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Music As A Representational Medium: Representation In Arnold Schoenberg's "A Survivor From Warsaw", Lucy S. Terrell
Music As A Representational Medium: Representation In Arnold Schoenberg's "A Survivor From Warsaw", Lucy S. Terrell
Masters Theses
In 1976, Roger Scruton, and English conservative philosopher and writer, dubbed music a non-representation medium. This assertion has resulted in debate among many prominent scholars, and, despite numerous dissenting opinions, Scruton’s premise has persisted as an accepted premise for some scholars in Western music study. In this paper, I survey and analyze prominent writings debating the topic of music as a representational medium, compiling arguments for and against his five criteria for representational art. I then discuss Arnold Schoenberg’s A Survivor from Warsaw in its context as a piece of representational music. In Schoenberg’s work, I use twelve-tone theory, contour …
“Este Diablo De Vieja”: Revealing The Conversa Voice In Celestina, Morgan B. Mccullough
“Este Diablo De Vieja”: Revealing The Conversa Voice In Celestina, Morgan B. Mccullough
Masters Theses
Due to the extraordinary socio-religious situation of the Inquisition’s aggressive attempt at unification looming over late Medieval Spain, the existence of a converso influence in Fernando de Rojas’ masterpiece, Celestina, is rarely up for debate. However, the way in which this influence manifests itself in Rojas’ only known work remains open for discussion among scholars of the work. Despite critics who struggle to view Celestina as an expression of converso literature, arguments have been made to establish the likelihood of converso status for Pleberio, Calisto, and Melibea, but have yet to look profoundly to Celestina’s own origins. Thanks to …
Brundibár: Confronting The Misrepresentation Of Resistance In Theresienstadt, Anna Catherine Greer
Brundibár: Confronting The Misrepresentation Of Resistance In Theresienstadt, Anna Catherine Greer
Masters Theses
Brundibár, a children’s opera written by Czech composer Hans Krása (1899-1944), routinely appears in Holocaust musical scholarship as a depiction of “thriving” Jewish cultural activity during the Holocaust. First performed clandestinely in a Prague orphanage in 1942, the work was ultimately co-opted by Nazi authorities in Theresienstadt. Under the jurisdiction of the Freizeitgestaltung (Leisure Time Activities), the opera came under control of the camp administration and became part of several propaganda schemes, including the 1944 Nazi propaganda film, Der Führer schenkt den Juden eine Stadt (The Führer Gives a City to the Jews). In preparation for the International Red …
Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats
Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats
Masters Theses
Many scholars have discussed Judaism and the ethics of George Eliot in Daniel Deronda, but few have explored the impact of Buddhism upon the novel. This thesis is the first study to demonstrate the influence of Buddhism upon George Eliot's fiction. By tracing Eliot's interest in the emerging field of comparative religion, I argue that Buddhism offered Eliot a unique religion that was compatible with her secular humanism. Although Buddhism appears explicitly in Deronda in only a few instances, I contend that Eliot uses the tradition of Jewish mysticism known as Kabbalism as the predominant theology in Deronda because …