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Full-Text Articles in Arts and Humanities
Review Essay: John Kitchen. Saints’ Lives And The Rhetoric Of Gender: Male And Female In Merovingian Hagiography, Isabel Moreira
Review Essay: John Kitchen. Saints’ Lives And The Rhetoric Of Gender: Male And Female In Merovingian Hagiography, Isabel Moreira
Quidditas
John Kitchen. Saints’ Lives and the Rhetoric of Gender: Male and Female in Merovingian Hagiography. Oxford: Oxford University Press, 1998. 255 pp. ISBN 0195117220.
Gendered Communication Among Second Generation Danish Americans In The "Blair Church:" A Study In Progress, John Mark Nielsen
Gendered Communication Among Second Generation Danish Americans In The "Blair Church:" A Study In Progress, John Mark Nielsen
The Bridge
I am not nor do I pretend to be an expert on gendered communication or feminist criticism. I have, however, used Carol Gilligan's In A Different Voice and Deborah Tannen's You Just Don't Understand in classes with good results.1 While students differ in their responses, these works are accessible to many and have inspired good discussion about how gender may affect decision-making and impact the way messages are sent and received. Additionally, I have found writings by Peggy McIntosh, Carol Smith-Rosenberg, and Barbara Welter helpful in exploring and thinking about the writings of American women writers of the pre-Civil War …
Beloved, Anthony Shay
Beloved, Anthony Shay
Pomona Faculty Publications and Research
The "beloved" forms a central literary concept, highly developed during the medieval Islamic period and still popular in our own times, in the urbanized societies of the Middle East and Central Asia. Encountered throughout the literatures of Persian, Ottoman, and Chaghatay (Uzbek) Turkish, Urdu, and Arabic, among others, this concept manifests itself through highly charged, homoeroticized images and metaphors. The beloved is characterized through such highly eroticized and theatrical tropes of wanton allurement as disheveled locks, torn garments, intoxication symbolized by a wine cup in hand, and appearing at the bedside of the feverish lover. (See, for example, the poems …