Arts and Humanities Commons^™

"Does Beethoven Have To Roll Over? Not If We Flip Him!” Paper For Session: “Who’S Afraid Of High Culture?”, David B. Dennis

David B. Dennis

No abstract provided.

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

Beethoven At Large: Reception In Literature, The Arts, Philosophy, And Politics, David B. Dennis

David B. Dennis

A detailed analysis of Beethoven's influence on global culture.

In Search Of The Wind-Band: An International Expedition, Daniel Rager

Dan Rager

In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.

The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.

1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

Thomas Bacher

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

Monkee Business: The Musical And Commercial Revolution Of The 1960s, Andrew T. Murphree

Andrew T Murphree

Very few bands in the history of American popular music possess a more captivating story of rapid ascension to commercial acclaim than that of The Monkees, an American rock band that was brought together in 1966 by executives at Screen Gems, a division of Columbia Pictures. Originally conceived for the purpose of a television show that followed the everyday life of four young musicians aspiring to become the next Beatles, their artificial construction as a band represented their primary purpose as a commercial venture as opposed to a traditional artistic endeavor. While The Monkees rose to success as a merchandising …

Decentralizing Culture: The Effect Of Digital Networks On Copyright And Music Distribution, Benjamin Gibert

Benjamin Gibert

The advance of technology profoundly impacts how people interact with culture as the proliferation of digital networks transforms the effects of copyright in modern societies. This paper argues that the oligopolistic conditions of content markets and the legal discourse of intellectual property law have historically enabled copyright holders to promote a limited conception of art and obscure the complexities of copyright theory. While conceptual ambiguity is inevitable in the construction of aesthetic legal categories, current practices impose too many restrictions. The practical choices made concerning copyright in cyberspace will determine the evolution of culture in increasingly networked societies. The music …

Barricading The Digital Frontier: Copyright, Technology And The War On Music Piracy, Benjamin Gibert

Benjamin Gibert

The Internet is changing the way vast numbers of people experience culture today. Providing tools to interact with, manipulate and freely redistribute content, technology is dissolving conventional divisions between creators and consumers of cultural artefacts. As new technological and legislative mechanisms are deployed to stop digital piracy, there is a need to reflect on the meaning of copyright, piracy and culture in the context of digital technologies. This paper discusses the relationship between copyright and cultural participation. It refers to the music industry in order to depict the changing patterns of consumption behavior precipitated by the rise of digital networks …

Beethoven: Patriotism And Social Justice, Fathi Habashi

Fathi Habashi