Arts and Humanities Commons^™

Future-Proofing The Past: Artificial Intelligence In The Restoration Of Andalusian Architectural Heritage: A Case Study Of The Alhambra Palace, Granada, Spain, Kholoud Bader Hasan Ghaith

Theses

This thesis explains the contribution of artificial intelligence in heritage restoration as an icon of Andalusian architecture by using the Alhambra as an example. The task of sustaining heritage is increasing dramatically due to the accumulation of heritage assets and the need for modern and innovative operations to cope with preservation tasks. Therefore, this thesis reviews the role of artificial intelligence in improving the restoration operation to improve accuracy and efficiency. I applied the case study as a scientific methodology to explain this work to overcome scientific and subjective obstacles, such as scarce data and software integration while explaining the …

Paulus Potter’S Punishment Of A Hunter: A Study In Cultural Shifts, Moderation And Class, Taylor Brown

Theses

This paper proposes a new reading of the painting Punishment of a Hunter (1647-1652) by Dutch painter Paulus Potter through the lens of its unique position in seventeenth-century Dutch art with regards to allegory, human and animal caricature, human nature, class, and the influence of economic growth and complexity of class in Amsterdam. The painting consists of fourteen individual vignettes on one panel of wood. Utilizing socio-economic, political, historical and formal analysis, this thesis proposes a reading of the painting. A total of five chapters, each addressing key themes of the painting, will contribute to my main thesis asserting that …

Political Propaganda In The Reredos Of Our Lady Of Light, Owen Keith Medina Loftus

Theses

This master's thesis explores the Reredos of Our Lady of Light, a stone monument situated as the focal point of a former military chapel known as La Castrense in Colonial Santa Fe, New Mexico. Crafted by Bernardo Miera y Pacheco in 1761, the reredos is analyzed as a multifaceted masterpiece that blends religious symbolism with propaganda messaging. Its central location in the capital and meticulous design make it a potent tool employed to shape perceptions, reinforce beliefs, and incite the viewer to take action in support of both the Roman Catholic faith and the ever-growing interests of the king and …

Post-War Restitution In The Republic Of Croatia: Awareness Of The Komza And Reconciliation Of Moveable Property Through Public Sculpture, Anita Govic

Theses

This project is a public sculpture prototype focused on the need for post-war art restitution in the Republic of Croatia: it will have an impact by enhancing public knowledge of the KOMZA list, which offers legal proof for families to retrieve heirlooms taken during WWII and the wars of secession from Yugoslavia.

The sculpture design includes three pillars, two etched with the 1529 names from the KOMZA list and a third that will be progressively built, brick-by-brick, as artworks are restituted. The nature of viewers’ interaction includes access to QR codes that offer links to the KOMZA list, information about …

Shōjo, Kawaii, And Yōkai Iconographies In Chiho Aoshima's Strawberry Fields And How They Relate To Contemporary Gender Dynamics In Japan, Neo Sim Yee

Theses

This paper analyzes the shōjo, kawaii, and yōkai iconographies in Chiho Aoshima’s digital painting Strawberry Fields and examines how they relate to contemporary gender dynamics and anxieties in Japan. The painting bears the artist’s distinctive, characteristic style, which includes elements that are childlike and monstrous, cute and dark. The work, rich in layered context, simultaneously reminisces about the innocence and freedom of adolescence, and critiques the prominent the unequal, rigid, and highly restrictive gender roles dictated by the Japanese patriarchal system. The distinct two halves of Strawberry Fields depict the dichotomous vision of Japanese women—innocent and girly versus defiant and …

The Artistic Narratives Of Faith Ringgold: Depicting Race Relations And Social Justice In 1960s America, Nicole Hill

Theses

This thesis explores the works of artist and activist Faith Ringgold within the context of the Civil Rights movement in the United States. The Civil Rights era was a pivotal moment in American history, marked by racial segregation, violence, and discrimination against Black Americans. Against this backdrop, Ringgold's art emerged as a powerful tool for social critique and political activism. The thesis focuses on five of Ringgold's most significant works: Between Friends, The Civil Rights Triangle, The Flag is Bleeding, US Postage Stamp Commemorating the Advent of Black Power, and Die. These works span the period of the 1960s to …

Reconsidering Fertility Imagery In The Murals Of Teotihuacan, Grace T.O. Ray

Theses

This thesis explores fertility imagery in the Tepantitla Paradise and Tetitla Goddess murals of ancient Teotihuacan in Mexico. In the beginning of the 1970s, these murals had been utilized as case studies in the assertion for the existence of a central female deity known as the Great Goddess, based on an abundance of fertility imagery within the scenes. Scholarship in the field has since discredited this theory, but the deity in the murals remains unidentified. In addition, the city does not offer surviving written texts to provide context for cosmological beliefs, only Teotihuacan’s vibrant material culture was left behind after …

Addendum To Ap Art History Curriculum: Impressionism And Its Female Painters, Julie Short

Theses

This project seeks to add depth to Content Area 4 of the AP Art History Curriculum by supplementing the study of Impressionism as a whole, as well as including the study of the role of women artists in the movement and their contributions to Impressionism and Modern art in general. The goal is to provide students with greater historical context and formal analysis of major Impressionist works, as well as to expose students to the accomplishments of more female artists.

