Arts and Humanities Commons^™

Consuming Beauty In The Weimar Republic: A Discussion Of Youth, Cosmetics, And Power In Vicki Baum's Play Pariser Platz 13 (1930), Victoria Vygodskaia - Rust

Studies in 20th & 21st Century Literature

Published in 1930, Vicki Baum’s play Pariser Platz 13: Eine Komödie aus dem Schönheitssalon engaged the readership with an unorthodox and thoroughly modern heroine: the successful owner of international beauty salons Helen Bross. Helen personified the wishes and dreams of Baum’s readers: Helen’s autonomy, both personal and financial, allowed her to be an active consumer of modernity and its pleasures: travel, interaction with celebrities, and luxurious lodging.

My paper studies a (fictional) beauty salon on Pariser Platz in Berlin as an enclave of female power and explores Vicki Baum’s portrayal of beauty, youth, and fashion as commodities. I place my …

The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere

Electronic Thesis and Dissertation Repository

Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …

Truffaut’S L’Enfant Sauvage (The Wild Child, 1970): Evoking Autism And The Nascent “Eugenic Atlantic”, Joy C. Schaefer

Ought: The Journal of Autistic Culture

This essay analyzes François Truffaut’s L’Enfant sauvage (The Wild Child, 1970) as an early representation of autism that metaphorizes the neurodiverse child as the colonial subject. The film takes place in 1798, only a decade after the French Revolution, and depicts the true events of the “wild boy of Aveyron,” a feral child found in the Southern French forest when he was twelve years old. Before the film’s production, Truffaut—who also plays the boy’s teacher, Dr. Jean-Marc Itard—collected articles and books on autism and viewed videos of autistic children to create his main character’s behavioral patterns. The film …

Notes On Contributors, Molly Lynde-Recchia

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No abstract provided.

A Selection From The Chieko Poems By Takamura Kōtarō, Leanne Ogasawara

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No abstract provided.

Four Poems From House Of Razor Blades By Linda Maria Baros, Kathryn Kimball

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No abstract provided.

Four Poems By Dieurat Clervoyant, Elizabeth Dodd

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Poems by Haitian poet in exile Dieurat Clervoyant, translated from the French by Elizabeth Dodd.

An Axe Falling On A Blind Statue By Mohamed Fouad, Nina Youkhanna

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No abstract provided.

Three Poems From Flowing Toward Serenity By Tan Xiao, Xinlu Yan

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Tan Xiao is a Chinese poet whose poetry examines the relationships between an individual and his or her family, traditions, and society as a whole. The language he uses is deceptively simple, but the poignant observations and insights ensure that his poetry is relevant and relatable. This article includes three poems by Tan and accompanying commentary.

Five Poems From Born Into By Uwe Kolbe, Louise Stoehr

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Uwe Kolbe is one of the major German poets of his generation. Both part of the dissident scene in East Germany and, at the same time, fiercely independent, he early on reworked literary tradition, detailed observation, and personal experience into poems that clearly express his own poetic vision in a distinct voice. Born October 17, 1957, in East Berlin, Kolbe was drawn to writing at a young age. He published his first volume of poetry, Hineingeboren (Born Into), in the former German Democratic Republic in 1980 and in 1982 in West Germany. “Hineingeboren” has become Kolbe’s signature poem …

Autumn By Jules Breton, Sharon Fish Mooney

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Translation of Autumn by Jules Breton with commentary.

Martial Vii.61 By Martial, George Held

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Three Poems From The Blind Glassblower By Adam Fethi, Hager Ben Driss

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The Love Letter Poetry Contest, Roselee Bundy

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This is a translation of eight sets of poems and responses (out of a total of twenty) from the The Love Letter Poetry Contest Held in the Imperial Court in 1102. It was held on the 2^nd and 7^th days of the intercalary 5^th month of 1102 in the Japanese imperial court. For the event of the 2^nd, men had sent to court women poems declaring their love, and the women responded with poems rebuffing them. For the event of the 7^th, court women sent to the men poems complaining of the …

The Shoulders And The Burden By Abdellatif Laâbi, Allan Johnston, Guillemette C. Johnston

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English translation of poem by Moroccan poet Abdellatif Laâbi.

Four Prose Poems By Ramy Al-Asheq, Levi Thompson

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Liking Mozart By Chen Chia-Tai, Elaine Wong

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"Liking Mozart" is an English translation of a Chinese poem written by the Taiwanese poet Chen Chia-tai (1954- ).

