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Appropriating The Past: Looking At Visual Evidence In The Twenty-First Century Archival Documentary, Zachariah Anderson

Theses and Dissertations

Film and documentary scholars have long debated links between images, history, and truth. The field recently began addressing epistemological questions emergent when visual sources are circulated as evidence in an age of rapid image appropriation, manipulation, and circulation. To contribute to debates about images’ digital-era evidentiary roles, I study twenty-first century archival documentaries. By archival documentary, I mean a film that primarily comprises extant images (from government archives, home movies, surveillance footage, Hollywood films, etc.), rather than footage shot for the documentary. Films scholars and critics have applied many labels to these kinds of films: compilation, found footage, remix, etc. …