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Full-Text Articles in Arts and Humanities
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
The Purdue Historian
This paper examines the work of Paul Cadmus from 1930 to 1948. Over the span of nearly three decades, Cadmus's art evolved from covert depictions of queer culture to an explicit depiction of the politics of queerness in immediate postwar America. Cadmus’s legacy is unique because his art documents the shifting conceptualizations of gender and sexuality in the first half of the twentieth century. He is also notable because he so masterfully maneuvered the liminal space between private and public, painting subversive images immersed in covert queerness early in his career and later using queer art as a tool of …
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Dissertations, Theses, and Capstone Projects
Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …
"The Fountain Pen And The Typewriter": The Rise Of The Homophile Press In The 1950s And 1960s, Elizabeth A. Coretto
"The Fountain Pen And The Typewriter": The Rise Of The Homophile Press In The 1950s And 1960s, Elizabeth A. Coretto
Honors Papers
In this thesis, the author examines the role that queer-published periodicals played in the homophile era of American queer activism, roughly 1950-mid 1960s. The author argues that these periodicals operated at the intersection of identity creation, community formation, and activism. The queer press operated as a forum in which queer people could discuss what it meant to be homosexual, bisexual, lesbian, etc., and solidify an understanding of what queerness entails, leading to a more concrete definition of queerness. The creation of a queer identity based on a shared history and experiences allowed for the rise of a community based around …