Arts and Humanities Commons^™

“Sparks Fly ”: Connecting Midwestern Historic Forts Through A Comparative Study Of Gunflints, Jeffrey A. Spanbauer

Theses and Dissertations

This thesis will outline the temporal changes and choices of colonial powers and individuals as expressed at historic frontier posts in the Midwest between 1683 and 1779 as expressed through their supply and usage of gunflints. Gunflints exist as persistent artifacts at historic sites, and especially so at fortifications like Fort de Chartres, Fort St. Joseph, Fort Michilimackinac and Fort Ouiatenon. These sites exist within the same chronological timeframe, from 1690-1780, and saw occupation by both the French and British, with nearby indigenous groups, and should serve as instructive means to investigate the factors involved in the supply, selection, and …

Out The Window: The Coalescence Of Internal And External Space, Micah Allen Zavacky

Theses and Dissertations

Out the Window: The Coalescence of Internal and External Space is a supportive statement for an exhibition of prints, drawings, and paintings that begin with direct observation. Building on Yi-Fu Tuan’s distinctions of space and place, I examine how these terms reflect my subjective interpretations of objective subject matters. Landscape, still life in domestic interiors, and garden subjects, as observed and interpreted in the prints, drawings, and paintings, not only reveal the shifting roles of space and place but also the ongoing processes of change occurring both externally in the observed environment and internally in my response to it.

Woodland Period Rockshelter Use In The Upper Great Lakes: A Multiscalar Perspective From Grand Island, Michigan, Kelsey Hanson

Theses and Dissertations

Despite the integral role that caves and rockshelters have traditionally played in archaeological inquiry throughout North America, they have largely been neglected as a focus of study and recorded examples have been poorly integrated into regional discourse in the Upper Great Lakes region. Most rockshelters in the Upper Great Lakes region formed as sea caves during higher lake level stages and became increasingly terrestrial as lake levels receded, resulting in an abundance of rockshelters and other shoreline features that are now inland from the current shoreline, very few of which have been subjected to archaeological investigation.

To address this disparity, …

Spatial Organization Of Lithic Technology At The Mather-Klauer Lodge Site: A Terminal Woodland Occupation On Grand Island, Michigan, Andrew L. Mallo

Theses and Dissertations

The Mather-Klauer Lodge site is a Terminal Woodland (c.a. AD 600- AD 1600) occupation of the west side of Grand Island, Michigan, where Echo Creek empties into Lake Superior. Excavations by Illinois State University field schools and the Commonwealth Cultural Resources Group identified a buried, compact, greasy living surface containing four hearth features, a storage pit, and over 20,000 pieces of lithic debitage. Analysis of the lithic assemblage shows that the organization of lithic technology at the Mather-Klauer Lodge site utilized the bipolar reduction technique to reduce locally available quartz cobbles with the goal of producing flakes of various shapes …

Using A Visitor Based Framework To Observe Engagement In A Children's Museum Makerspace, Sara Mccubbins

Theses and Dissertations

Many challenges still exist in finding ways to measure the impact of informal learning environments. Much of the research that does exist is anecdotal in nature and examines engagement by intuition or informal feedback. The purpose of this concurrent mixed methods study was to better understand engagement and learning by converging both quantitative and qualitative data. In the study, an observation protocol was used to measure the engagement levels of children in a museum makerspace, and field notes were collected to explore the context in which this engagement takes place. The observation protocol used in this dissertation was the Visitor …

Betwixt: Temporality And Comfort, Laura Newman

Theses and Dissertations

I push against traditions of ceramics by purposefully inviting breakage within my work. Destruction expresses fragility, temporality, and impermanence. I consider themes of frugality, familial relations, collections and nostalgia through my investigations of clay, steel, and glass.