Arts and Humanities Commons^™

Princípios-Tópicos De Hermenêutica Constitucional, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

Houve tempo em que a Constituição servia para poisar ou charuto ou tirar um argumento político, como ironicamente afirmaria o grande escritor oitocentista Eça de Queiroz. Hoje a Constituição é a norma das normas. Daí há consequências hermenêuticas. Ao contrário das teorias que importam interpretação tradicional e, por vezes, em grande medida ultrapassada, para o Direito Constitucional, a tendência actual é a inversa: dada a supremacia da Constituição, deve ser a metodologia constitucional a exportar hermenêutica para o todo do Direito. Para isso, começamos neste artigo com grandes princípios de hermenêutica intra-constitucional. Depois se passará à exportação.

Living Impressionism: Edmond & Jules De Goncourt, Pamela Warner

Pamela J. Warner

No abstract provided.

Odoni’S Façade The House As Portrait In Renaissance Venice, Monika Schmitter

Monika Schmitter

No abstract provided.

Chronology Of The Drafting, Review, And Revision Of The Proposed Icomos Charter For The Interpretation And Presentation Of Cultural Heritage Sites, Neil A. Silberman

Neil A. Silberman

No abstract provided.

Where I Am, There (Sh)It Will Be, Melanie Mcdougald

Melanie E McDougald

No abstract provided.

Haffenreffer Museum Of Anthropology, Pamela Warner

Pamela J. Warner

No abstract provided.

Creating The New Man: War Trauma And Regeneration In Fernand Léger’S Designs For La Création Du Monde (1923), Maureen Shanahan

Maureen G. Shanahan

No abstract provided.

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

Who’S Your Mammy?: Figuring Aunt Jemima, Harrison W. Inefuku

Harrison W. Inefuku

In existence for over a century, the advertising icon Aunt Jemima remains a point of contention for many African Americans, despite a recent makeover that attempted to remove visual signifiers of slavery. To understand the icon's negativity, I explore its roots in slavery,the minstrel stage and The Exhibition of the Other. I then move to an analysis of "The Legend of Aunt Jemima," a series of advertisements produced in the 1920s, to determine how racism was manifested in the icon*s promotional materials.

Who's Your Mammy?: Figuring And Refiguring Aunt Jemima, Harrison W. Inefuku

Harrison W. Inefuku

In existence since the late 1890s, advertising icon Aunt Jemima has been indelibly etched into the American memory—virtually unchanged from her debut until her makeover in 1989. Before this recent transformation, Aunt Jemima was the quintessential embodiment of the mammy stereotype—a heavyset black woman, complete with apron and bandana. Her creation was situated at the locus of several racist traditions and discourses directed towards African Americans—the mammy stereotype, the minstrel show, The Myth of the Old South, and the Exhibition of the Other. This embodiment of multiple racist practices helps to explain how the mammy in general, and Aunt Jemima …

Pollution And Hybridity: Cultural Collision In Masami Teraoka's Mcdonald's Hamburgers Invading Japan (1974–5), Harrison W. Inefuku

Harrison W. Inefuku

Japanese-born artist Masami Teraoka immigrated to the United States in the 1960s, in the midst of a burgeoning post-war mass consumer society. During a visit to Vancouver, the artist was struck by the Golden Arches of McDonald's looming over the city and was prompted to create his series, McDonald's Hamburgers Invading Japan (1974-5), which shows the impact of the American multinational corporation on a post-World War II Japan. Completed in watercolor to resemble ukiyo-e woodblock prints, Teraoka shows the permeability of the boundaries between East and West. In my analysis of the series, I build on concepts of pollution and …

Exploring The Frontiers Of Heritage: Economics, Social Ecology, And Collective Memory, Neil A. Silberman

Neil A. Silberman

No abstract provided.

