Arts and Humanities Commons^™

Le Démantèlement D’Une Mémoire Partielle : Utiliser La Fiction Pour Exposer Les Vérités De L’Esclavage Et Du Racisme Anti-Noir En France, Shae Burns

Senior Theses and Projects

No abstract provided.

Timothy Bewes. Free Indirect: The Novel In A Postfictional Age. Columbia U.P., 2022., Emily Hall

Studies in 20th & 21st Century Literature

Review of Timothy Bewes. Free Indirect: The Novel in a Postfictional Age. Columbia U.P., 2022. 315 pp.

La Résistance: An Original Screenplay, Luke Griffin

WWU Honors College Senior Projects

La Résistance is an original screenplay set in 1944 France, focused on a protective young woman struggling to keep her resistance group united and alive as they hunt, and are hunted by, a cold, calculating Milice captain. This first draft explores the ideological divide within the French Resistance alongside the more abstract ideas of why someone fights and what they do when they lose sight of what they fought for to begin with.

Starring Hitler! Adolf Hitler As The Main Character In Twentieth-First Century French Fiction, Marion Duval

Studies in 20th & 21st Century Literature

Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the …

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

The Transformation Of Women's Roles In Fashion In Eighteenth-Century France: Femininity, Fashion, And Frivolity In Fiction, Christine M. Carter

Dissertations, Theses, and Capstone Projects

“The crime of luxury is that it makes us judge a man not according to what he is, but according to what surrounds him.”[1]

There is a significant existing body of scholarship surrounding the establishment of France as the European epicenter for fashion and taste beginning in the seventeenth century and reaching its apogee during the eighteenth century. The eighteenth century was a period of extensive growth for France in terms of textile production, and an increase in particular professions. These were key factors in perpetuating economic growth. Women in particular were affected by these changes. Not only were …

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in “Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …

L'Écriture Du Non-Voilement Chez Les Romancières Francophones De L'Afrique Au Sud Du Sahara, Yolande Batia

Electronic Thesis and Dissertation Repository

La plupart des lectures proposées sur les textes des femmes d’Afrique au Sud du Sahara de la deuxième génération s’inscrivent en effet dans le paradigme du dévoilement, c’est-à-dire de la critique sociale, aux côtés de la problématique identitaire individuelle largement soulignée. Force est de constater cependant que l’écriture de ces romancières, pour le volet de la critique sociale, comporte aussi un aspect qui va bien au-delà du « dévoilement ». En mettant au jour la réalité que vit la femme dans la société, l’écriture se fait l’expression de la part de cette réalité qui ne fait pas l’assentiment dans le …

Les Chroniques De Toi / The Chronicles Of You, Marc Mazza

Honors Theses

In an alternate reality, technological advancements have enabled people to instantly access their memories. Everyone has a memory implant that records everything humans do, see, and hear. Although having instantaneous access to memory logs may appear to be a privilege, a certain couple will soon find out that the ability to replay past events is only damaging to one's psyche. Therefore this thesis proposes an analysis of how certain technological advancements can be detrimental to society rather than beneficial. Based on this context, I have used creative writing to address this topic. The following narrative explores the relationship between a …

Growth And Poverty Traps: Examples From Literature, Danielle Chaloux

Honors Scholar Theses

The writings of Charles Dickens, Emile Zola, Knut Hamsun, and Laura Ingalls Wilder capture humanity on the page. The characters in the works of these authors are confronted by realistic or autobiographical situations and make choices based on history, personal preferences, societal pressures, and economic constraints, just as real-life individuals do. They can thus serve as data for illustrating the implications of economic models, specifically poverty traps. To do so, I will draw from Great Expectations (1861) by Charles Dickens, The Fat and the Thin (1873) by Emile Zola, Hunger (1890) by Knut Hamsun, and The First Four Years (1971) …

