Arts and Humanities Commons^™

A Workers' Paradise: Re-Integrating Newfoundland Into Colonial American History, Elena Hynes

Electronic Theses & Dissertations

The island of Newfoundland is conspicuous in colonial British and North American histories, most particularly and paradoxically, in its absence, a state of affairs which this study aims to help address. Multiple factors, including a paucity of documentary sources and various historiographic trends, have traditionally contributed to Newfoundland’s marginalization within colonial historical narratives. However, developments in recent years have made Newfoundland’s potential integration into the broader colonial dialogue more feasible including the advent of the Atlantic perspective, the expansion of available sources, and the work of multiple regional historians who have challenged enduring historiographic trends characterizing Newfoundland colonial settlements as …

“What Sort Of Man Reads Playboy?”: Gender, Heterosexuality, And Reader Letters In Playboy Magazine, 1953-1963, Kess Carpenter

Major Papers

Existing Playboy scholarship overlooks the significance of magazine’s audience outside of the bachelor subculture it fathered in the 1950s. In fact, consumers fitting Playboy’s desired readership of white, financially affluent, single men formed only a small percentage of its actual subscribers. This study makes evident that students, soldiers, sailors, military servicemen, middle- and working- class men, both single and married, as well as women, made up most of its readership. To date, no historical study has been conducted of reader letters to Playboy, which reveal the magazine’s significance to this audience.

This paper argues that postwar men used Playboy as …

The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella

Dissertations and Theses

In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …