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Full-Text Articles in Arts and Humanities
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.
The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart
The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …
Expelling From Top And Bottom: The Changing Role Of Scatology In Images Of Peasant Festivals From Albrecht Dürer To Pieter Bruegel, Alison Stewart
Expelling From Top And Bottom: The Changing Role Of Scatology In Images Of Peasant Festivals From Albrecht Dürer To Pieter Bruegel, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
During the first half of the sixteenth century, the earliest visual representations of peasant festivals in European art were produced in Germany. These works, all prints, showcase peasants expelling their drink with the result that art historians today, nearly 400 years later, have described these prints as gross and indecent. In their revulsion and distancing from sixteenth-century Germany’s insistently colorful visual and verbal vocabulary, art historians of Northern European art appear to have stressed both the values and preferences of their own twentieth-century culture and that of the sixteenth-century Netherlands rather than those of the society that produced them—sixteenth-century Germany. …
Distaffs And Spindles: Sexual Misbehavior In Sebald Beham’S Spinning Bee, Alison Stewart
Distaffs And Spindles: Sexual Misbehavior In Sebald Beham’S Spinning Bee, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Sebald Beham from Nuremberg designed his Spinning Bee woodcut around 1524 (Figure 1) as a medium-sized work of approximately 1 ft by 1.5 ft, printed on two sheets of paper glued side by side. A large number of individuals are included and most are women, significantly so because spinning bees served as meeting places for rural girls and women where they would spin and amuse themselves during the fall and winter evenings. Beham’s print is the first surviving example of a spinning bee in visual art and one of the first substantive examples of the theme in any form. The …