Arts and Humanities Commons^™

The Print Portfolio And The Bourgeoisie In Fin-De-Siècle Paris, Britany Lane Salsbury

Dissertations, Theses, and Capstone Projects

In fin-de-siècle Paris, the print portfolio experienced a popularity that was unprecedented over the course of its long history. Adapted sporadically by graphic artists from the Renaissance onward, prints were produced as series in greater numbers and by a wider range of artists than ever before between 1880 and 1900, and symbolized new, bold, and varied aspirations for the graphic arts as an original and experimental medium. In addition to its stylistic value, artists valued the print portfolio for the subject matter it could cultivate. A growing number of works produced at this time highlighted social issues and expressed political …

Let The Record Show: Mapping Queer Art And Activism In New York City, 1986-1995, Tara Jean-Kelly Burk

Dissertations, Theses, and Capstone Projects

Although scholars increasingly scrutinize late twentieth-century American art produced in relation to social movements organized around feminism, anti-racist politics, health activism, and LGBTQ (lesbian, gay, bisexual, transgender, queer) identity, scholars usually fail to address the importance of printed ephemera as a medium of artistic expression. Ephemeral materials, such as posters, are cheap to make and print. They are typically distributed illicitly via un-commissioned wheat-paste campaigns in urban public space. Collectives tend to make their designs copyright-free to encourage wide distribution. Particularly in the era before digital social media, these materials were central to the ways in which communities coalesced in …

On The Fringe Of Italian Fascism: An Examination Of The Relationship Between Vinicio Paladini And The Soviet Avant-Garde, Christina Brungardt

Dissertations, Theses, and Capstone Projects

Vinicio Paladini's career as an artist, architect, and cultural critic illuminates the paradoxes of the Italian avant-garde between the World Wars. He emerged as an early proponent of communist-Futurism in 1922 and attempted to integrate futurist techniques with the Marxist theories of Antonio Gramsci. In addition, Paladini provided a direct point of contact between the Russian and Italian avant-garde, traveling to Moscow and reporting to the Italian public on Soviet artists' developments in film, photomontage, and architecture. Yet he struggled to merge his leftist ideology with his artistic practice as Fascism spread throughout Italy. Although he has been largely neglected …

Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946, Kerry Greaves

Dissertations, Theses, and Capstone Projects

This dissertation examines the avant-garde Danish artists' collective Helhesten (The Hell-Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war. The main claim of this study is that Helhesten was an original and fully established avant-garde before the artists formed the more internationally focused Cobra group, and that the collective's development of sophisticated socio-political engagement and new kinds of countercultural strategies prefigured those of postwar art groups such as Fluxus and the Situationist International. The group and its eponymous journal involved the Danish modernists Asger Jorn, Ejler Bille, Henry Heerup, Egill Jacobsen, …

Native American Chic: The Marketing Of Native Americans In New York Between The World Wars, Emily Schuchardt Navratil

Dissertations, Theses, and Capstone Projects

Focusing on four key figures - Morris de Camp Crawford, John Sloan, Amelia Elizabeth White, and René d'Harnoncourt - this dissertation analyzes museum and gallery exhibitions of Native American art mounted in the United States, particularly New York City, during the interwar period, and documents the immediate and lasting impact these shows and their promotion had on the emergence of "Indian Chic" in women's fashion and interior design.

In the late 1910s, Crawford, a research editor for Women's Wear and honorary research associate at the American Museum of Natural History, mounted a campaign encouraging Euro-American designers to seek inspiration in …

Changing Identities In A Changing Land: The Romanization Of The British Landscape, Thomas Ryan

Dissertations, Theses, and Capstone Projects

This thesis will examine the changes in the landscape of Britain resulting from the Roman invasion in 43 CE and their effect on the identities of the native Britons. Romanization, as the process is commonly called, and evidence of these altered identities as seen in material culture have been well studied. However, the manifestations of this process in the landscape have been less well examined. Applying current theories in landscape archaeology, the Selsey peninsula oppidum of the Atrebates and two hillforts of the Durotriges, sites that have been well excavated and examined, will be the focus of this thesis. The …

St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki

Dissertations, Theses, and Capstone Projects

In November 1873, St. Nicholas Magazine: Scribner's Illustrated Magazine for Girls and Boys made its publishing debut. While it was intended to be a literary magazine, visual imagery was an important component of the monthly. Illustrations and reproductions of fine art and architecture from Antiquity, the Old Masters, and contemporary academic artists illustrated fictional serials, accompanied art historical information, and stood alone as art work for the reader to visually consider. Innovative page layouts took their inspiration from the aesthetic theories and art styles popular among those associated with the American genteel tradition. By choosing certain styles for illustration and …