Reconciliation Commission of Peru (CVR) published on August 28, 2003. To do so, it studies the socio-political and cultural factors that contributed to the violation of human rights during the internal military conflict, especially of women, focusing on questions of memory, identity, and the body. The dissertation analyzes Rocío Silva Santisteban’s poetry collection Las hijas …

Cinegrafia: Literatura, Espectadores Y Cinefilia Contemporanea En Latinoamerica, Rojo Robles Mejias

Dissertations, Theses, and Capstone Projects

The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film’s socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and …

Después Del Exilio: El Regreso Y El Retorno En La Autoficción Latinoamericana Del Siglo Xxi, Joan C. Aguirre

Dissertations, Theses, and Capstone Projects

The present work analyzes the return—both the physical return and anticipated physical return— to the homeland after living in exile, the act of remembering caused by this process, and the metareflective role that the genre of autofiction plays in this interaction. The dissertation examines the twenty-first century autofictions of four Latin American countries: La casa de los Conejos by Laura Alcoba of Argentina; Memorias prematuras by Rafael Gumucio of Chile; ConPasión absoluta by Carol Zardetto of Guatemala; and El sueño del retorno by Horacio Castellanos Moya of El Salvador. These autofictions are part of an important corpus, one that offers …

Glotopolítica De La Desigualdad: Ideologías Del Mapudungun Y El Español En Chile (2009–2019), Gabriel E. Alvarado Pavez

Dissertations, Theses, and Capstone Projects

Glottopolitics of Inequality: Ideologies on Mapudungun and Spanish in Chile (2009-2019) by Gabriel Alvarado Pavez Advisor: José del Valle This dissertation is an attempt to analyze contemporary discourses on Mapudungun and Spanish and their development within the political and economic context of Chile between 2009 and 2019. The object of analysis is the diverse array of linguistic ideologies displayed on both the hegemonic press (newspapers of nationwide circulation) and on Facebook, which helps provide a sociolinguistic profile of Chile from a glottopolitical perspective. This entails a point of view focused on power structures and their modes of (re)production and perpetuation, …

Does Ethnic Identity, In-Group Preference, And Acculturation Protect Latinas With A History Of Interpersonal Trauma From Developing Symptoms Of Ptsd?, Evelyn M. Ramirez

Dissertations, Theses, and Capstone Projects

Previous research suggests ethnic identity, a sense of belonging to a particular cultural group, may be protective against symptoms of post-traumatic stress disorder (PTSD). However, the role of ethnic identity, in-group preference (i.e., an individual’s preference for interactions with members of their own ethnic group) and acculturation (i.e., the level of comfort with the mainstream culture) have not been investigated as protective factors for Latinas with a history of interpersonal and sexual trauma. In this study, ethnic identity, in-group preference and acculturation were assessed via self-report on the Scale of Ethnic Experience in two samples of undergraduate Latina and non-Latina …

A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato

Dissertations, Theses, and Capstone Projects

In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …

Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed

Dissertations, Theses, and Capstone Projects

This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …