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Picturing Consumer Culture, Cultural Hybridity, And Womanhood: Farah Al Qasimi’S Photographs From 2012 To 2020, Minji Lee
Theses and Dissertations
This thesis examines Farah Al Qasimi’s 2012-2020 color photographs, arguing that this work presents a distinctive and salient critique of domesticity, material culture, and womanhood in the UAE. Through her lens as a woman and a culturally hybrid subject, Al Qasimi explores the tensions of modernization, globalization, consumerism, and gender.