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Articles 1 - 18 of 18
Full-Text Articles in Arts and Humanities
Donatello’S David: The Putti Speak, Sally A. Struthers Ph.D.
Donatello’S David: The Putti Speak, Sally A. Struthers Ph.D.
Sally A. Struthers, Ph.D.
As the first approaching life-sized, freestanding, sensuous, bronze nude since Antiquity, Donatello’s bronze David is a critical monument of the Italian Renaissance. It is also one of the most enigmatic. David is nude, but not completely unclothed, wearing a feminine-looking hat and knee-high boots. David holds a rock and a sword, while standing suggestively, on the head of Goliath. He stands in a relaxed contrapposto stance. His left hand, held to his hip, holds a stone. His right hand is resting on an oversized sword, which points downward to the helmet of Goliath, between the feet of David. As Zuraw …
Documenting History With Prints: The Goncourt Brothers' Eighteenth-Century Projects, Pamela Warner
Documenting History With Prints: The Goncourt Brothers' Eighteenth-Century Projects, Pamela Warner
Pamela J. Warner
Invited by Professor Thomas Gaehtgens, Director, Deutsches Forum für Kunstgeschichte.
The Destabilization Of Form And Function In Carpeaux's La Danse: A Case Study Of The Critical Reaction, Pamela Warner
The Destabilization Of Form And Function In Carpeaux's La Danse: A Case Study Of The Critical Reaction, Pamela Warner
Pamela J. Warner
No abstract provided.
Word And Image In The Goncourt Brothers' Construction Of History, Pamela Warner
Word And Image In The Goncourt Brothers' Construction Of History, Pamela Warner
Pamela J. Warner
No abstract provided.
"Vampiri" A Trani. Metti Un Masso Sul Morto Iapigio, Giacomo Annibaldis
"Vampiri" A Trani. Metti Un Masso Sul Morto Iapigio, Giacomo Annibaldis
Dr Anastasia Tsaliki, PhD
No abstract provided.
"To Paint The Color Of Things:" The Goncourt Brothers And The Pictoriality Of History, Pamela Warner
"To Paint The Color Of Things:" The Goncourt Brothers And The Pictoriality Of History, Pamela Warner
Pamela J. Warner
No abstract provided.
Les Goncourt Et La Critique Des Peintres Paysagistes Autour De 1850, Pamela Warner
Les Goncourt Et La Critique Des Peintres Paysagistes Autour De 1850, Pamela Warner
Pamela J. Warner
Invited by Jean-Louis Cabanès, director of the Séminaire Goncourt, C.N.R.S.-I.T.E.M.M.
The Goncourt Brothers And The Battle Between Paint And Nature In Landscape Painting Of The 1850s, Pamela Warner
The Goncourt Brothers And The Battle Between Paint And Nature In Landscape Painting Of The 1850s, Pamela Warner
Pamela J. Warner
No abstract provided.
Come, Sing To The Lord - Mixed Choir, Keith Rowley
Come, Sing To The Lord - Mixed Choir, Keith Rowley
Keith D Rowley
Anthem for SATB choir and piano from the hymn by Gerrit de Jong, Jr. Also includes the chorus of "The Spirit of God."
The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović
The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović
Jelena Bogdanović
No abstract provided.
The First Revolt And Its Afterlife, Neil A. Silberman
The First Revolt And Its Afterlife, Neil A. Silberman
Neil A. Silberman
No abstract provided.
Into The Looking Glass, Dore Bowen
Into The Looking Glass, Dore Bowen
Dore Bowen
The article reviews the exhibition Yes Yoko Ono at the San Francisco Museum of Modern Art.
The Science Behind Francesco Borromini's Divine Geometry, John Hatch
The Science Behind Francesco Borromini's Divine Geometry, John Hatch
John G. Hatch
No abstract provided.
Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy
Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy
Anthony Purdy
Within the narrative poetics of the archaeological find, accounts of the discovery of beautifully preserved Iron Age bodies in the peat-bogs of Northwestern Europe constitute a particularly complex, well-defined and resonant subgenre. A reading of the genre’s founding text, P.V. Glob’s The Bog People, reveals a repertoire of tropes and topoï that will inform subsequent fictional treatments of bog body finds. Arguing that the poetic specificity of the bog body lies in its extraordinary capacity to abolish temporal distance and mediate between past and present, this essay seeks to define the figure as a special kind of chronotopic motif, or …
La Critique Du Paysage Dans Le Salon De 1852 D'Edmond Et Jules De Goncourt, Pamela Warner
La Critique Du Paysage Dans Le Salon De 1852 D'Edmond Et Jules De Goncourt, Pamela Warner
Pamela J. Warner
No abstract provided.
The Bog Body As Mnemotope: Nationalist Archaeologies In Heaney And Tournier, Anthony Purdy
The Bog Body As Mnemotope: Nationalist Archaeologies In Heaney And Tournier, Anthony Purdy
Anthony Purdy
The sometimes beautifully preserved Iron Age bodies that used to turn up from time to time in the peat-bogs of Northwestern Europe have moved and intrigued writers since P.V. Glob published his classic archaeological account, The Bog People, in 1965. Locating the specificity of the literary bog body in its ability to compress time, to render the past visible in the present, the article seeks to read the figure as a mnemotope, defined provisionally as any chronotopic motif which manifests the presence of the past, the conscious or unconscious memory traces of a more or less distant period in the …
Every Night When The Sun Goes In - Mixed Choir, Keith D. Rowley
Every Night When The Sun Goes In - Mixed Choir, Keith D. Rowley
Keith D Rowley
Η Πανίδα Και Η Χλωρίδα Στην Προϊστορική Κύπρο, Anastasia Tsaliki
Η Πανίδα Και Η Χλωρίδα Στην Προϊστορική Κύπρο, Anastasia Tsaliki
Dr Anastasia Tsaliki, PhD
No abstract provided.