Arts and Humanities Commons^™

The Dome Of The Rock And The Politics Of Restoration, Beatrice St. Laurent

Bridgewater Review

No abstract provided.

The Tear That Does Not Mend: A Review Of 'Freedom, Trauma, Continuities: Northern India And Independence', Haimanti Roy

History Faculty Publications

Academic attention on Indian Independence and Partition has hitherto been focused mainly on the political and the "sheer teleology to the climax in August 1947 when British power was formally transferred." Freedom, Trauma, Continuities: Northern India and Independence, in the view of its editors as well as its contributors, is an attempt to examine other developments, no less momentous, during this period. The book, which is a collection of 12 essays by different authors dealing with various aspects of the Partition of 1947, attempts, as the title suggests, to document the "trauma" and find the "continuities" following "freedom."

1923-1938 Döneminde Konya'nın İktisadî Durumu, Yaşar Semiz

Yaşar Semiz

No abstract provided.

The Ottoman Navy 1900-1918 : A Study Of The Material Personnel And Professional Development Of The Ottoman Navy From 1900 Through The Italian, Balkan, And First World Wars., Karl Wilhelm Augustus Darr

Electronic Theses and Dissertations

As seafaring states evolve into nations and nations into empires, the power that protects such maturation is seapower. Geographic isolation via deserts or seas can obtain time for political and social evolution. However, only a formidable naval presence can ensure external security in order that internal reforms take root. No major modern power has survived without an adequate indigenous navy. This doctrine holds true especially in reviewing the navy of the Ottoman Empire in the early twentieth century.

In this thesis, l show that the absence of tangible fleet units cost the Ottoman Empire not only the peripheries of the …

Danse Du Ventre, Anthony Shay

Pomona Faculty Publications and Research

Danse du ventre (also called belly dance or danse orientale) most probably derived its name from one or both of two sources: (1) a corruption of the Arabic raqs al-baladi, meaning "dance from the countryside," and (2) a reference to the highly developed movement articulations of the torso and abdomen, which are the most characteristic movement practices of this widespread dance genre. Arabs outside Egypt often call it raqs al-sharq ("Oriental dance") or raqs al-misri ("Egyptian dance"), underscoring the widespread notion that this dance tradition originated in ancient Egypt. No historical documentation exists for the origins of …

Arabian Peninsula, Anthony Shay

Pomona Faculty Publications and Research

The regional dances of the vast but sparsely populated peninsula that includes Saudi Arabia, the Gulf states and emirates, and Yemen are--due to political, religious, economic, and other reasons of access--among the least studied. Historically, the gulf region is one of the most ancient marketplaces, with traders from India, Mesopotamia, Africa, and the Arabian hinterland meeting here for centuries. Influences from all these groups may be discerned in the dancing.

Afghanistan, Anthony Shay

Pomona Faculty Publications and Research

A very conservative Islamic country, Afghanistan lies on the eastern edge of the Middle East, to the west of Pakistan and India. Afghanistan is at the confluence of Iranian, Central Asian, and Indian cultural currents, and most groups within Afghanistan have ethnic ties across the borders. Indian elements are the least felt, but the rhythmic footwork of some solo dancing is highly reminiscent of classical Indian traditions. A variety of ethnic and linguistic groups, each with its own choreographic tradition, reflects Afghanistan's enormous cultural diversity. Its dance traditions, however, are scarcely documented. As in most Islamic countries, dancers are paid …

Lebanon, Anthony Shay

Pomona Faculty Publications and Research

In many respects, Lebanon is unique among the Arab states of the Middle East, and this uniqueness is reflected in its dance traditions, particularly in the number of professional performances given. Lebanon is a country more urban than rural, although most residents of Beirut, its capital, have some village relations or associations. Because the nation is small, no village is more than a few miles from Beirut or from such urban centers as Sidon or Tripoli. Lebanon's population is highly educated, and nomads (bedouins) account for only a miniscule percentage. The country's many religious groups and sects--mainly Christian and Islamic--seem …

Kurdish Dance, Anthony Shay

Pomona Faculty Publications and Research

The Kurds are a nomadic people whose homeland (Kurdistan) and population (of some 10 million) are now divided among mountainous rural regions of Syria, Turkey, Iran, Iraq, and Armenia; small numbers live in Israel and the Republic of Georgia, (and a separatist movement is headquartered in Paris, France). They speak an Iranian (a Persian) language, and some believe them to be the descendants of the ancient Medes. Without a state of their own, the Kurds place great importance on such cultural forms and identity markers as dancing.

Iran, Anthony Shay

Pomona Faculty Publications and Research

As the locale for one of the oldest continuing cultural, linguistic, and ethnic entities, Iran provides archaeological evidence for dance portrayed on Mesopotamean pottery dated to 5000 BCE (Zoka', 1978). Evidence for continuing choreographic activity is documented in the historical writings of foreigners, from biblical times to ancient Greece to the Persian and Ottoman empires. Iconographic artworks showing dance also exist, such as silver objects from the Sasanian period (224-650 CE) and Persian miniatures from the twelfth century. Iran is, and most likely has always been, a place of immense ethnic and linguistic diversity, a continental crossroad open to influences …