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Some Thoughts On "Taking" Pictures Imaging "Indians" And The Counter-Narratives Of Visual Sovereignty, Morgan F. Bell

Great Plains Quarterly

Soon after its inception the camera became the primary vehicle for producing images of Native Americans. Without question, late nineteenth and early twentieth-century images of Native Americans have been integral in forming the stereotypical ideal of "Indian." For many imaginations, these images have frozen North America's indigenous people, not only in a timeless past but, in essence, outside time. This essay examines photographic images that illustrate this phenomenon and some that dismantle it. The fact that indigenous people picked up the camera long ago to commission and produce their own images, although long overlooked, is a topic that has received …