Arts and Humanities Commons^™

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

At Home Among Strangers, Aleksandra Gorbacheva

Theses and Dissertations

At Home Among Strangers is a character-driven documentary that explores the price of freedom for a gay person in a society that lacks freedom and civil rights. It follows an asylum seeker from Russia, Sasha Smirnov, during a crucial moment of his life: starting over in New York City at 40 as a journalist without English language skills. The film reflects on the choices one makes and the consequences of staying true to oneself.

History Strikes Back! The Portrayal Of Greek And Roman History In Hollywood Films And How It Furthers The Discussion Of History, Ethan P. Frost

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

In an article published in 2009, Robert Rosenstone expressed disappointment in two films he played a role in developing the Reds (1981) and the The Good Fight (1984). He expressed regret the films did not reach his expectations as a historian. As a result, he wondered whether there was a point in historians being involved in the making of historical films.

This thesis focused on six historical films set in ancient Greece and Rome. The six films are Alexander the Great (1956), The 300 Spartans (1962), and 300 (2006) for Greek history; and The Last Days of Pompeii (1935), The …

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …

Beirut/The Other Side Of The City: The Impact Of Visual Texture Production Of The Lebanese Postmemory Generation, 1989 - Present, Mohamed Moustafa Gameel Ebada

Theses and Dissertations

In 1989, after the Ta'if agreement, the war in Lebanon started to fade, which ended years of one of the most destructive civil conflicts in the region with no decisive winner or loser. The year also marked the birth of a new Lebanese generation who did not experience the war in person. It is a generation of postmemory, a term Maria Hirsch coined to describe the reminisces of those who did not have a personal encounter with past traumatic events. However, it was not before February 2005, when Rafic Al-Hariri's violent assassination occurred, when the postmemory generation started to question …

The Mouse Sees No Color: An Examination Of The Disney Corporation’S Recent Depictions Of Race In American History, Jordan Kern

Electronic Theses and Dissertations

Walt Disney Studios possesses a checkered past in how its films dealt with racism and representation. Some of the earliest films involved songs and characters that go against modern sensibilities. In recent years, the studio's films have attempted to go against their forebears' racist connotations. Racism, however, proved a constant problem for the company. This paper shall explore the various ways Disney feature films addressed (or did not address) themes of racism and discrimination in its films from 1990 to 2018. The first chapter discusses the business reasoning behind Disney's continued reluctance to address race issues adequately, chiefly fear of …

Foxy Ladies And Badass Super Agents: Legacies Of 1970s Blaxploitation Spy And Detective Heroines, Carlie Nicole Todd

Theses and Dissertations

The presentation of Black femininity in Blaxploitation spy and detective films like Cleopatra Jones (1973), Foxy Brown (1974), and Get Christie Love! (1974) – depicting powerful, independent, and multidimensional characters – was a sharp departure from the derogatory images of African American women in film prior. These films also included some of the first Black spy and detective film heroines – Foxy Brown, Cleo Jones, and Christie Love – that portrayed a “serious” female detective or government agent as the main protagonist and center of the film’s action. These Blaxploitation heroines were unique in how their characters departed from prior …

Changing Representations Of The Second World War: Why We Fight, Victory At Sea, And The World At War, Maiah Vorce

Honors Theses and Capstones

No abstract provided.

Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes

Honors Theses

1969 to 1988 was a period of social and political unrest in Italy known as the Years of Lead. Within this political foment, leftist directors produced films that dealt with topics that were of concern to the Left such as the condition of factory workers and police corruption. This thesis explores the role of cinema within the public sphere, whether it acted as an alternative space, and whether its role changed over time. Influenced by neo- Habermasian theory, I hypothesize that cinema served as an alternative public space in which directors critiqued the environment which drove students and workers to …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem

Dissertations, Theses, and Capstone Projects

In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …

Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, Kyungin Kim

International Political Economy Theses

Many scholars of Chinese soft power commonly believe that despite the fact that China has been working hard to achieve successful soft power expansion, one of the biggest factors that leads to Chinese soft power deficit or failure of the Chinese government to effectively trump “China threat” is its inability to use its cultural industries as a tool to fulfill its soft power expansion goals. This is a major obstacle to China in achieving its goal of successful Chinese soft power expansion, as it is said that culture is the most traditional and powerful source of soft power expansion. This …

Instituting Protest (Film), Joshua Eisenberg

Theses and Dissertations

The road-trip story of one man looking at how first and fourteenth amendment rights have effected college campuses over time in the United States, while also looking at the possibility of revoking a diploma from a white nationalist for having different views than ones preferential to a certain college.

