Arts and Humanities Commons^™

Rhythms That {Bind}: Emerging Through Dissonance, Tessa Hailu

Dance (MFA) Theses

This thesis aims to interrogate systematic approaches to organization(s) and our innate desire for control to achieve a balanced “rhythmic” flow of life to ultimately preserve a sense of security. This investigation challenges the comforts of habits, routine, and order to push up against the binding effects of these predictable cycles that remain structured for reassurance. This research also considers what happens when one doesn’t have the choice to bind themselves TO safety but are otherwise bound BY rhythms of which they have no control. Taking into account our anatomical existence, the ecological systems in which we operate, and life’s …

Communication Of Values And Morals Through Andrea Della Robbia’S Prudence, Caylin Wigger

Undergraduate Research Awards

Created by Andrea della Robbia in 1475, the circular relief of Prudence, executed in tin-glazed terracotta, exemplifies an intrinsic relationship to religion, morals, and virtues in both medium and subject matter, typical of Renaissance Art. From the development of the della Robbia family workshop, to modern conservation efforts, the della Robbia tin-glazed terracotta method elucidates a timeless and extreme dedication to moral values. The inherent humility of the terracotta, a simple clay dug from the earth, had been recognized even before Andrea created Prudence by close followers of the Christian faith. Not only were the basic elements of Prudence …

Don’T Die A Woman If You Want Your Own Way: Idealization Of Florentine Noblewomen Through Posthumous Renaissance Portraiture, Asha Fletcher-Irwin

Art History Senior Papers

Renaissance women’s portraiture served a narrative purpose for the patron, always informed by whether the painting’s subject was alive at the time of painting. My own interest in posthumous portraiture came from a single sentence in renowned Renaissance scholar Patricia Simons’ article on the identification of Tornabuoni women in the Santa Maria Novella. She wrote of Ghirlandaio’s fresco of Giovanna Tornabouni, painted after her death, in which he copied a profile portrait done during her lifetime but decided to further idealize it.^[1] Renaissance portraiture was never accidental, and female Florentine portraiture of the era was particularly riddled with symbolism. …

Diane Arbus: Documenting The Abnormal, Lyla Cornman

Art History Senior Papers

The late Diane Arbus once said, “Everybody has that thing where they need to look one way but they come out looking another way and that’s what people observe. You see someone on the street and essentially what you notice about them is the flaw…there’s a point between what you want people to know about you and what you can’t help people knowing about you.”[1] Arbus was aware that no one is exempt from others’ gaze, including herself, a theme repeated throughout her work. In this essay, I will be examining the work of Diane Arbus that showed intimate …

‘The House Which Samuel Built’: Negotiating Jewish Identity In The Mudéjar Synagogues Of Medieval Toledo, Shelby Barbee

Art History Senior Papers

The Jewish presence in Spain in the Middle Ages has long been a subject of considerable interest and study in a variety of fields.[1] Remarkably, a handful of synagogues from this period survive to the present. Toledo, in particular, is home to two such structures: The El Transito synagogue of the 14^th century and the Synagogue of Santa Maria La Blanca from the early 13^th century.[2] Both were built under Christian kingship and are stylistically Mudéjar, meaning that while they were built after Toledo was reconquered and did not have Muslim patrons, the structures contain …

A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, Abigail Sease

Undergraduate Research Awards

The eighteenth century within the Korean peninsula, part of the extensive Joseon dynasty (1392-1910), was marked by peace and prosperity after a long period of foreign invasions, war, and factional conflict. After centuries of negatively shifting political and social relations, intellectual and cultural life was flourishing beyond the walls of the palace. Despite prevailing differences in class and education, both the literary and visual arts rapidly developed. Works produced during this time mutually influenced one another, developed into vernacular understandings, and tended towards representing the native and the local, rather than foreign or imaginary subjects. A new nativist form of …

Arts Of The Medieval Cathedrals: Studies On Architecture, Stained Glass, And Sculpture In Honor Of Anne Prache, Kathleen Nolan

Books by Hollins Faculty and Staff

The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache’s career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by …

Anxiety Of The Unknown In Art: Xu Bing's A Book From The Sky, Abigail Sease

Undergraduate Research Awards

Discusses Xu Bing's A Book from the Sky, an art installation piece composed of books, scrolls and banners written in pseudo-Chinese characters. The author posits that the purpose of the piece is to reflect the viewer's anxieties about the comprehension of language and information back onto themselves. The author's entry essay for the 2014 Undergraduate Research Awards is included.

Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly

Hollins Student Conference (2012-2016)

The mythological story of Hephaestus’ return to Mount Olympus exists in fragmentary literary accounts which are augmented by a pictorial record. Working backward from Classical images of Hephaestus’ return, the François Vase manifests as the primary source of the depiction’s overall composition. Examination of sixty-three vases featuring the return as published in the Lexicon Iconographicum Mythologiae Classicae reveals certain themes cycling through over the course of the 6th and 5th centuries BCE. By creating a timeline of these images, deductive reasoning establishes the François Vase as the iconographic prototype. Later images expand or abbreviate its motifs as they simultaneously reflect …

Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly

Undergraduate Research Awards

"The ancient Greek god Hephaestus frequently appears as a processional figure accompanied by Dionysus and his thiasos on vases dating to the Archaic and Classical periods, depicted in such a manner on no fewer than sixty-three vases attributed to the 6th and 5th centuries BCE.1 The earliest surviving appearance of this procession occurs on the iconic François Vase2 and most likely represents Hephaestus’s return to Mount Olympus. Although examination of the sixty-three vases published in the Lexicon Iconographicum Mythologiae Classicae (LIMC) fails to yield individual schemas dominating specific time periods, it does reveal certain styles cycling through over the two …

Kalligeneia: Fertility And Feminine Focus On An Athenian Bell Krater, Suzanne Allison

Undergraduate Research Awards

An examination and interpretation of the painting of Persephone's return from the underworld on an Athenian bell krater, a vessel used for serving wine. The author posits that the female-centric imagery on the bell krater might hint that it was used in the festival of Thesmophoria, a rite celebrating Demeter and Persephone in which only women were allowed to participate. The PDF includes the author's entry submission essay for the 2012 Undergraduate Research Awards.

The Mcvitty Book Of Hours; Finding A Link To The Illustrations, Ashton Little

Undergraduate Research Awards

An investigation into the identity of the artists who created the images in the McVitty Book of Hours, a manuscript contained in Hollins University's special collections. The author posits that the marginal images were created by the Master of Geneva Latini, while the main images are the work of a separate, still unknown illuminator. The PDF includes the author's entry submission essay for the 2012 Undergraduate Research Awards.

The Complexity Of Kadmos, Abbey Minor

Undergraduate Research Awards

An examination of two ancient vases depicting the myth of Kadmos. Topics discussed include the relationship of Spartans and Athenians to the city of Thebes, foundational myths, and innovations in vase painting between the Archaic and Classical periods. The PDF includes the author's entry submission essay for the 2012 Undergraduate Research Awards.

A Unique And Mysterious Shahnama Miniature, Sarah Mirseyedi

Undergraduate Research Awards

An examination of a 16th-century Persian manuscript page from the Shahnama. The PDF includes the author's entry submission essay for the Undergraduate Research Awards.

Antiphonal [Hu 17]

Medieval Manuscripts

• Country of origin: Italy
• Date: 1550
• Citation: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 8
• Provenance: McVitty

Miniatures From The Book Of Hours [Hu Codex 1]

Medieval Manuscripts

Twelve miniatures from the Book of Hours [HU Codex 1]: John the Evangelist (leaf 16a), Pentecost (leaf 24a), Crucifixion (32a), Annunciation (leaf 43a), Visitation (Mary to Elizabeth) (leaf 55a), Nativity (leaf 69a), Annunciation to the Shepherds (leaf 73b), Adoration of the Magi (leaf 78a), Presentation in the Temple (leaf 92a), Flight into Egypt (96b), David and Goliath (111a), and Office of the Dead (leaf 135b).

