Arts and Humanities Commons^™

Swallow Your Medicine: Marisol’S Saca La Lengua From The Peace Portfolio Ii, A. E. Chapman

Theses and Dissertations

Bundling associations of medical examination, consumption, oral fixation, horror, and protest, Saca la Lengua provides a preview of a decisively abject turn in Marisol’s work. This thesis probes psychoanalytic themes of abjection and the pathological in the language and iconography presented in this and other works by Marisol.

Southern And Caribbean Transnational Black Feminist Dialogues In Contemporary Art, Adria Gunter

Theses and Dissertations

“Southern and Caribbean Black Feminist Transnational Dialogues in Contemporary Art” presents a Black feminist reading of the transnational cultural forms, as well as the political and social histories between the Southern United States and the Caribbean through the works of Andrea Chung, Allison Janae Hamilton, and Tamika Galanis.

Mourning Before Death: Ferdinand Hodler And Valentine Godé-Darel, Nicolas Dowling

Theses and Dissertations

“Mourning Before Death” explores Ferdinand Hodler's (1853-1918) artistic relationship with death and grief culminating in an examination of his series of paintings and drawings depicting the slow death of his mistress, Valentine Godé-Darel. This thesis primarily utilizes the theories of Elisabeth Kübler-Ross as a framework for understanding Hodler’s work.

Picturing Consumer Culture, Cultural Hybridity, And Womanhood: Farah Al Qasimi’S Photographs From 2012 To 2020, Minji Lee

Theses and Dissertations

This thesis examines Farah Al Qasimi’s 2012-2020 color photographs, arguing that this work presents a distinctive and salient critique of domesticity, material culture, and womanhood in the UAE. Through her lens as a woman and a culturally hybrid subject, Al Qasimi explores the tensions of modernization, globalization, consumerism, and gender.

Thinking Sculpturally: The Implications Of Sculptural Space In The Work Of Charles Ray, Ad Canter

Theses and Dissertations

Charles Ray states that “space, sculptural space…is the sculptor's primary medium.” This paper unpacks the term “sculptural space,” uncovers historical precedent for it, and suggests why it is fundamental to Ray’s project. The paper argues that, due to sculptural space, Ray’s artwork allows for many forms of meaningful engagement.

Melancholic Maestrae: Gender, Genius, And Self-Fashioning In Baroque Female Archetypes, Rebecca Digiovanna

Theses and Dissertations

Highlighting the fissures that run through Early Modern ideas of manliness and femininity, this paper seeks to describe how, alongside pervasive imagery of pensive gentlemen, female artists of the seventeenth century developed their own deeply symbolic form of melancholic posturing, offering a groundbreaking redefinition of gender and genius in the Seicento.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

"This Unshakable Dandy": The Life And Work Of Heinrich Maria Davringhausen (1894–1970), Jacob M. Robinson

Theses and Dissertations

This thesis is a monographic study of Heinrich Maria Davringhausen (1894–1970), an artist best-known for his contributions to the art of interwar Germany—and the political and historical contexts of his time. It examines his pre-1918 emergence as an avant-garde artist, asserts a more prominent place for his role in the development of German Post-Expressionism (commonly known as Neue Sachlichkeit or Magic Realism), and broadly overviews the increasingly abstract paintings he produced after fleeing Germany in early 1933, eventually settling in the South of France as Henri Davring.

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

Papering Over Colonial Legacies: Chinoiserie, Chinese Wallpaper, And Exotic Obfuscation At Harewood House, Carolyn J. Bishop

Theses and Dissertations

Harewood House is an estate emblematic of eighteenth-century evolutions in aesthetic philosophy, capital flows and social dynamics in the British empire. Built by the Lascelles family, it embraces an eclectic neoclassical decorative style that includes chinoiserie. This thesis argues that this exoticizing decorative strategy, and particularly its Chinese wallpaper – as both fine art and consumer good – translated the Lascelles' fortune, amassed through colonial exploits in the Caribbean, into advancement through domestic British hierarchies.

Changing The Narrative: Athinai, An Illustrated Periodical For Modern Greece, 1934–35, Julie Fry

Theses and Dissertations

Athinai provided a Greek counterpart to European popular magazines of the interwar period. The integration of hand-drawn illustration with photographic imagery, collage, and multicolor printing yielded its distinctive visual language. Athinai portrayed changes in the daily life of modern Athens, attitudes to the body, and the role of women.

The Great Synthesizer: Yuji Agematsu’S Map Works, Rare Objects And Affinities To Fluxus, Renāte Lagzdiņa

Theses and Dissertations

The thesis examines Yuji Agematsu’s artistic practice offering novel lens through which to explore artist’s oeuvre and employed methodologies. It delves into Agematsu’s map works, strategies for collecting the debris of the city, and researches his potential affinities to Fluxus movement.

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

The Body Of God: The Experience Of Eleventh Century Churches In France, Henry B. Piper

Theses and Dissertations

In its history, philosophy and art, 11^th century France is a distinct historical period and speaks in a distinctive voice that still murmurs in its churches. I seek to occupy this period, as we occupy a church, through immersion in its spirit and thought, which still resound in its stones.