The Implications Of Venus In The Interwar Oeuvre Of James Guy, Emily Cooper

Theses

American Social Surrealist James Guy was a Communist proletarian artist who created works of art that depicted the social inequities he witnessed and experienced during the Great Depression. As a working-class artist, Guy painted images of daily life with recognizable and accessible iconography that allowed his fellow manual laborers to relate to the depicted scene. Guy distorted commonplace experiences through the filter of Surrealism to create absurd, illogical, and nightmarish environments to critique contemporary society. Guy worked to spark the realization of the viewer that they were subjected to the same injustices as the figures in his paintings. In this …

Curio-Stereo: A Vr Application For The Viewing Of Stereograph Cards, Paige Sandheinrich

Theses

This project discusses the historical significance of stereograph cards as a tool for constructing a shared visual culture in the late 19th and early 20th centuries in the United States and the United Kingdom. Stereographs were widely popularized as an entertainment and educational tool, offering an immersive experience for the viewers. The stereoscopic nature of the images allowed the viewers to immerse themselves in a non-physical reality through visual stimulation, creating a haptic involvement that was unique to the medium. The project of creating a VR application to view stereographs is presented as a potential solution to the problem of …

Finding The Circle In The Square: A Neoplatonic Interpretation Of Kazimir Malevich’S Black Square, Matthew Madison Rowe

Theses

This thesis explores the influence of Silver Age philosophers Vladimir Soloviev, Sergei Bulgakov, and Pavel Florensky on Kazimir Malevich’s Black Square. Malevich was among the first to apply Silver Age philosophy to abstract art, fully rejecting all objective representation in art. The thesis argues that Malevich’s Suprematism was the result of the fundamental antimony of the Russian religious worldview, which understands reality as both immanent and transcendent. This understanding of reality was not unique to Russia but was the result of historic influences, including the Neoplatonic and religious-humanist philosophy that was prevalent in Russian intellectual culture during this period. …

Monet In Bordighera, Valerio Volga

Theses

Claude Monet visited Bordighera, the coastal town on the Italian Riviera, in 1884. This paper argues how, in Bordighera, Monet pursued a more immersive experience with nature than ever before. Monet first visited Bordighera late in 1883 with Renoir; he then went back in 1884 for a second and last trip, this time on his own. He stayed almost three months and painted 38 canvases; this paper focuses on four canvases that help illustrate Monet's depiction of nature and its transition from wide open views to close-up views that convey an immersive experience. Monet began his painting sessions on bristling …

A Critical Analysis Of Jeffrey Gibson’S Because Once You Enter My House, It Becomes Our House, A Queer Counter-Monument, Ryan Pagett

Theses

This thesis discusses Indigenous Queer artist Jeffrey Gibson’s active engagement with his queer identity in his work. Using the five aspects of a counter-monument as defined by Stevens, Franck, and Fazakerley’s Counter-monuments: the anti-monumental and the dialogic; using queer as both a form of identification; and using queer as a verbal strategy, this thesis argues that Gibson’s latest work, Because Once You Enter My House, It Becomes Our House is a “queer counter-monument.” Counter-monumentalism was a movement initially developed in Germany post-World War II in opposition to monumentalism as a system of oppression. Countermonumental work disengages from traditional monuments …

The Impact Of The Male Gaze: Femininity And Female Sexuality In Shunga Prints Of The Edo Period, Meredith Keukelaar

Theses

The Edo period of Japan (1603-1868) was a time of great cultural and economic growth as the country flourished from political stability under the Tokugawa clan’s rule for over two centuries. During this time, many prints, illustrated books, and paintings were created, the most famous of which are known as ukiyo-e, or “pictures of the floating world.” A popular sub-genre of ukiyo-e were the erotic shunga prints, created by and primarily for men. While most of these prints were heterosexual in nature, there were still several works that depicted homosexual relations. The majority were of male homosexuality, but scenes of …

Investigating Kandinsky's Inspiration From Michelangelo Buonarroti, Asal F. Morvari

Theses

This study aims to analyze Kandinsky's The Last Judgment painting and compare it with Michelangelo's The Last Judgment to show that Michelangelo's work influenced Kandinsky's painting. For this study, the mixed-methods methodology is applied, which refers to an emergent methodology of research that advances the systematic integration or combining of quantitative and qualitative analysis within a single investigation. Mathematical analysis and a review of Kandinsky's books and manuscripts are considered. Image processing analysis is applied using biorthogonal Wavelet analysis and Canny Edge detection, in conjunction with Kandinsky's writings on color theory, to determine whether Kandinsky was inspired by Michelangelo's The …

World War Ii American Propaganda: The Art And Appeal Behind Women On The Domestic Front, Katherine Grace Noe

Theses

While men served their country through military duty during the second World War, women were encouraged to do their part in ways that challenged their traditional roles as the American housewife. Because so many men were off at the front, the United States government had to create new ways to manipulate and persuade American women to join the workforce. Posters and other media featured strong, relatable women and phrases that encouraged women to serve. Propaganda not only suggested how women should act, but also manipulated society’s view of women’s role in the war efforts. Most people are familiar with iconic …

Southern African American Communities: The Portrait Photography Of Florestine Perrault Collins And Richard Samuel Roberts, Stephanie M. Woody-Groshelle

Theses

This thesis is about the portrait photographers, Florestine Perrault Collins (1895-1988) and Richard Samuel Roberts (1880-1936), and how their photographs portrayed “non-othering” representations of their sitters. Collin and Roberts’ works are compared to Southern white photographers from the Jim Crow era to argue for how “non-othering” portraits of their community members were produced. This impacts the way identity can be perceived. Religious and educational themed portraits are used to align a visually associated identity with social values the New Orleans Creole and Columbia, South Carolina communities had. This thesis considers Collins’ and Roberts’ portraits in relation to the state of …

Norman Lewis & Philip Guston: From Modernist Margins To Postmodernism, Joette Deanna James

Theses

This thesis examines the ways in which the African American painter Norman Lewis (1909-1979) and Canadian American Jewish painter Philip Guston (1913-1980) deviated from the dogma of Abstract Expressionism and presaged Postmodernism. The modernist Abstract Expressionist movement placed value on the heroic nature of the painter, the denial of the social and political milieu outside of the work of art, and the formalist quality of the work above all. This paper argues that both Guston and Lewis, in their penchant for experimentation and stylistic fluidity, were prevented from attaining the level of commercial success and popularity of their much better …

Finding The Meaning In Ceramic Patterns From A Chaco Canyon Burial, Michael Lucero

Theses

The focus of this research considers the culture of the Ancestral Puebloans from the American Southwest region. This project reflects and examines the cultural arts and practices in relation to funerary aspects of the ancient Puebloan society that flourished in Chaco Canyon, located in present-day New Mexico. While investigations of historians and archaeologists have concentrated on findings within the Great House of Pueblo Bonito in Chaco Canyon, research focused on the structures and objects within rooms. The base of this research examines a collective set of vessels from burial room 33, excavated from the original exhibition of George H. Pepper, …

A Proposal For A Survey Of American Art History Course: An Intersectional Approach, Fernando Mejia

Theses

The purpose of this project is to propose and create a course surveying American art history that currently is not offered at the Los Angeles Community College (LACCD). The creation of this course is important because it will fill a void within the curriculum in art history at LACCD. Most importantly, however, the course will offer students interested in American art an opportunity to take this course at the community college, which will prepare them for upper-division coursework before transferring, allowing them to focus on upper-division courses in the field. The Thesis Project addresses the state-of-field in the teaching of …

A Non-Traditional Approach: Seventeenth-Century Dutch Women Artists And The Nocturnal Genre Scene Market, Jordan J. Harris

Theses

Nocturnal genre scenes were on the rise in the seventeenth-century Netherlands. With new technologies and advances taking place during this time, people were staying out later and partaking in more nocturnal activities. Both men and women engaged in these new nightly endeavors, but there were still notable expectations in regards to gender roles for men and women. As seen in the scholarship included within this thesis, men were allotted more freedom than women. The Dutch artists who chose to specialize in nocturnal genre scenes depicted these well-known gender roles within their paintings. Seventeenth-century women artists Judith Leyster and Gesina ter …

Art Curriculum Lesson Plan: Horace Pippin’S World War I Journal, Tracie Dana Sykes

Theses

This report contains a detailed curriculum plan for a ninety-minute, eleventh grade Art class. The purpose is to provide the students with a thorough study of Horace Pippin’s World War I journal, while implementing two assignments to test their understanding of the areas which will be emphasized in the lesson. The students will be able to demonstrate their understanding of Pippin’s War journal by presenting a detailed slideshow about the artist and his journal. The students' foundational knowledge of Naive art will be recognized through the creation of his/her unique piece of art which will implement the mannerisms of Naive …

Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games, James L. Hutson Jr.

Theses

The technology of virtual reality (VR) and the gamification of education and learning has had proven educational benefits, especially in secondary education. However, there remains little to no research on the heuristic elements and mechanics that contribute to learning at the postsecondary level of education. Most research conducted has been refined to science programs, but even in these instances, a study of the effects and interests of different demographics has yet to be considered. Given the visual nature of how the discipline of art history has traditionally been taught, there are a number of virtual reality (VR) applications to assist …

The Control Of Morality As Demonstrated Through Allegorical Symbolism In Late Medieval Tapestry And Morality Plays, Kelsey Cook

Theses

This paper examines the use of allegory in the late medieval tapestry The Prince of Malice and His Court, produced between 1470 and 1480, alongside similar allegorical devices used in the contemporary French morality play L’Homme Juste et L’Homme Mondain. Recent scholarship on late medieval tapestry has included conversations of literary influence, mainly focusing on romance literature in particular. Although these comparisons have laid a foundation for the use of allegory within tapestry, a comparison to other literary examples is lacking. The following research, therefore, will analyze tapestry against morality plays to further extrapolate the visual exchange that occurred between …

The Heroic Parallels Of Hercules And Lorenzo De Medici, Michael Putorti

Theses

During the late fifteenth century, a painting was displayed in the Palazzo Medici, home to one of Florence’s most influential families. The painting was commissioned by Lorenzo de’ Medici from one of his favorite artists, Antonio Pollaiuolo. The painting, entitled Hercules and Deianira, portrays a scene from the Herculean myth. The composition depicts the hero Hercules, who can be seen aiming an arrow at the centaur Nessus, who is carrying of Hercules’ new bride, Deianira. Throughout his life, Lorenzo admired the mythological hero and would often acquire compositions depicting him as a way of representing his own heroic qualities. However, …

Cult Of Propaganda: Monastic Dominance As Displayed In Canterbury Cathedral's Saintly Iconography, Jon Talvin Breazeale

Theses

This thesis examines the iconography in the windows of the Early English saints Dunstan and Alphege as depicted in England’s Canterbury Cathedral. In the windows of St. Dunstan, one can see how the saint saves the monarchs from the flames of hell. It also shows what can happen to those that would question or challenge the authority of the Archbishop of Canterbury. The windows of St. Alphege show a dedicated man of the church ready to give his life to help save the town’s people from an unruly group of invaders. These windows were added to the eastern arm of …

The Artists Of The Walter Crane Fan: Gender And Performance In 1895, Caroline Haller

Theses

The curiosity of the Walter Crane Fan, an autograph fan created in 1895, is that despite featuring forty signatures of famed artists, writers, musicians and public figures, it has received little critical examination. The re-discovery of the Walter Crane Fan when it came to auction, prompted its inclusion in The Cult of Beauty: The Aesthetic Movement 1860-1900 exhibition originally held at the Victoria and Albert Museum in London in 2011. Then, the Crane Fan was the focus of Robyne Calvert’s essay “An Artistic Fan in Victorian Society” in Connecting Whistler: Essays in Honour of Margaret F. Macdonald. However, to date, …

Cross-Cultural Currents And Syncretism In Early Modern Opossum Iconography, Deniz Martinez

Theses

Opossums (Order Didelphimorphia) are marsupial mammals endemic to the Americas. They are also the first marsupials Europeans ever encountered, over a century before any Australasian species. Because of their unique marsupial characteristics, opossums have historically been viewed as an “anomalous” animal form across both Indigenous American and European cultures, and thus developed a rich and complex transatlantic cultural history. By tracing the development of opossum imagery through the millennia, one can uncover clear patterns of how their distinct features became embedded in iconographies relative to biogeocultural sphere, and how certain iconographic conventions were transmitted through various media both within and …

Women’S Influence In Cerén’S Architecture: Weaving Patterns In Classic Maya Art, Nicole Rosalia Lazo

Theses

This study aims to disclose how Classic Maya commoners utilized weaving patterns in small village architecture to highlight female power and status in the highlands of Mesoamerica. There are two primary goals for this project: first, to demonstrate how the weaving patterns in Maya highlands architecture stood as a symbol for female authority; second, to add equity and diversity to the field of art history by studying the Maya with a feminist lens, which is typically an underrepresented culture and gender in comparison to other civilizations, such as those from Europe and the United States. Furthermore, the Classic Maya farming …

Mythology In Art History: Course Curriculum, Marianna Martino

Theses

The course entitled Mythology in Art History contains a scaffolded curriculum that introduces students to mythology throughout art history by learning how to analyze fine artwork. With each unit, students will demonstrate an increased control of art criticism, analysis, and knowledge as they develop stronger understanding of content. Students will be able to distinguish the elements of art and principles of design through various 2-dimensional and 3-dimensional art pieces from various time periods and cultures. Upon completion of this year-long program, students will demonstrate a sophisticated understanding of art analysis, allegory, and storytelling throughout art history, showing knowledge of the …