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Full-Text Articles in Arts and Humanities
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier
Languages, Literatures, and Linguistics - All Scholarship
Macht, Prozess und Poetik/Sprache das theaterpädagogische Modellprojekt Fluchtpunkt Magdeburg 2015 bis2019, an dem dort lebende Jugendliche mit und ohne Fluchterfahrungen unter tanz- und theaterpädagogischer Leitung drei Theaterstücke und einen Film entwickelten mit dem prononcierten Ziel, soziale und sprachliche Integration zu fördern. Ziel dieser Dokumentation ist es, das Projekt systematisch zu beschreiben und gelungene Elemente herauszuarbeiten, die zukünftige Projekte nachhaltig und langfristig plan- und durchführbar gestalten
Fluchtpunkt Magdeburg: Documentation Of An Integration-Oriented Theater Project From The Perspective Of Theater Pedagogy And Language Didactics, Mona Eikel-Pohen, Sarah Dolbier
Fluchtpunkt Magdeburg: Documentation Of An Integration-Oriented Theater Project From The Perspective Of Theater Pedagogy And Language Didactics, Mona Eikel-Pohen, Sarah Dolbier
Languages, Literatures, and Linguistics - All Scholarship
Based on Dwight Conquergood's key concepts of play, power, process, and poetics/language, this paper documents the theater-pedagogical model project Fluchtpunkt Magdeburg 2015 to2019, in which young people with and without refugee experiences living in Magdeburg, Germany, developed three plays and a film under dance- and theater-pedagogical direction with the pronounced goal of promoting social and linguistic integration. The aim of this documentation is to systematically describe the project and to identify successful elements that make future projects sustainable and feasible for planning and implementation in the long term.
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Kathrin M. Bower
A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …
A Literature Of "Truth": Writing By Gay Men In East Germany , Denis M. Sweet
A Literature Of "Truth": Writing By Gay Men In East Germany , Denis M. Sweet
Studies in 20th & 21st Century Literature
In the last few years of its existence, the East German socialist state had initiated a campaign of tolerance and integration of its homosexuals into socialist society that seemed to cast the GDR in a more progressive light than West Germany. Breaking with the taboos of the previous era, gay literary works were allowed to be published for the first time. These works were in genres (a diary, representative interviews, a confession) that suggested unmitigated truth. Yet a closer analysis reveals them to be works not so much of 'truth' as of compromise and cooptation by a state policy of …