Pollution In Inner And Outer Spaces: Masami Teraoka's Mcdonald's Hamburgers Invading Japan, 1974–5, Harrison W. Inefuku

Harrison W. Inefuku

Japanese-born artist Masami Teraoka arrived in the United States in the 1960s, in the midst of a burgeoning post-war mass consumer society. During a visit to Vancouver, the artist was struck by the Golden Arches of McDonald's looming over the city as a portent of a global takeover by the company. This awareness prompted his series, McDonald's Hamburgers Invading Japan (1974-5), which depicts an old, traditional Japanese culture coming into contact with a new, modern American one with results that are at times humorous, and at others, chaotic. Completed in watercolor to resemble ukiyo-e woodblock prints, Teraoka masterfully fuses Eastern …

Domestic Space, Gendered Experience: Andrea Zittel’S Nomadic Living Units, Lauren L. Gallow

Lauren L. Gallow

Andrea Zittel, widely considered one of the most influential artists of the past fifteen years, emerged in 1991 with her “breeding unit" installations: compartmentalized living and breeding spaces for small animals. Since 2001, Zittel has largely produced prototypes of objects for everyday use, from wearable fashion to furniture, vehicles, and portable living structures. These living “units" are frequently either compact, portable dwellings, or modules designed to define an interior space and provide all the necessities of everyday living, including cooking, washing, and sleeping. In an analysis of Zittel's austere yet consumerist living spaces, I examine the intimate link between domestic …

Transgressions: Transgender, Transnational, Transsexual, Lauren L. Gallow

Lauren L. Gallow

Exhibition essay for Transgressions: Transgender, Transnational, Transsexual, hosted by the University of the Pacific's Reynolds Gallery from April–June 2007.

Carving Out Identity: Sadomasochism And The Discourse Of Evil In The Work Of Catherine Opie, Lauren Gallow

Lauren L. Gallow

Cutting. Mutilation. Manipulation. Distortion. As both a photographer and member of the lesbian and sadomasochistic communities, Catherine Opie has embraced extreme and violent actions as a means of fighting against narrow definitions of gender, sexual identity, and family values. During the early 1990s when Opie produced two of her most controversial works—Self-Portrait/Cutting (1993) and Self-Portrait/Pervert (1994)—a discourse of “evil” was often evoked in an attempt to marginalize and disempower the subcultures Opie represented in her photographs. The key players involved in the NEA censorship controversy (1989–1991) propagated just such a discourse, leading to a demarcation of these subcultures as “evil” …

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

In The Service Of God - Mixed Choir, Keith Rowley

Keith D Rowley

Anthem for SATB choir, congregation and organ with words from D&C 4:2-3. Incorporates the hymn "God of Power, God of Right;" tune by Tracy Y. Cannon and words by Wallace F. Bennett.

"Fuga Demonium Angeli Pacis Ingresus.El Ritual Romano Galicano En El Proceso De Transformación De Los Espacios Sacros:De La Mezquita A La Iglesia (Siglos Xi-Xiii)", Marisa Bueno

Marisa Bueno

No abstract provided.

El Patrimonio Cultural De La Ciudad De Alicante: Avance Para Un Catálogo. Bienes Inmuebles., Pablo Rosser

pablo rosser

Primer avance de fichas patrimoniales sobre el patrimonio cultural de Alicante, en su aspecto de Bienes inmuebles.

Cultural Heritage And The Information Technologies: Facing The Grand Challenges And Structural Transformations Of The 21st Century, Neil A. Silberman

Neil A. Silberman

No abstract provided.

Reshaping Waterloo: History, Archaeology, And The European Heritage Industry, Neil A. Silberman

Neil A. Silberman

No abstract provided.

Two Archaeologies, Neil A. Silberman

Neil A. Silberman

No abstract provided.

Sustainable Heritage? Public Archaeological Interpretation And The Marketed Past, Neil A. Silberman

Neil A. Silberman

No abstract provided.

This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen

Dore Bowen

No abstract provided.

The Function Of Dysfunction, Dore Bowen

Dore Bowen

No abstract provided.

Surrealist Masculinities: Gender Anxiety And The Aesthetics Of Post-World War I Reconstruction, Amy Lyford

Amy Lyford

No abstract provided.

Nature, Culture And The Origins Of Greek Comedy. A Study Of Animal Choruses, Kenneth Rothwell

Kenneth S Rothwell, Jr.

The animal choruses of Greek Old Comedy appeared on stage for a generation or two, mostly in the later fifth century B.C., and then disappeared. What factors intersected to bring them about? The book examines the evidence from vase-painting as well as ancient literary and philosophical traditions about animals and human culture.

See How We Love One Another: Judith Rosbe's Long Term Marriage, Pamela Warner

Pamela J. Warner

Introduction to exhibition catalog.