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Full-Text Articles in Arts and Humanities
The Disperata, From Medieval Italy To Renaissance France, Gabriella Scarlatta
The Disperata, From Medieval Italy To Renaissance France, Gabriella Scarlatta
Research in Medieval and Early Modern Culture
Rich with morose invectives, the Italian lyric genre of the disperata builds toward a crescendo of despair, with the speakers damning and condemning their beloved, their enemy, their destiny, Fortune, Love, and often themselves. Although Petrarch and Petrarchism have been amply analyzed as fertile sources for late Renaissance poets in France, the influence of the Italian disperata in this context has yet to receive proper scholarly attention. This study explores how the language and themes of the disperata - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets from its …
Je Cuidoie Avoir Bien Fait: Saintré And The Rules Of The Game, Catherine Blunk
Je Cuidoie Avoir Bien Fait: Saintré And The Rules Of The Game, Catherine Blunk
Medieval Feminist Forum: A Journal of Gender and Sexuality
In Antoine de La Sale’s fifteenth-century work Jehan de Saintré, a point of rupture in the amorous relationship between Madame des Belles Cousines and Saintré is initiated when this young knight decides to organize and participate in an emprise (a late medieval tournament) without notifying her or asking for permission from the king of France. In this article I will show that that by failing to secure royal authorization before organizing an emprise, Saintré commits a more serious error than often acknowledged in the scholarship about this text. This is important, because many scholars read this scene as …