Arts and Humanities Commons^™

Why Art And Design Matters, Leah J. Berkowitz

WWU Honors College Senior Projects

This capstone is an exploration of the history and development of art and design within China, from the beginnings of drawing and printing from over 2500 years ago, all the way to the Tiananmen Square Protests of 1989 and the current day Covid-19 lockdown protests. We look at how art and design both shaped society and was itself shaped during these pivotal moments in Chinese history. Through this research we can begin to understand the power and influence of art and design worldwide, and the incredible importance of nationwide art funding and education within our own society.

Of Homespun Opulence: An Analysis Of Jane Freilicher's Pastoral Abstraction In Parts Of A World, Grace Wolfe

Anthós

During a period of bold abstraction and American individuality, Jane Freilicher’s landscape and still-life paintings stand out for their figurative nature. Her use of color and tone to conjure the simple pleasure of life at home enrapture the viewer in a simultaneously universal yet personal experience. Upon closer inspection of her work, it becomes clear that although figurative in nature, Freilicher’s paintings abstract the pastoral to express identity in an urban environment. This essay examines Freilicher’s 1987 work, Parts of a World, in context with pastoral works throughout art history to understand the ways in which Freilicher both reflected …

The Impact Of Dunhuang Murals On Modern And Contemporary Chinese Art, Yuhan Song

Senior Projects Spring 2021

Senior Project submitted to The Division of Arts of Bard College.

Modern Self-Portraits: The Self In The Age Of Artistic Autonomy, Katie Vohr

Senior Theses and Projects

No abstract provided.

Tracing The Routes Of Floating Exhibitions: A Fluid Cartography Of Post-War Modernism Around 1956, Laura Bohnenblust

Artl@s Bulletin

This article discusses the phenomenon of floating art exhibitions based on the examples of the Argentinian exposición flotante and the Australian Pacific Loan Exhibition (both 1956). They manifested themselves at the same time as the “second wave of biennials” and can be interpreted as floating national pavilions. Through a spatial analysis of the routes taken across the open ocean, it is shown how the ships’ movements form what can be understood as a ‘negative map’ of canonical art history, oriented around the North Atlantic. This cartographic approach reveals blind spots in art historical research and contributes to the creation of …

Bloomsbury's Byzantium And The Writing Of Modern Art, Elizabeth Sarah Berkowitz

Dissertations, Theses, and Capstone Projects

“Bloomsbury’s Byzantium and the Writing of Modern Art” examines the role of Byzantine art in Bloomsbury art critics Roger Fry’s and Clive Bell’s narratives of aesthetic Modernism. Fry, in his pre-World War I and interwar writings and teachings on art, and Bell, in seminal texts such as Art (1914), have been branded by art historiography as the prime movers in a Formalist, teleological narrative of Modern art still prevalent in textbooks today. Fry’s and Bell’s ideas were later adopted by important Modernist authors and cultural figures, such as Alfred H. Barr, Jr., first director of New York’s Museum of Modern …

Clyfford Still In The 1930s: The Formative Years Of A Leading Abstract Expressionist, Emma Richan

Electronic Thesis and Dissertation Repository

In 2011, Clyfford Still’s painting 1949-A-No.1 sold for $61.7 million at Sotheby’s auction house. This painting was one of four up for auction by the artist that night, fetching a total of $114 million to build the Clyfford Still Museum in Denver to house his entire estate. Still was among the most celebrated and notorious of the Abstract Expressionists, receiving the highest praise from Mark Rothko, Jackson Pollock, and Clement Greenberg during his lifetime. Still’s legacy has faltered since his death in 1980. Until 2011, 95% of his life’s work was stored in a barn in Maryland, hidden from view. …

Art Walk, Gallery Of Contemporary Art

Sacred Heart University Art Collection

The Collection is comprised of a wide range of donatedart works—paintings, prints and sculpture. Works in The Collection are installed on campus so thatstudents, faculty, staff and visitors encounter original works of art everywhere—in public areas, such as hallways and common rooms, as well as in private offices throughout the University. As a result, art has become apart of the daily lives of everyone at Sacred Heart University.

To assist in appreciating a selection of the art displayed on campus, the essay Looking at Contemporary Art is included in this brochure.

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Art Walk Map & Works On Loan, Gallery Of Contemporary Art

Sacred Heart University Art Collection

Photos and descriptions of some of the outdoor sculptures on display on the campus of Sacred Heart University and a map of the locations of these and other works of art.

The Role Of The Artist At The Beginning Of The Twenty-First Century: An Exploration Of Dialectical Processes In Art And Science With Particular Reference To Biologically Based Art, Judith D. Roche

Theses: Doctorates and Masters

This thesis examines the role of the artist at the beginning of the twenty-first century. It focuses on the interaction between art and science in an exploration of the dialectical processes that may occur in that interaction. Researchers have recently developed techniques in stem cell technology and genetic modification that offer remarkable potential and bring possible advantages and disadvantages for scientists and the wider community. In response to these new technologies, scientists and artists have developed collaborative projects and, in some instances, artists have moved from the studio to the science laboratory to create work called sci-art, bio-art, or moistmedia. …

The Aesthetic Philosophy Of John Cage And The Visual Arts Of The Twentieth Century, Craig Griffeath

Master of Arts in Humanities | Master's Theses 1936 - 2022

This thesis presents a biographical analysis of the role of American composer, writer, and artist John Cage (1912-1992) in the evolution of visual arts in the twentieth century. The origins of Cage's aesthetic stance are discussed, particularly his melding of Marcel Duchamp's Dada orientation with philosophical positions derived from the study of Zen Buddhism. The influence of His views on painters, sculptors, and performance artists of the postwar period is documented, along with the aesthetic foundations of his own work in the visual arts.

A Comparative Study Of Georges Roualt And Chaim Soutine, Ann Hillard

Art & Art History ETDs

The purpose of this study is to offer for scrutiny certain aspects of the painters, Rouault and Soutine. In the introductory chapter they will be placed in their point in history, period in painting, and artistic line and descent. In the chapters following they will be compared to their personal backgrounds, development as painters, and respective techniques. Finally, they will be evaluated as to their importance to modern painting.

Nationalism: A Search For Unity, The Role Of The Mexican Government In Sponsoring Contemporary Fine Arts, Katharine Ferris Nutt

History ETDs

The following discussion is in part the history of nationalism in the fine arts of Mexico, as a spontaneous expression and as one artificially stimulated. Of equal concern, however, are the State's endeavors to channel nationalism by controlling the bellas artes through subsidy, decree, and law, and finally by the creation of a national institute or theater. The writer has endeavored to reveal both the advantageous and disadvantageous aspects of the government's control and to render some idea as to the extent to which cultural nationalism may forge permanent unity among the Mexicans.

A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence

Art & Art History ETDs

The general problem included the art and execution of bronze sculpture. It was felt that the theory of art of bronze sculpture, or any art, could be best comprehended when substantiated by practical illustration. In order to fully realize the problem, a brief history of bronze metal and bronze sculpture was presented in addition to the research in the field of various techniques of bronze casting. The practical illustration of this study was made in the form of a composition for bronze sculpture.