"Al Gaucho Que Llevo En Mí, Sacramente, Como La Custodia Lleva La Hostia”: Ideología Política Y Literatura Gauchesca En El Contexto Cinematográfico De La Revolución Argentina, Ramiro Garcia-Olano

Doctoral Dissertations

This doctoral dissertation studies Manuel Antín’s Don Segundo Sombra (1969), the cinematographic adaptation of Ricardo Güiraldes celebrated “novela de la tierra” of the same title, in the context of the so called “Revolución Argentina”, the military dictatorship that ruled this country between 1966 and 1973. This investigation seeks to shed light on the political struggle for control of the “gauchesca” literary genre that was taking place at this time in the Argentinean cinematographic field. In a time of rampant nationalism, the different political actors that were vying for political power saw in the “gaucho”, who by then had come to …

Art Of The Weimar Republic And The Premonitions Of Fascism, Leshan Xiao

CMC Senior Theses

Founded in 1918 following the carnage of World War One until the Nazi takeover of 1933, the Weimar Republic is widely renowned as a bastion of freedom and democracy that existed only briefly between the reigns of two authoritarian regimes. The Weimar period witnessed an unprecedented prosperity of art and culture, with tremendous advancements in the fields of literature, the visual arts, and film. However, the remnants of the old Empire persisted within the new Republic, and new fascist factions rose to prominence within German society. Artists that lived through the era, both liberal and conservative, observed and provided their …

The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel

Dissertations, Theses, and Capstone Projects

Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …

Movies, Memory, And Millennials: How Modern Films Have Influenced The Holocaust, Audrey M. Hehman

Undergraduate Theses

This thesis analyzes how modern Holocaust films affect what millennials know and learn about the Holocaust. In a world that is so technology driven, more and more millennials are turning to alternative methods of learning about a topic - this includes watching films. This thesis looks at how Holocaust films have changed since the late 1940s, and how films have grown less historically accurate. Overall, this thesis sees what millennials learn about the Holocaust through these films.

L' Obscurite' Manifestee (A Manifested Obscurity), Roswald Morales

Honors Theses

There are three directors that have revolutionized the world of French cinema by bringing to the forefront topics that make its audiences uncomfortable. Abdellatif Kechiche, director of the film Black Venus (2010), Ousmane Sembène, director of the film Black Girl (1966), and Céline Sciamma, director of the film Girlhood (2014) have become renowned for discussing the portrayal of black women in French society. This is a topic at hand that reveals the devastating truth behind French society in regarding black women during various eras. Black Venus narrates the life of an African woman during the slavery period in Europe. Black …

Culture Of Conflict: Watching The End Of The 1960s American Counterculture Through Documentaries About Rock Music, Matt Steinberg

Honors Theses

The 1960’s was a complicated time in American History. The decade started with Chubby Checker’s “The Twist” and concluded on “The End” by The Doors. The explosion of a youth counterculture is captured and preserved on film; a medium that was rapidly becoming more mobile, personal, and artistic. The expansion of the documentary field coincided with a unique cultural blossoming centered around rock music and the results of these films leave us with an audiovisual history of extraordinary moments in time. This thesis closely examines the development and issues of performance or rock documentaries to better understand the violent demise …

Their Swords, Our Plowshares: "Peaceful" Nuclear Weapons, Propaganda, And Cold War Memory Expressed In Film: 1959-1989, Michael A. St. Jacques

Masters Theses, 2010-2019

During the Cold War, both the United States and the Soviet Union developed nuclear weapons as tools of warfare and diplomacy. Immediately following the Second World War, American attitudes toward the atomic bomb were overwhelmingly positive. Once the Soviet Union developed their own atomic bomb and the United States lost the atomic monopoly, attitudes started to shift. After the first hydrogen bombs tests, public sentiment, as demonstrated in film, became markedly negative. To counter these negative attitudes and portray their nuclear weapons as peaceful tools instead of weapons of mass destruction, both the United States and the Soviet Union developed …

Retrograde Returns Of The American Housewife: Reimagining An Old Character In A New Millennium, Ruth Emelia Wollersheim

Theses and Dissertations

This dissertation explores the immensely popular return of the housewife character in the twenty-first century. From films like The Stepford Wives (2004), to television dramas like Desperate Housewives (2004-2012) and The Good Wife (2009- ), to reality shows like Wife Swap (2004- ), Bravo’s The Real Housewives franchise (2006- ), Basketball Wives (2010- ), Mob Wives (2011- ), and most recently on the blogosphere with personalities like The Pioneer Woman, Ree Drummond, the housewife character has reentered our imaginations on a mass scale. This anachronistic character trend is in stark contrast to the urban, working superwoman ideal of the 1980s …

From God Terms To Gaga: The Bad Romance Between Motherhood And Female Suffragists In American Film, Mary Ellis Glymph

Masters Theses

Ninety-five years ago, the Nineteenth Amendment was passed by Congress, and women across America were given the right to vote. Nearly a century later, the long-gone figure of the female suffragist continues to subtly permeate American film, a reoccurrence that is not easily justified. Why would viewers in the English-speaking world continue an interest in a historically-contextualized feminist that seems, at first, to have little to do with what a “modern-day feminist” portrays?