Foreword, Molly Lynde-Recchia

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Transference Vol. 7, Fall 2019

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Complete issue with covers of Transference Vol. 7, Fall 2019

Le Docteur Et La Sorcière : Conflits De Médecine Et Concurrence Des Traditions Dans Moi, Tituba, Sorcière ... Noire De Salem, Natacha D'Orlando

Présence Francophone: Revue internationale de langue et de littérature

This article focuses on Maryse Condé's depiction of medicine and science in her 1986 novel Mai, Tituba, sorcière. It argues that Tituba's critique of modern western medicine, as well as her definition of witchcraft as a healing art, resonate with some topical feminist issues around the time of its publication. Condé's rewriting of the Salem witchtrials emphasizes indeed the epistemological, as well as metaphysical, conflict between the female Caribbean healer and the male doctor whose diagnoses contribute to Tituba's condemnation. As Tituba's confidence in her power and knowledge grows, she also impersonates the danger of an arrogant science, forgoing Man …

Maryse Condé Devant Les Événments Africains Troublants: Entre Représentation Et Discours, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

The repressed school strike in Guinea Conakry in 1961, the post-apartheid social crisis in South Africa and the 2002 civil war in Côte d'Ivoire are major events in African history that drew Maryse Condé's attention as illustrated through Heremakhonon (1976), Histoire de la femme cannibale (2003), En attendant la montée des eaux (2010). This article analyzes, beyond the modes of representation of events, the critical discourses that emerged from social fictions in examining murderous ideologies, the overflow of political, racial, ethnic identities as well as the obsessions of power that are at the origin of imagined conflicts. It explores how …

Lnterroger Le Présent Et Penser Notre Modernité Dans En Attendant La Montée Des Eaux De Maryse Condé, Bodia Bavuidi

Présence Francophone: Revue internationale de langue et de littérature

Maryse Condé has successively been branded as unseemly drifter, insolent, rebel and subversive, due to the fluidity of her mind and her refusal to be fixated on any obsolete idea. Her stance shows a tendency to evolve with her time in political and intellectual thoughts. If Condé's entire work shows that the author cannot be placed in a specific straightjacket, it is because her writing conveys the urgency of daily experiences. The permanent concern for human well-being reflected in her work brings about an uneasiness towards events that threaten this well-being daily. Thus, by drawing on studies of the concept …

Front Matter And Table Of Contents (N° 93)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 93

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Dynamique D'Un Engagement « Poélitique » : Le Cas Du Théâtre De Maryse Condé, Edwige Gbouablé

Présence Francophone: Revue internationale de langue et de littérature

Maryse Condé's plays reveal both a scriptural and thematic dynamism. This movement manifests a commitment that renews itself through the dramatization of varied sociopolitical current events. The first plays of the Guadeloupean showcase slavery, colonization and Independence. The problematic of the future of Black peoples flowing from them resounds differently in her recent works. Maryse Condé complexifies it indeed and updates it constantly. This makes her an unconventional author, for her writing takes roots in negritude, partakes in post-negritude and proceeds equally from a dramaturgy of uprootedness.

De L'Actualité À L'Actualisation Dans Traversée De La Mangrove Et La Vie Sans Fards De Maryse Condé, Karine Gendron

Présence Francophone: Revue internationale de langue et de littérature

After studying the narrative figures at work in Maryse Condé's novels Traversée de la Mangrove (1989) and La vie sans fards (2012), our article questions the obvious valorization of stories and of storytelling shown as ambiguous in the textual space, because they are shown as indefinite, polysemic and uncertain. In the textual universe, the ambiguous narrative is especially sought after because it is updatable, by the enunciator as much as by the instance addressed. We suggest that this characteristic of the ambiguous and renewable story and of storytelling is also performed in Maryse Condé' works. In our view, this corresponds …

Livres Reçus

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

De Harlem À Yaoundé: Du Panafricanisme Au Discours Critique En Afrique Francophone, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

The birth of the Negro Renaissance movement in Harlem (USA), at the beginning of the 1920s, had a remarkable impact on the destiny of the black peoples of Africa, especially in their fight for independence. Having experienced slavery and segregation, the AfroAmerican intellectuals fought continuously in the quest for dignity and freedom. In so doing, their actions and ideas inspired their African counterparts to devise ways and means in their anticolonial fight. This impact, in addition to other factors, inherently led to the 1956 and 1959 Congresses held in Paris and Rome respectively. The purpose of these meetings was to …

Abstracts (N° 93)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.