• Country of origin: France
• Date: ca. 1490
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 2
• Provenance: McVitty
• miniatures, illumination, decorative borders

Antiphonal [Manuscript Leaf, Hu 1]

Medieval Manuscripts

• Country of origin: Flanders (Belgium)
• Date: 1485
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 7.
• Provenance: McVitty (Ege)
• Other: Includes neumes, red and blue lettering and decoarations, historiated initial, and border images.

Processional [Hu 9]

Medieval Manuscripts

• Country of origin: Germany
• Date: ca. 1475
• Citations: unknown
• Provenance: unknown

Antiphonal [Hu Codex 4]

Medieval Manuscripts

• Country of origin: Italy
• Date: ca. 1450
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 4.
• Provenance: McVitty

Antiphonal [Hu 2]

Medieval Manuscripts

• Country of origin: Italy
• Date: ca. 1440
• Dimensions: ca. 560 x 410 mm
• Citations: none
• Provenance: Otto Ege; S. Herbert McVitty
• Other: neumes, red and blue lettering and decoration

Breviary [Hu Codex 3]

Medieval Manuscripts

• Country of origin: Italy
• Date: 15th century
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no.1
• Provenance: McVitty

Breviary [Manuscript Leaf, Hu 3]

Medieval Manuscripts

• Country of origin: France
• Date: ca. 1350
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 9
• Provenance: McVitty (Ege)
• Other: red and blue lettering and decorations, illumination. Note written at top of side 1: "Following the octave of Easter" [translation].

A breviary is a book containing the hymns, offices, and prayers for the canonical hours, to be recited daily by clerics in religious orders.

Missal (Hu 6)

Medieval Manuscripts

• Country of origin: Germany.
• Date: ca. 1320.
• Dimensions: 450 x 310 mm.
• Citations: Bond & Faye, no. 12.
• Provenance: Otto Ege, S. Herbert McVitty.

Bible. Old Testament. 1 Chronicles 28:21-2 Chronicles 1:3 [Manuscript Leaf Hu15a]

Medieval Manuscripts

• Country of origin: N. France (or Flemish)
• Date: ca. 1300
• Citations: none
• Provenance: unknown
• Other: historiated initials, decorative borders

Bible. Old Testament. Psalm 106:9-112:4 [Manuscript Leaf Hu15b]

Medieval Manuscripts

• Country of origin: N. France
• Date: ca. 1300
• Citations: none
• Provenance: unknown
• Other: Historiated initals, decorative borders

Bible. Old Testament. Joshua, 17-18 [Manuscript Leaf Hu 16]

Medieval Manuscripts

• Country of origin: France
• Date: ca. 1300
• Citations: none
• Provenance: Virginia Webb, Class of 1933.
• Other: red and blue decorations

Missal [Manuscript Leaf, Hu 5b]

Medieval Manuscripts

• Country of origin: Beauvais, France
• Date: 1285
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 11
• Provenance: McVitty (Ege)
• Other: red and blue lettering and decoration, illumination, neumes, historiated initial

Psalter [Manuscript Leaf Hu 13]

Medieval Manuscripts

• Country of origin: France
• Date: ca. 1285
• Citations: none
• Provenance: Virginia Webb, Hollins Class of 1933
• Other: Red and blue decorations and lettering, Illumination

Missal [Manuscript Leaf, Hu 5a]

Medieval Manuscripts

• Country of origin: Beauvais, France
• Date: 1285
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 11.
• Provenance: McVitty (Ege)
• Other: red and blue lettering and decoration, illumination, neumes

Breviary [Hu 7]

Medieval Manuscripts

• Country of origin: Germany
• Date: ca. 1225
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 13.
• Provenance: McVitty