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History

University of Nebraska at Omaha

2017

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

Depictions Of Catholic And Protestant Bodies In Elizabeth (Dir. Kapur, 1998), Jennifer M. Desilva, Alison R. Orewiler Sep 2017

Depictions Of Catholic And Protestant Bodies In Elizabeth (Dir. Kapur, 1998), Jennifer M. Desilva, Alison R. Orewiler

Journal of Religion & Film

This article uses the film Elizabeth (dir. Kapur, 1998) as a portal for understanding the interstices between modern and early modern conceptions of religion as it is read on the body. Elizabeth examines the period of religious and political unrest immediately before and after the coronation of Queen Elizabeth I (r. 1558-1603), compressing the late 1550s through the early 1570s into a comprehensive statement on the relationship between the body, heresy, and corruption. This article investigates how lower body activities and functions, like dancing, sex, and defecation, were linked in both the film and early modern minds to immorality, corruption, …

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A Fight Over Souls: Documentary Films On The Rwandan Genocide With A Christian Theme, Tommy Gustafsson Sep 2017

A Fight Over Souls: Documentary Films On The Rwandan Genocide With A Christian Theme, Tommy Gustafsson

Journal of Religion & Film

The 1994 genocide against the Tutsis in Rwanda have spawned over 150 feature films and feature-length documentaries, making it into the second most audio-visually recreated genocide after the Holocaust. Within this large body of historical films a subgenre have emerged with a distinctive Christian theme. This article explores these Christian themed documentary films about the Rwandan genocide and positions them within a film historical perspective as well as analyzes and contextualizes them as a subgenre of films about the Rwandan genocide within films about genocide in general. Of note are how memory and historiography are used, and the links between …

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Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst Apr 2017

Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst

Journal of Religion & Film

This paper deals with the "why" regarding our collective desire for superhero narratives. My goal is to build on the many definitions of a superhero and find a framework that we as scholars can use to evaluate how superhero films present inspirational moral virtue and not zealous nationalism of any kind. In the process I want to address the problems with some of the scholarly work done on the connection to superheroes and heroism both historically and immediately after 9/11, particularly those who have argued that American superheroism is a fascist myth, and show how the recent evolution of the …

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An Oral History Of Italian American Identity & Perception During The First Half Of The 20th Century, Joshua A. Hoxmeier Mar 2017

An Oral History Of Italian American Identity & Perception During The First Half Of The 20th Century, Joshua A. Hoxmeier

UNO Student Research and Creative Activity Fair

This paper will detail the experiences, perceptions, and memories of working and middle class Italian American men during the first half of the twentieth century and examine the differences between how the two World Wars and their aftermaths shaped the ethnic identity of these men. By looking at Italian American World War II veterans, I conclude the notion that Italian American inclusion was achieved through the First World War and the nationalism of the 1920s, especially the restriction of immigration from Southern and Eastern Europe, is not fully representative of both the realities and perceptions of a sizable number of …

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Lone Man And All My Relations, Doug Meigs Mar 2017

Lone Man And All My Relations, Doug Meigs

UNO Student Research and Creative Activity Fair

Lone Man is the central creation figure of the Mandan, an indigenous people of present-day North Dakota. The story of Lone Man begins with the creation figure becoming self-aware on the open ocean. He creates the Earth and sets off to discover his people. Doug Meigs is writing the oral history of Robert O’Brien, a modern Mandan man living in Omaha, Nebraska, who grew up without any knowledge of tribal identity. Late in life, he would set off to learn that he was Mandan. O’Brien is still coming to terms with the meaning of that identity.

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Winnie, William L. Blizek Jan 2017

Winnie, William L. Blizek

Journal of Religion & Film

This is a film review of Winnie (2017), directed by Pascale Lamchi.

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