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Doppelganger, Dreams, And Delusions: A Freudian Reading Of Marie Eugenie Delle Grazie’S Der Schatten, Jared Löhrmann

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Marie Eugenie delle Grazie’s drama Der Schattenpremiered in 1902 in the Hofburgtheater, Vienna’s most prestigious stage at the time. The play deals with the poet Ernst Werner and his encounter with a character called “Der Schatten”. The Shadow is Werner’s double, meaning that it looks like the poet, but it does not have all of the abilities of a human. Although the idea of a double or “Doppelgänger” is ubiquitous in the literature and art of Fin-de-Siècle Vienna, delle Grazie approaches the topic from a different angle. Many contemporary columnists, however, criticized her drama; to them it lacked depth …