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Master's Theses

SUNY College Cortland

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Articles 1 - 11 of 11

Full-Text Articles in Arts and Humanities

How A Book Changed A Nation [2022], Teodora Buzea Dec 2022

How A Book Changed A Nation [2022], Teodora Buzea

Master's Theses

“We don’t believe in vampires.”

I didn’t bother to turn away from the TV to look at my parents. On screen, a crew of young men were interviewing an old woman. She spoke only Romanian, and a too-perfect female voice spoke for her in English. I could see the confident fear in her expression as she exclaimed that vampires were indeed real and that she was always scared of them. She wasn’t alone. All of Transylvania were aware of the existence of vampires. Truly, these young men— ghost hunters and cryptologists—were right to come here to this haunted nation. The …


The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau May 2022

The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau

Master's Theses

For too long, women’s stories have been mitigated, translated, truncated, and censored, if they were even recorded at all before the world could hear them. What could women be writing that would be so threatening to incite such censorship? To a male-dominated world, anything that could disrupt their illusions of power is a threat. If a woman penned a narrative of her experiences in this world, or if she were to begin speaking on a new way of thinking that called for change, that must be stopped. The ultimate goal is to prevent women from writing or stepping out of …


Remaking Divinity In Aldous Huxley’S Brave New World 2021, Sebastian Vignone May 2021

Remaking Divinity In Aldous Huxley’S Brave New World 2021, Sebastian Vignone

Master's Theses

Humanity is an experience. Shaped through both individual and collective encounters, we understand the self and the world around us as an amalgamation of interactions over the course of our lives. Arguably, one of the most common experiential archetypes is religion, and more specifically the relationship one has with a divine being as it has been framed by a religious institution. While the United States does not have an official religion, there is a host of people who refer to the U.S. as a “Christian nation,” and it is therefore irresponsible to elide the panoply of inequities that run through …


Actors As Engineers: The Reconstruction Of Antifascism In Defa Films, 1949-1961. [2020], Jonathan Herr May 2020

Actors As Engineers: The Reconstruction Of Antifascism In Defa Films, 1949-1961. [2020], Jonathan Herr

Master's Theses

The East German film industry (led by state film company DEFA) had, since its inception in 1946, focused heavily upon the theme of antifascism. However, the meaning and definition of antifascism changed dramatically over the course of East Germany’s early history. In DEFA’s earliest days, antifascism was a confrontation of Germany’s Nazi past and argued that capitalism was a forebearer to fascism. As the East German state formed, antifascism evolved, casting America and its unchecked capitalism as the enemy to democracy. Here DEFA films still confronted Germany’s dark past, though the end goal of the films was to promote hope …


'The Letter Killeth': The Obscurity Of Language And Communication In Thomas Hardy's Jude The Obscure 2016, Victoria T. Corning May 2016

'The Letter Killeth': The Obscurity Of Language And Communication In Thomas Hardy's Jude The Obscure 2016, Victoria T. Corning

Master's Theses

While the epistolary novel is a genre closely associated with 18th century England, 19th century Victorian literature also incorporates letter writing as a significant form of communication. Written messages convey what can often not be said out loud, as it is easier to hide behind a pen and paper, write in solitude, and be absent when the letter is read by the recipient. Impulsive and emotional thoughts and feelings can be written down immediately and then later edited, which makes writing an unstable form of communication. Is the author conveying true feelings or concealing true feelings? Layering multiple modes of …


"Do Not Fashion The Other": Representing Contemporary Haudenosaunee Literature 2016, Michael Patrick Brewster May 2016

"Do Not Fashion The Other": Representing Contemporary Haudenosaunee Literature 2016, Michael Patrick Brewster

Master's Theses

Historically, the issue of representation in postcolonial studies is one of some contention. While scholarship might recognize the necessity for highlighting the plights and struggles attendant to postcolonial societies, the primary literature being studied is most often written by natives of those societies themselves. This gap is especially evident with Indigenous cultures, because there are relatively few Indigenous scholars working in the academy. We are at the point now when we have a multiplicity (but not a plurality) of Indigenous voices writing literature (poetry, memoir, fiction, film, etc.) and academic criticism. However, there is value in non-Natives reading and writing …


"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic Dec 2015

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …


"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo Nov 2015

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …


The Beast Inside: Trauma Theory And William Golding's Lord Of The Flies 2015, Emily Paccia Oct 2015

The Beast Inside: Trauma Theory And William Golding's Lord Of The Flies 2015, Emily Paccia

Master's Theses

Following World War II and the horrible devastation in Europe, especially in London, Britain began to rebuild. The country was attempting to come back from war, and the culture reflected a bleak, disheartening feeling. Literature written during this time period, which so often reflects the culture directly, showed that very same bleakness. British novelist, and one who lived through that time, William Golding, writing in the 1960's, recreated the dystopia brought into European countries from living through the destruction of the war. Creating a vision of the future -- one of dysfunction and chaos -- Golding’s characters from Lord of …


The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi Dec 2014

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …


Chivalric Schism : The Man Who Occupies The Masculine And The Feminine 2014, Timothy C. Morris May 2014

Chivalric Schism : The Man Who Occupies The Masculine And The Feminine 2014, Timothy C. Morris

Master's Theses

Designated male and female gender roles have created a certain set of expectations that shape the lives of men and women. Although there are benefits and drawbacks for each of the sexes as a result of these sets of rules, males have unquestionably seen themselves the beneficiaries throughout the course of history far more often than their female counterparts. I would argue, however, that chivalric codes, behaviors ascribed to men of the knightly class in the Middle Ages, are confusing and even contradictory for their subjects, thus negating some of the advantage typically granted by virtue of being a male. …