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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
The Language Of Legal Violence: The State’S Role In Silencing Capitalist Dissent, 1877-1915, Jaclene Paolucci
The Language Of Legal Violence: The State’S Role In Silencing Capitalist Dissent, 1877-1915, Jaclene Paolucci
Theses and Dissertations
From the 1870s to the eve of World War I, the United States government enacted a violent and repressive campaign against labor activists and political radicals to protect capitalist interests. The growing alliance between employers and the government threatened American democratic traditions and turned those who challenged the capitalist system into potential enemies of the state.
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
Theses and Dissertations
This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.
“Don’T Buy Where You Can’T Work:” Protest And Riot In Harlem, 1932 -1935, Christie Anderson
“Don’T Buy Where You Can’T Work:” Protest And Riot In Harlem, 1932 -1935, Christie Anderson
Theses and Dissertations
In the 1930’s, Harlem joined together to participate in a “Don’t Buy Where You Can’t Work” campaign, to gain agency in their community. Store owners and legal decisions would block these efforts. This work explores the failure of this movement’s impact on the Riot of 1935.
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
Theses and Dissertations
This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …