Arts and Humanities Commons^™

Belén’S Plaza Vieja And Colonial Church Site: Memory, Continuity And Recovery, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

This is my capstone project for completion of a Post MA certificate in Historic Preservation and Regionalism. I received the degree in Spring, 2019. The project involves recovering the legacy of a historic colonial church site in Belén, New Mexico. The work involves the descendant community’s sense of place and the continuity of memory and sacredness of Belen’s first church and original plaza.

Art History & Mass Media: The Role Of Architecture In Narrative, Jacqueline Grassi

2017 Undergraduate Awards

Art history and visual culture is portrayed by popular media in various contexts, from blockbuster to documentary, and approached through vastly different methods, ranging from the perpetuation of popular myth to academic commentary. A dichotomy arises between representations of art history from the perspective of scholarly research and the appropriation of art history as a source for creative inspiration. A veritable academic approach is perceived to depict an accurate, factual engagement with visual culture, yet large crowds bring commercial success to sensational re-imaginings of history, despite an awareness of a removal from historical truth. However, this notion that there is …

1916 And The Challenges Of Commemorative Exhibitions In Ireland, Siobhan Doyle

Conference papers

Like many countries, Ireland has a chaotic and tumultuous past which results in challenges for national cultural institutions in presenting history to satisfy the education and expectation of both national and transnational audiences. The Easter Rising of 1916- a failed rebellion against British rule- is the pivotal event in the creation of the modern Irish state and is synonymous as a moment in the past which represents Irish history, characterizes Irish culture and amplifies national identity.

With 2016 marking 100years since the Easter Rising, my paper will explore how the recent centenary commemorations of this historic event have been a …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Mural Arts: Giving A Voice To The Voiceless, Olivia Bates

Faculty Curated Undergraduate Works

The history of mural arts cites the use of public images in visualizing global and local challenges and triumphs. From the prehistoric cave art in Lascaux Grotttoes, France to the magnificent works of Italian Renaissance artists, murals have transformed the art world by visually conveying social values, events, and transitions of historical times. Throughout the world, artists highlight inequality, invoke change, and give a voice to the voiceless through their images. In order to determine the value and meaning of public art in global and local communities, I researched and documented murals through online and in-person visits; compiling my visual …

Future Oriented Sustainable Design. Design Purpose: What Is Design And Who Is It For? [Please Note: This Is A Large File And May Be Slow To Download.], Barry Sheehan

Academic Articles

In November 2016 I was asked to make a presentation at the Future Oriented Sustainable Design International Conference in Wuhan in the People's Republic of China. My topic was Design Purpose: What is Design? And who is it for?

The presentation examines the wider aspects of design and its categories and asks who were are actually designing for.

I made a powerpoint presentation that I narrated in English whilst it was simultaneously translated into Chinese for the attendees at the conference. On my return to Ireland I created a soundtrack to accompany the presentation slides for people to watch the …

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Empowering American Women Artists: The Travel Writings Of May Alcott Nieriker, Julia K. Dabbs

Art History Publications

The painter May Alcott Nieriker, sister of famed novelist Louisa May Alcott, is a striking example of a middle-class woman who was able to achieve professional success in the United States and in Europe even though she lacked sustained instruction, income, and connections. This article first considers Alcott Nieriker's circuitous artistic path before focusing on how she sought, through her published travel writings, to empower other women of modest means to follow in her footsteps. Particular attention is given to her groundbreaking guidebook, Studying Art Abroad & How to Do It Cheaply (1879), which not only provides practical advice for …

Chinese Glass Paintings In Bangkok Monasteries, Jessica Lee Patterson Phd

Art, Architecture + Art History: Faculty Scholarship

Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought Chinese objects and images to nineteenth-century Siam. The ideals of accretion and abundance characteristic of Thai Buddhism and the sinophilia of Rama III facilitated the construction of “Chinese-style” Thai temples. Glass paintings with scenes of the Pearl River Delta, Romance of the Three Kingdoms, auspicious objects, and bird-and-flower compositions were installed in temples and inspired new directions in Thai mural …

The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey

Independent Study Project (ISP) Collection

This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19^th and early 20^th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …

Orientalism And The Archaeological Survey(S) Of India, Ilan Desai-Geller

Independent Study Project (ISP) Collection

This study is an investigation of the Archaeological Survey of India (ASI). It was inspired by the somewhat incongruous fact that the ASI, which now exhorts visitors to its monuments to feel pride in their heritage, was founded by British colonialists who felt that contemporary Indian society was in shambles and in need of Western domination. In an attempt to investigate the completeness of this transformation, this study traces key events and figures in the ideological, institutional, and academic history of the study of the Indian past, paying close attention to the relationship between scholarship and colonialism. This analysis, combined …

The Influence Of Ajanta On Indian Modern Art, Nolan Hawkins

Independent Study Project (ISP) Collection

The artwork of the Ajanta cave temples has had a major impact on the definition of Indian artistic identity and upon the modern art movement in India. This paper describes the history and construction of the caves and their specific stylistic and ideological influence of and interpretation by various key figures of the modern art movement. The first major projects to produce copies of the Ajanta frescoes (those by Major Robert Gill, John Griffiths and his students, and Lady Herringham and Abanindranath Tagore's students) are surveyed and put in context. Various early art-historians and critics are examined with respect to …

Tragedy And The Vicious: Moral Education In Aristotle’S Poetics And Future Applications To Contemporary Art, Erika Brown

Mahurin Honors College Capstone Experience/Thesis Projects

This project interprets Aristotle’s Poetics through a morally educative approach. More specifically, expanding on past research of Poetics by individuals such as Isaiah Smithson, this project will examine the affective influence of tragedy on morally unknowing audience members of vicious character types. Through the associations between the sensory experiences incorporated in a tragedy and moral messages portrayed in the plot, the vicious character can begin a process of becoming morally knowing subjects. In others words, this experience with morally charged tragedies can teach vicious characters what is morally good. Moreover, the vicious audience members can learn how what is morally …

History Of Visual Communication Design: The Bezelel Academy Of Art, Jerusalem, Shayna Tova Blum

Faculty and Staff Publications

Supported by the modern European Zionist movement, the Bezelel Academy of Art, Jerusalem, was founded in 1906 by Lithuanian artist and Zionist Boris Schatz. In the early years of the academy, work produced by students exhibited the political complexities presented in the Jewish return to Eretz Israel. The expression of concepts addressed in modern Jewish identity and Zionist ideologies were utilized in creative processes of visual communication and design. As most faculty and students were immigrating to Mandatory Palestine from Europe, the academy’s curriculum was developed through the culmination of styles and materials reflective of both European art and design …

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …

The Past Is Open To The Future: Lithuanian Folk Pottery 1861 - Present, Anthony E. Stellaccio

Masters Theses & Specialist Projects

In 2011, following several years of in-country research, I published a book on Lithuanian folk pottery. I enrolled in the Folk Studies master’s program at Western Kentucky University (WKU) in 2014, well after my research and book had been completed. In the present study, I use my newly acquired knowledge of folklore In my previous work to revisit Lithuanian folk pottery.

In my previous work, I had sought to create a picture of “authentic” Lithuanian folk pottery that was confined to the narrow temporal borders of 1861-1918. Here I deconstruct conventional ideas about authenticity, as well as culture and heritage, …

To Whom Does The Body Of The Dead Soldier Belong?: An Examination Of British Imperial Strategy And The Making And Meaning Of World War I Memorials, Hannah M. Jeruc

Lawrence University Honors Projects

In 1915, one year into World War I, Fabian Arthur Goulstone Ware founded the Imperial War Graves Commission, the official body responsible for locating, identifying and burying the dead British and Commonwealth soldiers. By the end of the war, the British had lost about one million troops, and for the next 20 years, the Commission would work diligently to create 970 cemeteries, 600,000 graves and 18 larger memorials to commemorate the British losses on the Western Front. However, the significance of the British WWI memorialization process is about more than the Empire's architectural achievements, but rather, the story the architecture …

James Joyce Run: Good Puzzle Would Be Cross Dublin Without Passing A Pub, Barry Sheehan

Academic Articles

I write a blog www.jj21k.com which looks at the works of James Joyce, the environment which he wrote about and changes that have taken place since he wrote about them. The blogposts are predominantly about Dublin. As part of discovering Dublin by reading and Running I have written several longer pieces.

In Ulysses Leopold Bloom thinks Good puzzle would be cross Dublin without passing a pub. This piece creates a running narrative that does just that, linking Cabra where the Joyce family lived on the north side of Dublin, with Shelbourne Road on the south side and where James Joyce …

Lost In Adaptation, Caitlin S. Manocchio

Student Scholar Symposium Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen …

Representing Propaganda: Anti-Tyrannical Art Of The Greek, Roman, And French Populist Agendas, Katherine Norgard

School of Art, Art History, and Design: Theses and Student Creative Work

History is often shaped to fit certain agendas. Regular, flawed individuals become heroes and martyrs. The truth is often more complicated, as proven by the fact that Harmodios and Aristogeiton gained their fame by publicly slaughtering a well-liked ruler for encroaching on their pederastic relationship, Brutus gained his fame by murdering Julius Caesar for getting too close to his mother (and sister), and Jean-Paul Marat was exalted and worshiped for violence-inciting journalism.

