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The Ciné “Never Sets…”: British Cinema As A Transatlantic Cultural Commodity, 1927-1938, Karen E. Beasley

History Dissertations

This dissertation exemplifies how the application of a transatlantic commodity approach can broaden understanding of film as a mass medium, its business, and its cultural influences. By employing a more inclusive national cinema framework, this study is able to investigate sites of interaction between the British and Hollywood film industries as a two-way exchange as well as engage those sites at their peripheries, including those between the cultural product and its consumer throughout the broader Atlantic community. This dissertation focuses on the diversity of British audiences throughout a “British world” and the distribution and exhibition methods used to reach them. …