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Full-Text Articles in Arts and Humanities
Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson
Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson
Studies in 20th & 21st Century Literature
Review of Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.
Shifting Understandings Of Lesbianism In Imperial And Weimar Germany, Meghan C. Paradis
Shifting Understandings Of Lesbianism In Imperial And Weimar Germany, Meghan C. Paradis
Scholarly Undergraduate Research Journal at Clark (SURJ)
This paper seeks to understand how, and why, understandings of lesbianism shifted in Germany over the course of the late nineteenth and early twentieth centuries. Through close readings of both popular cultural productions and medical and psychological texts produced within the context of Imperial and Weimar Germany, this paper explores the changing nature of understandings of homosexuality in women, arguing that over the course of the late nineteenth and early twentieth centuries, the dominant conceptualization of lesbianism transformed from an understanding of lesbians that was rooted in biology and viewed lesbians as physically masculine “gender inverts”, to one that was …
The Double Writing Of Agota Kristof And The New Europe , Martha Kuhlman
The Double Writing Of Agota Kristof And The New Europe , Martha Kuhlman
Studies in 20th & 21st Century Literature
Agota Kristof, a native of Hungary who lives in Switzerland and writes in French, has written a trilogy of novels that explore the borderlines and fractured history of the "New Europe": The Notebook (1986), The Proof (1988), and The Third Lie (1991). Set in an unnamed Central European country, the novels traverse the three successive shocks of Nazism, Socialism, and Capitalism. Through the device of identical twin narrators, brothers Lucas and Claus, Kristof inscribes the story/history (histoire) with a "double writing" that opposes personal and official histories. But this opposition is not a simple one, for the two …
Hermann Hesse's Hegelianism: The Progress Of Consciousness Towards Freedom In The Glass Bead Game , John Krapp
Hermann Hesse's Hegelianism: The Progress Of Consciousness Towards Freedom In The Glass Bead Game , John Krapp
Studies in 20th & 21st Century Literature
Hermann Hesse's novels commonly represent characters' struggles through ideological opposition and conflict towards resolution. The majority of his critics attribute Hesse's interest in, and expression of, this struggle to his lifelong study of Eastern philosophy. However, Hesse's interest in things Eastern need not be taken as the exclusive determinant of the theme of individuation represented in his fiction. This essay argues that Hesse's predilection for elaborating the ideological crises and resolutions of his characters may also be interpreted as reflecting the Western, Hegelian concept of an Absolute Spirit that proceeds through exhaustive dialectical permutations before it becomes conscious of its …
Travels Through Heterotopia: The Textual Realms Of Patrick Modiano's Rue Des Boutiques Obscures And Mikhail Kuraev's Kapitan Dikshtein, Vitaly Chernetsky
Travels Through Heterotopia: The Textual Realms Of Patrick Modiano's Rue Des Boutiques Obscures And Mikhail Kuraev's Kapitan Dikshtein, Vitaly Chernetsky
Studies in 20th & 21st Century Literature
Within contemporary prose, one distinct mode or paradigm that can be discerned is constituted by the texts that daringly tackle the dark, suppressed, erased parts of our history and mentality; however, they approach this task not by way of self-righteous denunciatory investigations, but by provocatively problematizing the most established everyday facts, by depriving the reader of the possibility of even conceiving any firm ground of the stable construct of an origin or a self-identification—historically and culturally. Their irreverent and playful deconstruction of the all-pervasive national cultural mythologies has mounted a powerful challenge to ideological constructs big and small. This article …
"A Myth Becomes Reality": Kaspar Hauser As Messianic Wild Child , Ulrich Struve
"A Myth Becomes Reality": Kaspar Hauser As Messianic Wild Child , Ulrich Struve
Studies in 20th & 21st Century Literature
The topos of the "Wild Child" occupies an important place in the mythic and literary imagination of the West. The European climax of a long line of wild children, Kaspar Hauser was a nineteenth-century German foundling whose fate has inspired a host of novels, dramas, novellas, poems, songs, and movies, even an opera and a ballet. It has been treated by Paul Verlaine, R. M. Rilke, and Klaus Mann, by the Dada poet Hans Arp, by the dramatist Peter Handke, and by the filmmaker Werner Herzog. This article offers a brief historical sketch of Hauser's life before discussing a key …
Christoph Hein's Horns Ende. Historical Revisionism: A Process Of Renewal, Heinz Bulmahn
Christoph Hein's Horns Ende. Historical Revisionism: A Process Of Renewal, Heinz Bulmahn
Studies in 20th & 21st Century Literature
In light of recent developments, the historical record of the German Democratic Republic will be closely reexamined as the two Germanies merge into one country. Christoph Hein's novel Horns Ende undoubtedly will play a role in the debate about the GDR past, because it is a clear repudiation of official historical mythmaking. The novel examines in detail the political and social fiber of a small town in the GDR during the fifties. Horn returns to the town some thirty years after his death, and entices the townspeople to recount their lives during the early years of the socialist republic. These …
Avant-Garde: The Convulsions Of A Concept, Michael T. Jones
Avant-Garde: The Convulsions Of A Concept, Michael T. Jones
Studies in 20th & 21st Century Literature
The current status of the «avant-garde» provokes many questions, which include both inner-artistic matters and matters of history and society commonly associated with Marxist or reception-oriented thinkers. The convolution of questions cannot be disentangled; efforts to confront the dilemmas of the avant-garde cannot abstract from matters of commodification, recent reception, or the complex dialectic of «classical» and «modern.» The essay deals with the most recent manifestations of avant-garde aesthetic impulses. It emphasizes the historical and social aspects of German theorizing in contrast to purely formalist or ahistorical conceptions commonly found elsewhere. It insists that such «materialist» theory does greater justice …