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Full-Text Articles in Arts and Humanities
Catholicism In Context: Religious Practice In Latin America, Gustavo Morello Sj
Catholicism In Context: Religious Practice In Latin America, Gustavo Morello Sj
Journal of Global Catholicism
A critical problem to study Catholicism in the context of Latin American modernity, is that the conceptual tools we use to study religion were designed to understand the transformations that modernity provoked in European religiosity. Studies on the religion of Latin Americans have largely explored the religiosity of the population through surveys that measure attendance, adherence and affiliation. While some anthropologists have explored religious practices among particular groups, we do not know how ordinary, urban Latin Americans practice religion. To fill this gap, a group of researchers from Boston College, Pontifical Catholic University of Peru, Catholic University of Córdoba, and …
Editor's Introduction, Mathew N. Schmalz
Editor's Introduction, Mathew N. Schmalz
Journal of Global Catholicism
No abstract provided.
Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K
Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K
Présence Francophone: Revue internationale de langue et de littérature
This study examines literary production in DR Congo especially with regard to the short story genre. This is based on the work of a generation of young writers who conceive their engagement with a literary field still under the sway of their elders as an avenue for self-assertion in a declining society portrayed through characters that find it difficult to carve a place in the sun. Their works showcase uncommon possibilities of expression that harness the virtues of economy and authenticity, suggesting the traits of what Congolese modernity should not be, given that authors seem to be more concerned with …
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
Présence Francophone: Revue internationale de langue et de littérature
Questioning the african uniqueness within the academic field of identity forces us to investigate the ability of Africans to find a way out of a painful aporia between an adulterated tradition and an overwhelming totalitarian modernity. The latter, in Africa more than anywhere else, constitutes an obstacle to individual emancipation. Thus it raises today like yesterday, the imperative of a dual liberation without which Africa will be unable to construct an identity taking into account both alterity and anteriority.
La Critique Des Langages Consacrés Et La Recherche D’Un Nouveau Rapport Au Monde Dans L’Oeuvre De V. Y. Mudimbe, Kasereka Kavwahirehi
La Critique Des Langages Consacrés Et La Recherche D’Un Nouveau Rapport Au Monde Dans L’Oeuvre De V. Y. Mudimbe, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
This article shows how V. Y. Mudimbe’s work is both a space where consecrated languages (Christianity and Marxism) that wrap up themselves while pretending to explain the world or justify it are criticised, and a search for a new language to establish a new relationship with the world as it is lived, that means outside of any dogmatism and mystification. It is through this dynamic that Mudimbe has contributed to the renewal of thought and forms in Africa.
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …