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History of Art, Architecture, and Archaeology

Dissertations, Theses, and Capstone Projects

Theses/Dissertations

Photography

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Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar Sep 2020

Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar

Dissertations, Theses, and Capstone Projects

The Nuyorican movement was a cultural and intellectual movement beginning in the late 1960s through the 1970s that coincided with the era of civil rights struggle in the United States. The artists, writers, poets, and others in the movement were of Puerto Rican descent and resided in New York neighborhoods such as El barrio or Spanish Harlem, Loisaida or the Lower East Side and the South Bronx. The term “Nuyorican” was embraced as a badge of honor and pride by New York’s Puerto Rican community. It was during this time that cultural-specific institutions such El Museo del Barrio, Taller Boricua, …


Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart May 2019

Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart

Dissertations, Theses, and Capstone Projects

Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.

Construction sites, scaffolding, and …


Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber Sep 2018

Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber

Dissertations, Theses, and Capstone Projects

Cameraless photography’s resurgence in the 1920s has long been discussed by art historians and critics as either a facet of modernist “new photography,” or as a specialized practice associated with prominent figures of the interwar avant-garde. In their discussions of the medium, scholars have aligned cameraless photography with specific movements, groups, schools, or individuals, as a means of situating its emergence and subsequent popularity in the 1920s. This dissertation broadens the understanding of cameraless photography (also referred to as photograms) and its narrative by shifting the focus to the publications responsible for the medium’s articulation and dissemination in the years …


Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith Jun 2017

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …


The Photographic Universe: Vilém Flusser’S Theories Of Photography, Media, And Digital Culture, Martha Schwendener Feb 2016

The Photographic Universe: Vilém Flusser’S Theories Of Photography, Media, And Digital Culture, Martha Schwendener

Dissertations, Theses, and Capstone Projects

Despite accelerated changes in the way we create, view, and experience photographs, critics and scholars in North America continue to read and assign an accepted canon of photography theory, often predicated on old concepts and technologies. This dissertation seeks to remedy that situation. It focuses on the work of Czech-Brazilian philosopher Vilém Flusser (1920-1991), author of such books as Towards a Philosophy of Photography (1983), Into the Universe of Technical Images (1985), and Does Writing Have a Future? (1987), which develop a theory of technical images that reaches beyond photography to include film, television, video, computer, and satellite images. Rather …


Transparent Interiors: Detective And Mystery Fiction In The Age Of Photography, Melissa D. Dunn Feb 2016

Transparent Interiors: Detective And Mystery Fiction In The Age Of Photography, Melissa D. Dunn

Dissertations, Theses, and Capstone Projects

This dissertation is a meditation on the mutable boundaries that define interior life in the age of photography. I probe these boundaries through selected readings in two literary genres that share conceptual links with photography—detective fiction and mystery fiction. Photography plays an important role in a radical reconsideration of the boundaries between public and private, engaging two dominant and often conflicting cultural values that shape American life at the turn of the twentieth century—the mandate to define and protect privacy and the simultaneous call for greater transparency in public and personal life. Photography, through its perceived transgressions against private life, …