Arts and Humanities Commons^™

My Daily Grounds: A Journal Of Creative Alchemy, Kathleen A. Donovan

Creativity and Change Leadership Graduate Student Master's Projects

My Daily Grounds: A Journal of Creative Alchemy is a project intended to renew artistic confidence and prepare a mindset for a writing retreat in Ireland in June 2024 by revisiting childhood memories and exploring the impact of early domestic abuse through a visual journaling process. This endeavor aims to stir up the creative voice and find authenticity in creation by gathering and clarifying personal data visually, following the Creative (CPS) approach to unlock new insights and ideas for writing. The resulting essays will illuminate the unseen effects of trauma and are intended for publication, reflecting a co-creative process between …

Molly Wardius, Senior Art Exhibition Portfolio, Amalia Wardius

Senior Art Portfolios

This is work created by Molly Wardius for the Senior Art Exhibition Portfolio 2024. The work includes graphic design, photography, and collage.

Eric Carle, Emily Rudolph

Communication Design: Design Pioneers

If you grew up or had a child in the United States after 1969, the work of Eric Carle has touched your life. Carle was a German American illustrator, graphic designer, art director, and children’s book author, who is best known for his work The Very Hungry Caterpillar. This book has been a staple to every American preschool classroom for over 40 years and has been translated into 66 languages to fit into schools across the globe (Eric Carle’s biography, 2019). It is hard to overstate the popularity and acclaim The Very Hungry Caterpillar has rightfully received. According to …

Ambivalent Images, Beloved Objects: Building Bridges Between Picture Books And The Tangible World, Danielle Ridolfi

MFA in Illustration & Visual Culture

"Ambivalent Images, Beloved Objects" examines how pedagogical theories prioritizing objects and direct sensory experiences in early childhood can be applied to the creation of picture book illustrations. In doing so, it positions picture books as educational tools, and advocates for the importance of using them not to recreate nature, but to connect readers with the tangible world of natural and human-made objects that our digital-driven culture eclipses. It strives towards a unifying pedagogical and aesthetic philosophy that accomplishes what illustrator Eric Carle characterizes as a bridge between the tactile world of objects and the world represented in illustrations.

This exploration …

Re-Order The Order Of Thing, Yingxi Sabrina Ji

Masters Theses

Humanocentrism positions humans as the measure of all things; what we know as the ‘real’ or ‘true’ is perceived through this limited perspective. As a designer, I challenge the hierarchy, actively moving away from the notion that inanimate objects are subjugated matter.

In this body of work, I turn to actions of world-building to create immersive experiences where ‘objects’ become ‘subjects.’ They are rescaled and re-centered — called into prominence to become protagonists on the cultural and environmental stage. Through generating, collaging, and juxtaposing recycled facts, imagery and organic materials using digital filters, I insert absurdity as a breakpoint to …

It's Not All Rainbows & Glitter, Jerry B. Lockaby

LSU Master's Theses

The goal of this exhibition is to contextualize the struggles of the LGBTQ+ community by anchoring personal stories with collage and poetry to demonstrate the ongoing difficulties of growing up queer. Mixed media digitized collages have been created and paired with companion typographic treatments of poems and narratives from diverse points of view.

The word queer as a term to describe gay men, lesbians, and other non-conforming sexual identities, has evolved over the past 100 years. This evolution of the word parallels the struggles of LGBTQ+ people to achieve equal rights, marriage equality, protection in housing and employment, and an …

Message Journal, Issue 5: Covid-19 Special Issue Capturing Visual Insights, Thoughts And Reflections On 2020/21 And Beyond…, Sadia Abdisalam, James Alexander, Tom Ayling, Jessica Barness, Diana Bîrhală, Maria Borțoi, Bernard J. Canniffe, Patti Capaldi, Tânia A. Cardoso, Megan Culliford, Stephanie Cunningham, Meg Davies, Subir Dey, Matthew Frame, Aaron Ganci, Peter Gibbons, Sofia Gvozdeva, Elizabeth Herrmann, Chae Ho Lee, Alma Hoffmann, Hedzlynn Kamaruzzaman, Merle Karp, Holly K. Kaufman-Hill, John Kilburn, Joshua Korenblat, Warren Lehrer, Erica V.P. Lewis, Christine Lhowe, Xinyi Li, Kelly Salchow Macarthur, Shelly Mayers, Steven Mccarthy, Bianca Milea, Sara Nesteruk, Cat Normoyle, Jessica Teague, Paul Nini, Emily Osborne, Sima Elizabeth Shefrin, Kyuha Shim, Angelica Sibrian, Gianni Sinni, Irene Sgarro, David Smart, Matt Soar, Junie Tang, Rebecca Tegtmeyer, Ane Thon Knutsen, Isobel Thomas, Darryl Westley, Lisa Winstanley, Danne Woo, Dave Wood, Helena Gregory, Colin Raeburn, Jackie Malcolm

Message Graphic Communication Design Research

No abstract provided.

Re-Imagining Design For Affordable Housing In Mexico, Kenza Fernandez Dominguez

Scripps Senior Theses

Since the presidency of Enrique Peña Nieto, affordable housing developments in Mexico have been produced in a massive, unsustainable scale. The speed at which these developments are produced equates to the carelessness that goes into their planning. At large, the developments’ monotonous design is aesthetically dehumanizing and fails to promote a sense of community. These developments lack basic infrastructure, and their residents have abandoned them, which has incentivized increased criminal activity.

In this paper, I will be looking at successful models of affordable housing globally, exploring the histories of communal living, and function of architectural collages. Based on my findings …

Reilly Waldoch: 1918 & 2020 Pandemic Poster, Reilly Waldoch

COVID-19 Graphic Design: Posters

• 18 x 24 inches, vertical
• Mixed-media digital collage

Megan Emery: 1918 & 2020 Pandemic Poster, Megan Emery

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Ellie Westerheide: 1918 & 2020 Pandemic Poster, Ellie Westerheide

COVID-19 Graphic Design: Posters

• 19 inches high, 20 inches wide
• Mixed-media digital collage

Caroline Hokanson: 1918 & 2020 Pandemic Poster, Caroline Hokanson

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Melina Durham: 1918 & 2020 Pandemic Poster, Melina Durham

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Cara Simmons: 1918 & 2020 Pandemic Poster, Cara Simmons

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Brooke Baker: 1918 & 2020 Pandemic Poster, Brooke Baker

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Leah Ramspott: 1918 & 2020 Pandemic Poster, Leah Ramspott

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Grace Parker: 1918 & 2020 Pandemic Poster, Grace Parker

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Daveauntae Cotton: 1918 & 2020 Pandemic Poster, Daveauntae Cotton

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Jillian Whitson: 1918 & 2020 Pandemic Poster, Jillian Whitson

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Design Epilogues, Andreas Luescher

Andreas Luescher

The booklet tries to explain the generally unrecognized aspect of a studio experience that stitches together the most salient elements of the individual design projects into one coherent narrative. Design epilogues attempt to borrow something from each project that can be used to create something new.