Arts and Humanities Commons^™

Unfolding Remembrance: Folding Islamic Principles Into Pondering Machines, Hind Al Saad Al-Kuwari

Theses and Dissertations

Principles of early Islamic art can be surveyed as a precursor to Western computational art. Though produced in different historical and cultural contexts, Islamic art and computational art are connected by underlying structures—arithmetic, harmony, and the concept of the Infinite.

Islamic developments in knowledge, like algebra, contributed to mathematics and mechanics—the building blocks of contemporary technology. Returning to Islam’s traditional harmony between religion and science, my creative practice constructs machines as an act of worship (ʿibadah), folding Islamic principles into the medium of computation.

Selected verses from the Quran are used as the core of each automaton (self-operating machine). Their …

A Fractured Family And Its Heirs: Seljuq Power And The “Sunni Revival” In The Middle East, 1000-1200 Ce, Elijah Sloat

History Summer Fellows

The Seljuq Turks were a group of nomadic warriors who converted to Sunni Islam by the end of the tenth century. Over the course of the next half century the Seljuqs conquered the majority of what we now call the Middle East. One Seljuq dynasty in particular, known to historians as the Great Seljuqs, positioned themselves as the dominant political power in the region as well as champions of Sunni Islam. Scholars refer to this period of Seljuq control as the “Sunni Revival” and debate heavily whether Seljuq political and religious practices were the cause of this “Revival,” as well …

The Death Of Al-ʿAbbās B. Al-MaʾMūn And A “Thwarted” Coup D’État, John P. Turner

John P. Turner

This article focuses on the point at which the slave soldiers of al-Muʿtaṣim (r. a.h. 218–227/833–842 c.e.) rose to the political forefront and came to dominate the holder of the Caliphal seat. It is a study of the mechanisms by which the center of the state, and more specifically the Caliph, came to be their captives.

I Am A Shirt, Gregory Williams

Student Publications

In order to understand the technological developments and achievements of the Islamic world, it is important to highlight the different processes, practices, and techniques used in creating objects, whether artistic or otherwise. This paper follows a plausible journey for a single shirt, from its initial creation as a piece of cloth to the epigraphic designs that gave it its deeply religious and mystical power to whoever wore it in Mughal India.