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Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas Aug 2012

“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas

University of New Orleans Theses and Dissertations

In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …


Die Frauen, Der Strafvollzug, Und Der Staat: Incarceration And Ideology In Post-Wwii Germany, Andrea Moody Kozak Apr 2012

Die Frauen, Der Strafvollzug, Und Der Staat: Incarceration And Ideology In Post-Wwii Germany, Andrea Moody Kozak

Scripps Senior Theses

This thesis explores how the material reality of Germany's women's prisons has been largely determined by their ideological foundations, and by the historical developments that have produced these ideologies. The German women's prison system is complex and imperfect, yet in many ways very progressive. It is the result of the last sixty years of tumultuous German history, and has been uniquely shaped by the capitalist and communist histories of the once-divided state. In its current state, it seems to have incorporated elements of a supposedly “rational” or individualistic conception of humanity as well as one that is relational and interdependent, …


“No Man’S Land”: Fairy Tales, Gender, Socialization, Satire, And Trauma During The First And Second World Wars, Dawn Heerspink Feb 2012

“No Man’S Land”: Fairy Tales, Gender, Socialization, Satire, And Trauma During The First And Second World Wars, Dawn Heerspink

Grand Valley Journal of History

No abstract provided.


"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner Jan 2012

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …


Christine Jorgensen And The Media: Identity Politics In The Early 1950s Press, Emylia N. Terry Jan 2012

Christine Jorgensen And The Media: Identity Politics In The Early 1950s Press, Emylia N. Terry

Calvert Undergraduate Research Awards

“Christine Jorgensen and the Media: Identity Politics in the Early 1950s Press” analyzes America’s first transgender celebrity and the interpretations of her identity by a seemingly celebratory press. Jorgensen, who rose to fame in December 1952, was propelled to stardom partly because of the cultural climate of the 1950s. The first portion of my essay begins by setting the historical context of how gender nonconforming individuals were treated in the press before Jorgensen, and then analyzes Jorgensen’s personal characteristics that also helped make her a media fixture. However, the veracity of Jorgensen’s female identity was doubted by the time she …


Writing Words, Wearing Wounds: Race And Gender In A Puerto Rican Neo-Slave Narrative, Radost A. Rangelova Jan 2012

Writing Words, Wearing Wounds: Race And Gender In A Puerto Rican Neo-Slave Narrative, Radost A. Rangelova

Spanish Faculty Publications

This article analyzes Mayra Santos-Febres's novel "Fe en disfraz" as a modern subversive slave narrative that inverts racial and gender hierarchies and critiques contemporary Caribbean white male privilege. The analysis answers the following questions: How does the novel represent the racialized and sexualized female body? How does the novel's representation of racial and gender relations address the legacy of the Atlantic slave trade in the Caribbean? And ultimately, what does the novel suggest about (re-) writing the personal and the collective history of slavery?