Arts and Humanities Commons^™

‚Literarisch Inszenierte Sprachbiographien’ Familiengedächtnis, Liebe Und Stadt In Dimitré Dinevs Engelszungen, Marica Bodrožićs Das Gedächtnis Der Libellen Und Ilma Rakusas Mehr Meer. Erinnerungspassagen, Anja Katharina Seiler

Doctoral Dissertations

Literary characters as well as the realities that surround them can be portrayed and developed through the lense(s) of the languages that these characters speak and experience. This dissertation analyzes such ‘literarily enacted language biographies’ (‘Sprachbiographien’) in the following German texts: Engelszungen by Dimitré Dinev (2003), Das Gedächtnis der Libellen by Marica Bodrožić (2010) and Mehr Meer: Erinnerungspassagen by Ilma Rakusa (2009).

Drawing upon current research that focuses on literary multilingualism as well as language biographies, this dissertation analyzes which literary strategies Dinev, Bodrožić and Rakusa employ in these texts to narratively (re)construct the protagonists’ language biographies. Three common thematic …

Kiezdeutsh In Den Kinos Und Auf Den Strassen: Mediendiskurse Zu Einer Neuen Sprechweise Und Ihre Darstellung Im Film, Andrew Simon Lubben

Masters Theses

The rapid and unique development of so-called “Jugendsprachen” (youth languages) in multicultural city spaces across Europe has been documented extensively in the past decade, receiving immense attention from linguists and the general public alike. As with countless other language registers, which from a grammatical standpoint depart from the accepted language norm, such “Jugendsprachen” have met with intense scrutiny and skepticism as to their legitimacy as expressive forms—a condition which is explored in this paper through a media discourse analysis of one such youth language: “Kiezdeutsch” or “hood German”. Spoken primarily in metropolitan areas such as Berlin and Stuttgart, “Kiezdeutsch” suffers …

Zwischen Zugeständnis Und Zurückhaltung: Der Bayerische Schriftsteller Georg Britting Und Die Innere Emigration, Anna Zucht

Masters Theses

The controversy surrounding the so-called „Innere Emigration“ (inner emigration) as a way to describe authors who stayed in Germany during the Nazi regime engaged German intellectuals in the postwar period. Although the term was accepted between 1933 and 1945 to describe the non-fascist attitude of authors remaining in Nazi Germany, exiled authors questioned the term after the war. Authors who had remained in Germany used the term as a self-definition to avoid the arising „Schuldfrage”, especially in the postwar period. The lack of a concrete definition of what „Innere Emigration” describes creates significant challenges surrounding research on literature written during …

Religious Tones And Overtones In The Human Sufficiency Arguments Of Marx And Nietzsche, Norman Rudolph Saliba

Masters Theses

It is often assumed that since Marx and Nietzsche were both anti-religious thinkers, religion played no part in the formulation of their philosophical outlooks. With this assumption, the influence of historical religions on rhetoric has received a subordinate role, if at all, in the discourse on 19^th century German critiques of those very religions. Although differing fundamentally in the debate on inclusiveness versus individuality, this essay asserts that Marx and Nietzsche, both from families of religious scholars, broke with previous philosophical tradition and utilized a religious form of rhetoric in their writings to combat doctrines of human deficiency inherent …

„I Am God“ Und „Femen Akbar“: Die Beziehung Der Aktivistischen Frauenrechtsbewegung Femen Zu Christentum Und Islam, Lisa Breddermann

Masters Theses

Feminist movements that arose in the early 2000s have triggered renewed discussions in academia and in the media about the validity and the future of feminism in the 21^st century. One important protest group in the context of post – and popfeminism is the group FEMEN, a feminist protest group that originated in Ukraine. Research has already begun to discuss FEMEN’s protest forms and their ideologies, and their bare-breasted calls for the demolition of patriarchy. So far, researchers mostly concentrated on the question if FEMEN are feminists and if FEMEN’s naked protest is effectively reaching their goal to liberate …

“Die Zukünftige Ehefrau” And “Alte Jungfer” In Fanny Lewald’S First Fiction And Autobiography, Judith E. Hector

Masters Theses

Celebrations two hundred years after her birth acknowledge Fanny Lewald (1811-1889), a prolific writer, as an early spokesperson for the emancipation of women from restricted social roles. Her autobiography, Meine Lebensgeschichte, published in 1861-62 when she was 50 years old, describes the first 30 years of her life. In it, she details growing up female in a middle-class home in Königsberg and how she was prepared to assume narrowly defined roles of wife, mother, and household manager (Gattin, Mutter, Hausfrau). Marriage in late 18^th and early 19^th century Germany was touted by Joachim Heinrich Campe and others …