A Biography And Case Study On Marthe Wéry Her Ceaseless Exploration Of The Components Of Painting: Tracing Journeys In The Artist’S Life And Work, Sarah Grace Jones

Theses and Dissertations

My thesis investigates Belgian artist Marthe Wéry’s oeuvre, determines art-historical contexts for her paintings, and examines the many milestones that exemplify her work. Her monochromatic paintings, radical experiments with paint, empirical way of thinking, and exploration of architecture defend her robust career and demand involvement in today’s art historical conversation.

The Defense And Propagation Of A Doctrine In New Spain: Images Of The Virgin Of The Immaculate Conception In Franciscan Religious Establishments, 1550–1700, Jocelyn Mosquera

Theses and Dissertations

This thesis examines how the Franciscan Order utilized art in their religious establishments in New Spain to propagate the doctrine of the Immaculate Conception. By doing so, the Franciscans further established themselves as the defenders of the Virgin of the Immaculate Conception.

Vision, Repetition And Redemption: Envisioning Universal Salvation In A Group Of Six Carolingian Ivory Book Covers, Valerie Thai

Theses and Dissertations

Six Carolingian ivory plaques share almost identical imagery. This thesis focuses on the figures of Synagoga and the rising dead repeated in the compositions. As the ivories are Gospel covers used in Mass, this study demonstrates how these motifs appeal to the congregation, conveying the Christian tenet of universal salvation.

The Black Arts And Black Power Movements In The Artwork Of John T. Riddle, Jr., Isabella Vitti

Theses and Dissertations

This thesis examines the under-studied work of the Black sculptor John T. Riddle, Jr. and how he was influenced by the politics of Los Angeles in the 1960s and 1970s. Police brutality, the Vietnam War, the Black Power Movement, and the Watts uprising had a major impact on Riddle’s work.

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Scattered Fragments: Art, Architecture, And Archives In Revolutionary Urban Cairo, Mounira M. Makar

Theses and Dissertations

This thesis analyzes how revolutions impact urban Cairo and its communities, specifically within artistic, architectural and archival practice while acknowledging the central role of public spaces in giving way to such revolutionary practices. Fundamentally, this paper highlights the foundational nature of such practices in developing urban communities.

Francesco Clemente: In One's Self Lies The Whole World, Lorraine Robinson

Theses and Dissertations

Francesco Clemente’s body of work, especially between 1992 and 2014, theoretically draws from the Hindu concept of the avatāra, wherein the figures he portrays interminably exist in a state of flux and unraveling. Many of the figures discussed are inspired by Indian spirituality, mythology, and popular culture. Nonetheless, rather than comprehending them as literal interpretations, they exist through a prism of references.

The research conducted throughout this thesis combines analyses gathered from academic essays and books by notable Indian scholars, such as Jyotindra Jain and Partha Mitter. These two distinct voices coalesce to elucidate deep insight into Clemente’s aesthetic, personal, …

"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr

Theses and Dissertations

Stourhead Gardens, an emblematic eighteenth-century landscape, reflects Britain's socio-cultural and imperial changes. Owned by the Hoare family, it melds classical influences and Enlightenment ideals. Existing research deciphers its iconography, but this thesis broadens the perspective, placing Stourhead in its era's socio-cultural context. It's a narrative rich in cultural and historical significance, shedding light on identity, art, and culture, past and present.

The Rise Of Domestic Travel Imagery During Isolation: Looking At The Seclusion Of Japan And England, Tiffany I. Kang

Theses and Dissertations

This thesis outlines the periods and conditions of isolation, of Japan and England, and how they have contributed to the rise of domestic travel imagery. The limited travel caused by isolation provided a time for interior thinking which resulted in distinct artistic genres central to the identity of both countries.

"How Is Photography?": Robert Heinecken's Photographic Concept At The University Of California, Los Angeles, 1960–1991, Noa Wesley

Theses and Dissertations

This thesis examines the photography program Robert Heinecken established at UCLA, highlighting his interest in teaching photography as an idea rather than a technologically inflected medium. This pedagogical model provides a lens through which I trace the work of three of his students: Maria Nordman, John Divola, and Uta Barth.

Routed Through Rubber: Ulises Carrión And Marginal Media (1972–1980), Mary-Elisabeth Moore

Theses and Dissertations

Directed by Aart van Barneveld with support from his partner Ulises Carrión, the Stempelplaats gallery (1976–1981) in Amsterdam developed out of larger trends in independent publishing and mail art, as artists on the margins of conceptual art explored the potential of rubber stamps toward various ends. The thesis examines the role the rubber stamp played in Ulises Carrión's early poetic book works and his later mail art activities: how it allowed him to draw out the sequential aspects of a book's structure and forged strong links through his network.

Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky

Theses and Dissertations

This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.

Remedios Varo: Inspirations And Creative Strategies, Margaret Colbert

Theses and Dissertations

Remedios Varo is best known for the narrative, if enigmatic and symbol-laden, paintings she produced while living in Mexico from 1941 to 1963. This thesis argues that Varo’s key creative strategy was to mine and mimic the subject matter and motifs of other artists—Hieronymus Bosch and Leonora Carrington – as well as the visual culture related to the occult and other esoteric practices that she found in published sources, specifically by Carl Jung and Kurt Seligmann.