Although the woman that history calls the suffragette hasn’t existed in America since 1920, representations of her in film and visual media have reminded viewers that this …

Expertise And Disbelief: Post-1945 American Attitudes Toward The Authority Of Knowledge, Terry Wagner

LSU Doctoral Dissertations

“You can’t beat brains,” said President John Kennedy of the intellectuals and technicians he assembled in his cabinet. Kennedy was perhaps the greatest political champion for the virtues of expertise. However, all over America during the 1960s and ‘70s, diverse groups voiced doubts about how much experts, such as social scientists, policy specialists, and others, actually improved life. This dissertation examines how movements on the political left and right, and spiritual ruptures such as the rise of ‘60s counterculture and of evangelicalism, spoke in different language to express a similar point: human mastery over the world is profoundly limited. Many …

Comparing Hitler And Stalin: Certain Cultural Considerations, Phillip W. Weiss

Dissertations, Theses, and Capstone Projects

There is a great temptation to compare the Adolf Hitler and Joseph Stalin. This is true for two reasons: first, the careers of both men converged at the same point in history, thus doubling the impact both made and second, because the names Adolf Hitler and Joseph Stalin have become metaphors for ideologies and crimes that today are reviled. The question then arises: who was worse, Hitler or Stalin? This project shows that there is no viable, credible, definitive, or final answer to this question, and that prevailing attitudes about Hitler and Stalin have become so ingrained in contemporary society …

The Evoluion Of Pacific War Cinema, Dylan J. Eldridge

History Undergraduate Theses

Following the Japanese attack on Pearl Harbor on Dec. 7th 1942, the United States became involved in World War II. Over the last seventy years film makers have attempted to chronicle the events of this war. As society changed and grew so did the interpretations of the Pacific War. Today we are left with four distinct eras of Pacific War cinema.

Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper

Honors Theses

My thesis examines the cultural formation of the social experience of “going to the movies.” There is no doubt of a unique quality associated with going to the movies that holds a significant place in America’s cultural history. It is quite difficult to imagine life without movies. Their visually stimulating effects successfully captivate our minds and allow for a short period of solace from reality. Furthermore, there is something magical at work in the social tradition of going to the movies where the idea of sitting in a dark auditorium filled with strangers all sharing the same viewing experience. This …

Re-Framing The Slaughter: Remembering The Rwandan Genocide, Jordan C. Broutman

Senior Independent Study Theses

This project looks at both official and silenced discourse pertaining to Rwandan genocide remembrance. I look specifically at discourse at museums, memorials, memoir, and film. I argue that the Rwandan state exists in the midst of a political conflict that has produced dual memories of victimization. While the genocidal violence inflicted on Tutsi should be commemorated as uniquely cruel and inhumane, many Hutu experienced similar acts of genocide in the 1972 Burundian genocide and in eastern Congo at the hands of the Rwandan Patriotic Front. The Rwandan state faces the challenge of rebuilding in a context in which both sides …

Historical Accuracy And The Ira Over 70 Years Of Cinema, Eric Scott Elliott

CGU Theses & Dissertations

The purpose of this research is to examine how the Irish Republican Army has been represented in theatrical cinema since the 1930s. The goal is to demonstrate the necessity for historical accuracy in movies produced for public entertainment, which often neglect historical facts and circumstances in portraying an organization as controversial and complex as the IRA. This has been done by examining five movies produced for wide-distribution and comparing each to the detailed historical record. Upon analysis of these movies, it becomes clear that the films which are the most historically relevant are also the most powerful cinematic productions, both …

The Image Of The Enemy: To Auschwitz With Righteousness., David Crabtree

Undergraduate Honors Theses

This thesis is a study and analysis of Nazi propaganda, specifically focusing on the medium of film. Throughout Hitler’s Third Reich, propaganda played a vital role in maintaining popular support for the party platform in addition to fueling the convictions of the Nazi elite. There are three main divisions to this study. First, an overview of the structure and organization of Nazi Germany and particularly The Ministry of Public Enlightenment and Propaganda will be given, followed by an exploration of the origins and evolution of anti-Semitism in the Third Reich. Last, two Nazi anti-Semitic propaganda films will be analyzed to …

Orientalism In American Cinema: Providing An Historical And Geographical Context For Post-Colonial Theory, Samuel Scurry

All Theses

Of the many criticisms leveled at Edward Said's seminal work, Orientalism (1978), and those of post-colonial theorists following in his wake, from an historian's perspective the most significant is that his argument is utterly lacking in historical context. In fact, post-colonial theorists do tend to mistrust the validity of history and often are suspicious of its complicity in the enterprise of western empires. Despite Said's undeniable ahistoricism, however, most historians agree that the basic tenants of his argument have merit. What is lacking, then, is an examination of orientalism not as an indictment, with all manner of evidence pulled seemingly …