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Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
Subverting The Selfie: Analysis Of Cindy Sherman’S Instagram Photos And Untitled Film Stills, Katrina M. Russell
Subverting The Selfie: Analysis Of Cindy Sherman’S Instagram Photos And Untitled Film Stills, Katrina M. Russell
Theses and Dissertations
As a prominent artist of self-portraiture, Cindy Sherman has been captivating audiences and scholars for decades. Recently, some media outlets have begun generalizing all of Sherman's work under the selfie concept using her dual role as model and photographer as the defining factor along with her recent activity on Instagram. In this paper, I argue that characterizing all of Sherman's work as selfies is problematic and inaccurate while illustrating similar themes present in her early Untitled Film Stills series and more recent Instagram photos. First, I start by outlining the fundamental criteria for characterizing a photo as a selfie using …
“Dusty” Arcadias: Pastoral Visions And Greek Landscape In The Work Of Fred Boissonnas In The Context Of Mediterranean Cultural Myth, Marianna Karali
“Dusty” Arcadias: Pastoral Visions And Greek Landscape In The Work Of Fred Boissonnas In The Context Of Mediterranean Cultural Myth, Marianna Karali
Artl@s Bulletin
In the following paper, I examine the possible affiliation the Swiss commercial photographer Fred Boissonnas shared with certain groups of Greek-French Nationalists as early as in 1903-1907 and the way this particular nexus inspired the integrity of his work on Greek landscape, forming as well his naturalistic vision on photography. Within the visionary spectrum of a northerner excursionist and the aesthetic eye of a Pictorialist photographer, Boissonnas marked an Innovative gaze upon Mediterranean Arcadian Imagery, altering the Symbolic Classicism of von Gloeden paradigm of Italian South.
Across The West And Toward The North: Norwegian And American Landscape Photography, Shannon Egan, Marthe Tolnes Fjellestad
Across The West And Toward The North: Norwegian And American Landscape Photography, Shannon Egan, Marthe Tolnes Fjellestad
Schmucker Art Catalogs
Across the West and Toward the North: Norwegian and American Landscape Photography examines images from the late nineteenth and early twentieth centuries, a historical moment when once remote wildernesses were first surveyed, catalogued, photographed, and developed on both sides of the Atlantic. The exhibition demonstrates how photographers in the two countries provided new ways of seeing the effects of mapping and exploration: infrastructure changes, the exploitation of natural resources, and the influx of tourism. As tourists and immigrants entered “new” lands—seemingly unsettled areas that had long been inhabited and utilized by Indigenous people in both countries—they “discovered” beautifully remote landscapes …
Art And Environmental Racism In The United States: Through The Works Of Latoya Ruby Frazier, Pope.L, And Mel Chin, Veronika Anna Molnár
Art And Environmental Racism In The United States: Through The Works Of Latoya Ruby Frazier, Pope.L, And Mel Chin, Veronika Anna Molnár
Theses and Dissertations
Through the works of LaToya Ruby Frazier, Pope.L, and Mel Chin, this thesis examines the ways in which artists address environmental racism in the United States. Focusing on three locations with majority Black populations and significant toxic hazards, this paper demonstrates artists’ agency to alleviate crises caused by environmental injustice.
Made Of Water, Covered In Mud, Nicole Norman
Made Of Water, Covered In Mud, Nicole Norman
Graduate Theses and Dissertations
My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …
In-Between Spaces, Trinity Kai
In-Between Spaces, Trinity Kai
Graduate Theses and Dissertations
In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.
Do You Want To Be Tender?, Leah Grant
Do You Want To Be Tender?, Leah Grant
Graduate Theses and Dissertations
In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.
To Let See. The Shocking Picture As A Social Mobilization Weapon, Beatriz Martínez Sosa
To Let See. The Shocking Picture As A Social Mobilization Weapon, Beatriz Martínez Sosa
Artl@s Bulletin
This paper analyses the role that Emmett Till’s postmortem pictures had in the emergence of the modern civil rights movement. When they circulated in magazines, newspapers, and television in 1955, African Americans mobilized all over the U.S., so the pictures worked as a mobilization weapon. I intend to develop some hypotheses to explain this effect. To this end, the paper comprises four parts: an outline of the murder case; an analysis of the pictures’ formal and semantic features as well as the discourses and context where they were released; an examination of Till’s figure as a martyr through the effects …
Diane Arbus: Documenting The Abnormal, Lyla Cornman
Diane Arbus: Documenting The Abnormal, Lyla Cornman
Art History Senior Papers
The late Diane Arbus once said, “Everybody has that thing where they need to look one way but they come out looking another way and that’s what people observe. You see someone on the street and essentially what you notice about them is the flaw…there’s a point between what you want people to know about you and what you can’t help people knowing about you.”[1] Arbus was aware that no one is exempt from others’ gaze, including herself, a theme repeated throughout her work. In this essay, I will be examining the work of Diane Arbus that showed intimate …
Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha
Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha
Theses and Dissertations
The artist Sturtevant produced exacting but inherently distinct recreations of artworks only recently completed by her contemporaries. This thesis examines the body of work she created after Marcel Duchamp between 1966 and 1973, and how that work reveals the central and entwined roles of photography and installation in her practice.
“Women Of Allah” And “The Book Of Kings:” Shirin Neshat’S Narratives Of Returning Home, Zahra Banyamerian
“Women Of Allah” And “The Book Of Kings:” Shirin Neshat’S Narratives Of Returning Home, Zahra Banyamerian
Dissertations and Theses
Using the framework of nostalgia defined by Svetlana Boym in The Future of Nostalgia, this thesis revisited the series “Women of Allah” and “The Book of Kings,” that Shirin Neshat created twenty years apart. It argues that the photographs of both series became the terrain through which Neshat narrates the relationship between her past, present, and future. She constructs her longing for home in “Women of Allah'' and she visualizes her homecoming in “The Book of Kings.” The central point to this research is Neshat’s personal relationship to an event that caused her a traumatic experience, the experience that interrupted …
Mothers Behind Cameras: Mother-Artist, Mother-Child Dyads In Sally Mann’S Immediate Family And Elinor Carucci’S Mother, Hayley A. Pierpont
Mothers Behind Cameras: Mother-Artist, Mother-Child Dyads In Sally Mann’S Immediate Family And Elinor Carucci’S Mother, Hayley A. Pierpont
Scripps Senior Theses
Women, particularly mothers, are often made invisible within narratives of their own family and domestic spaces, despite their role as creators and maintainers of those spaces. This perpetuation of invisibility is threaded throughout the history of artistic practices, (photography especially). Contemporary mother-artists Sally Mann and Elinor Carucci confront and unapologetically reflect their singular experience(s) with motherhood through their photography, which addresses the symbiotic dyads of mother-child and mother-artist. This thesis focuses on an analysis of four images: Mann’s The Wet Bed and Lee’s Dirty Hands, and Carucci’s Trying to Protect Emanuelle and I Will Protect You. In both …
Picturing Rights, Judging Wrongs: Photography And The Emergence Of Human Rights, Austin Dilley
Picturing Rights, Judging Wrongs: Photography And The Emergence Of Human Rights, Austin Dilley
Senior Projects Spring 2021
Senior Project submitted to The Division of Social Studies of Bard College.