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Léon-Jean-Joseph Dubois, Antiquarian, Anna E. Dow

LSU Master's Theses

This thesis examines the life of Léon-Jean-Joseph Dubois (1780-1846), a French engraver, antiquarian, conservator, and restorer of antiquities. Dubois lived in Paris during the late eighteenth and early nineteenth centuries, in an era when Ancient Egyptian art and history became very popular. His life was overshadowed by the career of his friend Jean-François Champollion, the “Father” of Egyptology, who laid the foundations for the deciphering of Egyptian hieroglyphics in 1822. This thesis is the first to study Dubois, and the focus of this study will be on his life, his publications, his art, his relationships with other antiquarians, his museum …

Time In Giorgio De Chirico's Metaphysical Paintings, Ge Chen

LSU Master's Theses

Abstract

A subtle transformation in the fundamental cognition of a generation could trigger overwhelming ripples throughout the society. Time as an essential concept went through tempestuous changes in late nineteenth-century Europe because of the revolutionary development in railway system. Art world in cross-century Europe also witnessed unprecedented upheavals. Founder of Metaphysical Painting, Giorgio de Chirico was born to that age and was renowned for his complicated opinion towards modernism. This thesis intends to present how the change in the basic perception of time permeated the society, influenced ways of production, inspired art movements, and got reflected in art works.

Railway …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …