Arts and Humanities Commons^™

Le Dix-Neuvième Siècle : Les Mouvements Littéraires Français Et La Classe Ouvrière, Grace Horton

World Languages and Cultures Senior Capstones

This presentation is an analysis of the connections between the different literary movements of 19th century France, such as romanticism, realism, and modernism, and how they were initiated by the French revolutions of 1830 and 1848. It covers the impacts of these revolutions on different prolific 19th century French writers such as Alphonse de Lamartine, Victor Hugo, Honoré de Balzac, and Charles Baudelaire, and how each writer prompted their respective movements.

Sunan Kalijaga: The Birth Of A Self-Actualized Pilgrimage Culture, F. P. Meachem

Independent Study Project (ISP) Collection

Javanese Islam is incredibly unique in its style and practice. Despite boasting a Muslim population larger than the entire Middle East, Indonesia and its Islamic cultural practices are largely unknown in academic circles. This has made an introduction to Islam in the archipelago even more difficult for the rare interested Western reader. Frustratingly, what is lost on the rest of the world is basically second nature to 155 million Javanese Muslims, who learn from their families, schools, and pilgrimages about the Wali Songo, a group of nine semi-mythical figures credited with spreading Islam to Java. When we stop casting …

“This Little Patch Of Earth Is Inexhaustible”: Ernst Ludwig Kirchner And The Outdoors Movements, Erica Evans

Theses and Dissertations

This thesis focuses on the influence of reform movements and hiking and mountaineering organizations on the life and work of Ernst Ludwig Kirchner. I explore how principles of these outdoors movements, including a healthy mind/body connection and rustic lifestyle, inform Kirchner’s works created while living in Davos, Switzerland.

The Advancement Of Surrealism: Navigating The Logical Implications Of Surrealism In Poetry Through Time, Brandon Hemsworth

Honors Projects

Surrealism is a complex medium of artistic expression that has persisted through the modern and postmodern time periods and into the contemporary. This project attempts to shine light on the importance of Surrealism by researching the rational implications of its irrational nature. I approached this question in two separate manners: One in a research perspective and one in a creative perspective. This project includes my research on the advancement of Surrealism and 15 poems that I have composed in reflection of Surrealism, Modernism, Postmodernism, the contemporary, and Anti-Realism. The conclusions of this project have important implications that have a common …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Novus Ordo: The Rise Of Progressive Catholicism And The Fall Of Traditional Catholic Worship, Daniel P. Sute

Master's Theses

The promulgation of the 1969 reformed Roman Missal represents one of the most important events in modern religious history. The transition to the “Novus Ordo” Mass symbolized the end of an era of traditionalism and the beginning of an era of modern Catholicism. At first glance, this transition seemed to take the Church by storm. After over a hundred years of papal condemnations of progressive schools of thought, in the 1960s, progressive scholars were invited by Rome to oversee a general reform of the Mass, the religion’s central act of worship. The ultimate fruit of this labor, the Novus Ordo …

Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton

Publications and Research

This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …

Provincializing New York: In And Out Of The Geopolitics Of Art After 1945, Béatrice Joyeux-Prunel

Artl@s Bulletin

In this article, I argue that the putative global centrality of New York in art after 1945 is a construct, as it is for Paris prior to 1945. Monographs and national approaches are unsuccessful in challenging such powerful myths as these. A global, transnational and comparative approach demonstrates that the struggle for centrality was a global phenomenon after 1945, a battle that New York does not win (depending on one’s point of view) until after 1964. Rather than considering centres and peripheries as a fixed category, I propose to consider them as a strategic notion which artists and their promoters …

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

Women In British Window Display During The 1920s And 1930s, Kerry Meakin

Academic Articles

This paper examines the role of women in window display in Britain during the 1920s and 1930s. Window display in 1920s Britain was very much men’s work. Even when women were encouraged by those outside the profession, they were not necessarily encouraged by those within it. In 1923 the daily press and women’s journals devoted space to the debate on window dressing as an ideal and suitable profession for women. However, the editorial of Display, the official organ of the British Association of Display Men, disagreed. Display believed that women were unsuccessful at window dressing, justified by claiming they …

The Unlimited Absorbs The Limits: Analyzing The Religious And Mystical Aspects Of Virginia Woolf's Work Through The Lens Of William James, Zachary J. Beck

MSU Graduate Theses

Commentators on the work of modernist author Virginia Woolf have frequently remarked upon the “religious” and “mystical” aspects that appear throughout Woolf’s oeuvre, but have found it difficult to reconcile these aspects of Woolf’s work with her self-expressed atheistic beliefs. For those who have sought to resolve the tension between the “religious” and “mystical” features of Woolf’s work and Woolf’s (lack of) personal religious beliefs, the work of American psychologist and philosopher William James has proven to be a starting point for investigations into selections of Woolf’s oeuvre that seem to exhibit “religious” and “mystical” characteristics. There continues to exist, …

Gustav Mahler The Protomodernist, Austin M. Doub

Musical Offerings

Steeped in a cultivated European tradition and burdened by several personal tragedies, Gustav Mahler undeniably shaped the course of classical music leading into the twentieth century. Holding fast to late Romantic stylistic conventions including complex rhythmic concepts, emotional and expansive melodies, and a strict adherence to form allowed the forward-thinking composer to seamlessly introduce modern elements into his symphonies. Through Mahler’s commanding symphonic output, the composer successfully maintained strong Austro-German stylistic principles while propelling the genre forward. In these symphonic writings, modern techniques of tonal decentralization, chromaticism, quotation, and paraphrasing are met with cohesive and compelling narratives to create balanced …

Disrupting An(Other): Sexuality As Political Resistance, Emma C. Downey

Master’s Theses

If sexual knowledge can threaten social and political institutions and their control, how do the contents and subjects of literature and publications in the interwar period make that legible? Moreover, if female sexuality–represented or real–was seen as something disruptive to the normal functioning of society, did sexuality offer a useful entry point for social, political, or ideological critiques of the interwar period? My project responds to these questions by analyzing the lives and writings of two female authors of the interwar period: Djuna Barnes (1892-1982) and Katharine Burdekin (1896-1963). In my analysis, I focus on two major points of connection. …

Secularism In The Arab World: Contexts, Ideas And Consequences, Aziz Al-Azmeh, David Bond

In Translation: Modern Muslim Thinkers

Explores secularism and secularisation in Arab societies since the mid-19th century.

This book is a translation of Aziz al-Azmeh’s seminal work Al-'Ilmaniya min mandhur mukhtalif that was first published in Beirut in 1992. Both celebrated and criticised for its reflections on Arab secularisation and secularism in the modern history of the Arab World, it is the only study to date to approach its subject as a set of historical changes which affected the regulation of the social, political and cultural order, and which permeated the concrete workings of society, rather than as an ideological discussion framed from the outset by …

Divided By The Sermon On The Mount, David A. Skeel Jr.

All Faculty Scholarship

This Essay, written for a festschrift for Bob Cochran, argues that the much-discussed friction between evangelical supporters of President Trump and evangelical critics is a symptom of a much deeper theological divide over the Sermon on the Mount, where Jesus told his disciples to turn the other cheek when struck, love their neighbor as themselves, and pray that their debts will be forgiven as they forgive their debtors. Divergent interpretations of these teachings have given rise to competing evangelical visions of justice. One side of today’s divide—the religious right—can be traced directly back to the fundamentalist critics of the early …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

No Man's Land: Critical Disability And Exile In Modernist Literature, Danny Fernandez

FIU Electronic Theses and Dissertations

This thesis works to synthesize literary theory into an examination of socio- cultural and political factors of post-World War I Europe, as they appear in Ernest Hemingway’s The Sun Also Rises and Djuna Barnes’ Nightwood, that led to nationalist movements in the 1930s and the current day. These concepts are divided into three sections with the first being an introduction to the formation of signifiers among the modernist writers. The second involves a differentiation of disability from gender in the expatriate community. The third an investigation of disability among the veteran expatriates. The modernist novel, whilst assisting in the creation …

Visionaries Of The Road, Storm A. Wright

English Department: Traveling American Modernism (ENG 366, Fall 2018)

What is space? It is a personal concept that people develop while on journeys toward discovery. Through means both intentional and not, that space can be shared with the world and make the knowledge gained on the journey available to anyone with the same curiosities. By looking into the travels of Ezra Meeker on the Oregon Trail, Horatio Nelson Jackson across country, and William Least Heat-Moon on the blue highway, space can be conceptualized and understood as these three men allow us to understand them through their own words and experiences.

