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Full-Text Articles in Arts and Humanities
Phrenology, Physical Anthropology And Ethnology: Nineteenth-Century Race Science And The Foundations Of Eurocentrism, Mckenzie Jayne Leeds
Phrenology, Physical Anthropology And Ethnology: Nineteenth-Century Race Science And The Foundations Of Eurocentrism, Mckenzie Jayne Leeds
History
This paper explores phrenology, physical anthropology, and ethnology--each a nineteenth-century scientific discipline that significantly influenced racial beliefs. These sciences were integral in forming and perpetuating racial hierarchies and the belief of perceived European superiority. The main goal of this project was to deconstruct the European superiority narrative, and to argue that these disciplines created a network of continued racism.
Losing Our Minds To Madness: Paradigm Changes In Western European Perceptions Of Mental Illness, James Michael Cecil
Losing Our Minds To Madness: Paradigm Changes In Western European Perceptions Of Mental Illness, James Michael Cecil
History
Academia and scholarship of the 20th-century bred a renewed interest in mental illness throughout history. Despite an increase in the literature within the discourse surrounding "madness," scholars have generally failed to understand how and why Western European societies have viewed mental illness in various ways throughout recorded history. This paper argues that there remains an inherent, human desire to reject anything different from humanity, particularly mental illness, which is nearly impossible to fully comprehend. This is especially true in the case of how societies have institutionalized, punished, and subjugated the "mad" individual.
Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth
Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth
History
During the relatively short period from the mid-to-late eighteenth century when glass musical instruments were manufactured and gained popularity, several women made names for themselves in the realm of avant-garde musical performance. The lives of three female glass instrument players: Anne Ford, Marianne Davies, and Marianne Kirchgassner, show how these successful performer-entrepreneurs operated in an age of emerging feminine public identity. Their journeys reveal much about the gender dimensions of the age, the role of music in the modern era, the consumption of it, and their approach to business. The financial opportunities presented to women looking to challenge the limitations …