Agonie | The Agony, Jerry Auld, Gilles Mossiere

The Goose

Un accident d’alpinisme s’est produit en 1920 près du mont Assiniboine dans les Rocheuses canadiennes. Le professeur Winthrop E. Stone fit une chute mortelle après s’être décordé sous le sommet du mont Eon ; sa femme Margaret, n’ayant pu compléter la descente, dut attendre les secours pendant sept jours, sans eau, nourriture ni vêtements chauds. Cette tragédie la marqua à vie, et elle n’en reparla jamais. Jon Whyte, écrivain de Banff, s’est inspiré de ces événements dans The Agony of Mrs. Stone, poème publié en 1977, qui sert de toile de fond à cette nouvelle. / A climbing accident took …

The Green And The Red: A Novel By Armand Chauvel, Jenna Gersie

The Goose

Review of Armand Chauvel's The Green and the Red: A Novel.

Reason Is King And Science Is His Crown: A Study Of French Science-Fiction For The Dissemination Of Philosophical Thought, Lauren A. Gandy

Honors Undergraduate Theses

The thesis seeks to explore the didactic application of French science-fiction during the seventeenth and eighteenth centuries for the portrayal and dissemination of their respective philosophical theories. Studying science-fiction novels during these centuries will allow a comparison of seventeenth and eighteenth-century dissemination methods, to determine if the foundational seventeenth-century methods were retained or modified to more accurately represent the change in philosophical attitudes. Exploration of this topic will contribute to a greater understanding of French Enlightenment theory, analysis of relatively unstudied novels in the science-fiction genre, and a novel approach to “proto” science-fiction literature by connecting the previously separate genres …

La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …

Self And Stuff: Accumulation In Francophone Literature And Art, Natalie Edwards, Amy L. Hubbell

Studies in 20th & 21st Century Literature

Introduction.

Construction De L'Identité Culturelle Afro-Antillaise : Regards Croisés Entre Maryse Condé, Gisèle Pineau Et Fabienne Kanor, Jeanne Jégousso

LSU Master's Theses

The theme of cultural identity is one of the main problematic of francophone literature. Through the years, women writers, especially in Guadeloupe and Martinique, used this theme as the main topic of many of their writings. Characters, especially women narrators, try to understand this notion of cultural identity and its construction in other to make this theme theirs, since cultural identity is at the crossroads of their own story, the history of the Caribbean, and the perception these young women have of themselves. A new generation of writers, born in France of Caribbean families, tries today to offer a new …

Le Fait Divers Criminel Dans La Littérature Contemporaine Française (1990-2012), Fanny Mahy

Electronic Thesis and Dissertation Repository

Our collective representation of the « fait divers » underwent considerable revision in the early 1980s, as Marine M’Sili points out: « from being universally decried, denounced and censured, [it] sees its status change to the point of taking on a positive value », even among the intellectual elite. At the same time, according to Dominique Viart, literature takes on a new « transitivity »; it is no longer self-sufficient but requires a direct object, the world. These two developments provide a meeting ground where new and more frequent interactions between literature and the « fait divers » can take …

Translations From Allada And Experience D'Edward Lee, Versailles By Gérard Gavarry, Gérard Gavarry, Katina Rogers

Publications and Research

At the heart of Gérard Gavarry’s writing are the questions of what power language holds, and what remains beyond the reach of expression. The two translations included here, excerpts from Allada (P.O.L, 1993) and Expérience d’Edward Lee, Versailles (P.O.L, 2009), share little with each other in terms of setting or structure, but explore similar questions of the role and limits of language in relation to defamiliarization, power, and fear. The inventive reflection on the nature of language, identity, and power that, woven into the fabric of the novel, makes Gavarry’s work some of the most compelling fiction coming out of …

Proust And Eliot: An Intertextual Reading, Inge Crosman Wimmers

Studies in 20th & 21st Century Literature

Defining intertextuality as “the reader’s perception of relationships between one work and others, which either preceded or followed it” (Riffaterre), this essay sets out to highlight compelling similarities between Proust’s novel, A la recherche du temps perdu, and the fictional works of George Eliot. The emphasis is on affective memory (involuntary memory and emotional templates), ethical considerations (empathy and compassion), and the kind of self-reflexive reading both writers encourage through a complicit narration that implicates the reader. They show readers how emotional memory constitutes the essence of their personal history, thus anticipating modern research in psychology and the neurosciences. …