Harmodios, Brutus, and Jean Paul Marat all serve as symbols of equalitarianism. Their public portrayals were crafted to be symbols that fit the [needs of] revolutionary agendas. As …

Study Of Northern Renaissance Artist Sebald Beham Through His Printed Works, Anika Zempleni

UCARE Research Products

Sebald Beham (1500-1550) was a Northern Renaissance artist born in Nuremberg, Germany. His works include woodcuts, engravings, paintings, and designs for stained glass. Most of his works are prints, however. This project focused on gaining a better understanding of the interests, associates, and living locations of Beham, based off of the knowledge that was gained through looking at where his works were printed, and by whom.

Advisor: Alison Stewart

Announcings, Babette Babich

Articles and Chapters in Academic Book Collections

The Annunciation is often thematized in the critical literature and foremost among these thematizations, recently to be sure, are feminist readings, which matter for this essay although this essay can only refer to these in passing.

The focal concern is personal correspondence and intimate address or intrigue. This essay thus offers a hermeneutic reading less of the presumptive purity of our perception of this painting, as indeed of its reception, involving a distinction to be noted between male and female subjects than it reviews a recollection of the divine inclination to beauty in both pagan, Greek, and Judaeo- Christian traditions. …

Global Medievalism: From Model Books To Manga, Leslie D. Ross

Collected Faculty and Staff Scholarship

No abstract available

"Processing The Scape", Sim And Hvítahús Artist Residencies, Iceland, Yvonne Petkus

Grant Reports

International Activities Grant – Final Report

"Processing the Scape", SIM and Hvítahús Artist Residencies, Iceland was a sabbatical related research activity that included two artist residencies in Iceland: SIM Residency Program in Reykjavík (February 2016) and Hvítahús Artist Residency near Hellisandur (March 2016).

Art For The People: Wpa Prints And Textiles From The Permanent Collection, Antje K. Gamble, T. Michael Martin

Faculty & Staff Research and Creative Activity

As the first major, nationalized support system for artistic production in the United States, the New Deal’s Federal Art Project (F.A.P.) strove to create a holistic vision of art for the American people. Debates among art historians and political pundits alike pointed to the perceived-lack of a truly-American modern art. Cultural critic Lewis Mumford articulated that, opposed to European Modernism, “[w]hat American taste recognizes [is] that there is more aesthetic promise in a McAn shoe store front, or in a Blue Kitchen sandwich palace than there is in the most sumptuous showroom of antiques…” In accordance, the F.A.P. supported artists’ …

Past Meets Future: Combining Gis, 3d Technologies, And Legacy Data To Reanalyze Ceramics At Copan, Honduras, Stephanie Sterling, Heather Richards-Rissetto, René Viel

UCARE Research Products

The archaeological site of Copán—a UNESCO World Heritage Site in Honduras—was a primary center for cultural and economic exchange in the Maya world from the fifth to ninth centuries. Our research investigates the sociopolitical climate of the city immediately preceding this collapse. This poster presents the results of a pilot study intended to evaluate the potential of using a combination of digital technologies and legacy data to reanalyze a subset of diagnostic ceramics from select sites outside of Copan’s urban core. Our methods involved:

(1) Applying photogrammetry to generate 3D models for approximately 30 potentially temporally-diagnostic ceramic types

(2) Digitizing, …

The Art Of Exile: A Narrative For Social Justice In A Modern World, Dakota D. Homsey

Student Publications

In this paper I will illustrate what exile art is, how it is influenced on a global platform, and the change it engenders. My research reveals a central theme of globalization in the exchange, mix, and clash of cultures and political views that accompany it as well as the spread of art and ideas. In my research I illustrate how political circumstance, and sense of responsibility to share a political narrative, propelled exile art from a personal to a political narrative. My research illustrates how, as displaced people stripped of a homeland, exiled artists have surfaced as a voice of …

Capstone 2016 Art And Art History Senior Projects, Art And Art History Department

Student Publications

This booklet profiles Art Senior Projects by Maura B. Conley, Caroline G. Cress, Carolyn E. McBrady, Alesha R. Miller, Emma S. Shaw, Eleanor E. Soule, Katherine G. Warwick, and Rebecca T. Wiest.

This booklet profiles Art History Senior Projects by Deirdre E. D'Amico, Rebecca S. Duffy, Megan R. Haugh, Molly R. Lindberg, Kelly A.B. Maguire, and Lucy K. Riley.

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.