Un Buenos Aires Ibérico: Cultura Impresa Y Modernidades Divergentes En El Exilio (1936-1959), Pablo Garcia Martinez

Dissertations, Theses, and Capstone Projects

My dissertation, Un Buenos Aires ibérico: Cultura impresa y modernidades divergentes en el exilio (1936-1959) –Iberian Buenos Aires: Print Culture and Diverging Modernity in Exile (1939-1959)–, analyzes print culture as a site of interaction between the intellectuals and artists exiled from the Spanish Civil War and the Argentinian Cultural Field. This doctoral research uses previously unpublished materials –with texts written in Spanish, Galician and Catalan, ranging from journalism and private correspondence to literary prose and drama; as well as graphic design, illustration and canvases– to engage with current conversations and debates in both the humanities and the …

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

Walter Gropius, Mies Van Der Rohe And Marcel Breuer: Designing For America, Shiri Chapman-Daniel

MA Projects

Walter Gropius, Mies van der Rohe and Marcel Breuer: Designing for America examines interior and furniture projects by the three European modern designer after emigrating to the U.S. in 1938. Many of these projects are not very well known, or are commonly discussed solely in terms of architecture, yet the interiors in fact reveal interesting and significant developments in Gropius, Mies and Breuer's work. The exhibition highlights the evolution of their designs, as well as the extent to which they were affected by American tendencies and innovations and their lasting impact.

Finding Music’S Words: Moses Und Aron And Viennese Jewish Modernism, Maurice E. Cohn

Honors Papers

This thesis attempts to understand Schoenberg and his opera Moses und Aron as important participants within the philosophical debates of their time, but also to understand that participation as necessarily musical—his music is analogous to, rather than representative of, the surrounding philosophy of his era. The first chapter addresses the broader relevant trends in Jewish philosophy, coming to focus specifically on parallels between Schoenberg and the philosopher Franz Rosenzsweig. It does not attempt to understand Schoenberg as a Jewish philosopher per se. Rather, it explores the ways in which the problems facing Jewish philosophers of Schoenberg’s generation—namely, debates about the …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto

Master's Theses

Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement …

The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze

FIU Electronic Theses and Dissertations

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s, placing the artists in a position to undertake such a project. The Symphony of State …

For The Progress Of “Faustus And Helen”: Crane, Whitman, And The Metropolitan Progress Poem, Jeremy Colangelo

Department of English Publications

This essay is meant to invigorate a critical discussion of the progress poem—a genre that, while prevalent in American literature, has been virtually ignored by critics and scholars. In lieu of tackling the genre in its entirety, a project too large for just one article, the author focuses the argument through the well-known alignment between Walt Whitman and Hart Crane on the subject of the modern city. It is through the progress poem genre that Crane and Whitman’s peculiar place in metropolitan poetics can best be understood, and it is through their poetry that scholars can begin to approach the …

Provincializing Paris. The Center-Periphery Narrative Of Modern Art In Light Of Quantitative And Transnational Approaches, Béatrice Joyeux-Prunel

Artl@s Bulletin

The alternative “centre‐periphery” is essential to the myth of modern art and its historiography. Even though Postcolonial studies have denounced the implications of such geopolitical hierarchies, as long as our objects remain centred on one capital city and within national boundaries, it will be difficult to escape the hierarchical paradigm that makes Paris and New York the successive capital cities of Modernism. This paper highlights how approaches focusing on different scales of analysis—from the quantitative and geographic to the monographic—challenge the supposed centrality of Paris through 1945.

Return To Holy Hill: Louisiana College, Academic Freedom, And The Southern Baptist Convention's Conservative Resurgence, 1995-2006, Joseph Learned Odenwald

Dissertations

This study examines a period in the history of Louisiana College in which the college’s sponsoring organization, the Louisiana Baptist Convention, a Southern Baptist affiliate, began to insist that professors at the college teach only in accordance with the official views of the Southern Baptist Convention. The literature is replete with studies on the movement affecting the Southern Baptist seminaries, but little has been written about the impact of the Southern Baptist Convention’s Conservative Resurgence on the colleges.

As such, this study explores the changes that were made to the academic freedom and governance policies as the trustees sought to …

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946, Kerry Greaves

Dissertations, Theses, and Capstone Projects

This dissertation examines the avant-garde Danish artists' collective Helhesten (The Hell-Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war. The main claim of this study is that Helhesten was an original and fully established avant-garde before the artists formed the more internationally focused Cobra group, and that the collective's development of sophisticated socio-political engagement and new kinds of countercultural strategies prefigured those of postwar art groups such as Fluxus and the Situationist International. The group and its eponymous journal involved the Danish modernists Asger Jorn, Ejler Bille, Henry Heerup, Egill Jacobsen, …