Aimé Césaire : Un Être De Papier Dans Le Roman Antillais Contemporain, Édouard Mokwe

Présence Francophone: Revue internationale de langue et de littérature

This paper aims to scrutinize various aspects in which Aimé Césaire is represented in the Caribbean novel as a personage, on the basis of Théorie et fiction by Milagros Ezquerro. We discover that, because of the great halo and notoriety of the eminent cultural and political figure that he was, Aimé Césaire has been put on stage by several Caribbean novelists. So Césaire has become a literary material, as well as a theme with various patterns.

Pierre Bayard's Wormholes, Warren Motte

Studies in 20th & 21st Century Literature

The recent work of Pierre Bayard is trenchant, original, and deeply engaging. From Qui a tué Roger Ackroyd? (1998) Who Killed Roger Ackroyd? (2001) onward, Bayard's books have piqued the interest of readers well beyond the limited circle of those who habitually consume French criticism and literary theory, and have served thus to expand the horizon of possibility of critical writing in significant ways. Bayard writes in a conditional, hypothetical mode, rather than a declarative one, keenly aware of how very mobile literary objects are. Bayard is not afraid to take risks, and he searches for new forms through a …

Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers

Publications and Research

This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …

Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent

Présence Francophone: Revue internationale de langue et de littérature

Rachid Boudjedra binds ingeniously fictional and real history and, beyond historic forgery, this author succeeds in transcribing the authentic events of his country. This article exposes one of the novelist’s historic conceptions through which the reader apprehends History : detailed visions alternate and blend with globalizing visions. For this author, nothing must be abandoned or put aside; by analyzing his novelistic writing, a fictional mosaic, we will come to understand his perspective on History.

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.

Au Seuil Du Chaos : Devoir De Mémoire, Indicible Et Piège Du Devoir Dire, Issac Bazié

Présence Francophone: Revue internationale de langue et de littérature

That literature has not entirely lost its means when faced with great human tragedies is a fact widely debated when it comes to the Holocaust. This text relies on a discussion of the unspeakable in order to reflect on the texts written about Rwanda’s genocide. Reading those texts’ thresholds reveals a tension of writing between history and fiction, “devoir de mémoire” and near resignation of speech.

Christian Oster's Picnic, Warren Motte

Studies in 20th & 21st Century Literature

With eight novels published by the Editions de Minuit in the last decade, Christian Oster has established himself as one of the most interesting figures in a cohort of new French writers who are gradually redefining the novel as literary form…

Rachid Boudjedra's Representations Of Terrorism: Le Vainqueur De Coupe And La Vie À L'Endroit , Lynne D. Rogers

Studies in 20th & 21st Century Literature

Contemporary fiction either idealizes or demonizes the terrorist as a cultural figure of collective values. In his two contemporary novels, Le vainqueur de coupe and La vie à l'endroit, Rachid Boudjedra, an Algerian novelist, renders two very distinct narratives although both center around terrorist activity and a major sporting event. The first novel is a sympathetic portrait of a young Algerian who gives up his studies to become part of L'Organization. Sentenced to life imprisonment, the young man becomes an international hero. Le vainqueur de coupe offers an explanation for understanding terrorism. In the second novel, La Vie à …

Crosscurrents And Confluences: Echoes Of Religion In Twentieth-Century Fiction, Eamon Maher

Books/Chapters

No abstract provided.

The Fictions Of Surrealism, Walter A. Strauss

Studies in 20th & 21st Century Literature

Surrealism is an attitude toward life, even more than a literary and artistic movement. It aspired to no less than the remaking of man and the world by reintroducing "everyday" magic and a new idealization of the Female. In many respects, its goal was spiritual renewal. This enterprise was most prominently successful in the domain of poetry and painting. The major spokesman for the movement, Andre Breton, disliked the novel. Nevertheless, the members of the movement and their associates made numerous ventures into prose fiction, with notable results. Four types of fiction are delineated: the neo-Gothic romance; the adventure diary …