Arts and Humanities Commons^™

The World In Pantagruel's Mouth: Alimentary Aesthetics And Culinary Consciousness, Timothy Tomasik

Timothy J. Tomasik

No abstract provided.

Jules Verne And The French Literary Canon, Arthur B. Evans

Arthur Bruce Evans

No abstract provided.

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …

List Of Circulating Music Libraries In France, Updated December 2015, Anita Breckbill

UNL Libraries: Faculty Publications

Following is an updated list of circulating music libraries in France spanning the period of their existence, 1765 to ca. 1950. The preliminary list was published as an appendix to the article by Anita Breckbill and Carole Goebes, “Music Circulating Libraries in France: An Overview and a Preliminary List” Notes 63:4 (June 2007), 761-797 < http://digitalcommons.unl.edu/libraryscience/179/ >. Further work in the collection of publisher’s catalogs at the Bibliothèque national de France and in 18th-century periodicals have yielded ten more circulating libraries and an expansion of dates of operation for a further eleven libraries. Changes are indicated in red type.

La Première Couche D’Encre, Abdourahman Waberi

Présence Francophone: Revue internationale de langue et de littérature

The author reexamines his engagement with the Rwandan genocide.

Présence Francophone, Numéro 85 (2015)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore

Présence Francophone: Revue internationale de langue et de littérature

Sin to Them, Shame on Me is a testimony by the Rwandan writer, filmmaker and peace advocate, Bamporiki, who suffers from vicarious shame because of the crime of genocide that Hutu perpetrators committed against Tutsis in the name of the group. His testimony redeems his sense of self by acknowledging the wrongdoing of his group, yet it also represents a step that separates him from that group. His powerful testimonial narratives allow him to associate with genocide survivors and the world, and to develop a new identity as a Rwandan. The polymorphic narrative structure of his written testimony in which …

Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave

Présence Francophone: Revue internationale de langue et de littérature

This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.

Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler

Présence Francophone: Revue internationale de langue et de littérature

Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.

Éditorial, Ambroise Kom

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Odile Cazenave, Patricia-Pia Célérier

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …

Front Matter And Table Of Contents (V.85)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?, Carla Calargé, Alexandra Gueydan-Turek

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes two erotic works : L’amande and La traversée des sens. It aims to look at whether the sexual liberation of the female protagonists succeeds in defining a subversive discourse which allows Arab women to escape binary representations made of them or whether, on the contrary the author reproduces such representations. After a quick overview of the difficult situation in which Arab feminists often find themselves both the East and the West, this study examines if Nedjma’s two novels adopt a feminist posture or if they fail to reach the objectives that critics have attributed to them.

La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche

Présence Francophone: Revue internationale de langue et de littérature

20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …

Quelques Réflexions Sur Les Épilogues De Beloved Et De Célanire Cou-Coupé : Ariane Et La Mygale, Anne Debrosse

Présence Francophone: Revue internationale de langue et de littérature

This paper focuses on the links between Ariadne or Arachne on the one hand and Sethe and Célanire on the other hand, the protagonists of Toni Morrison’s Beloved and Maryse Condé’s Célanire cou-coupé. Weaving and sewing are often used as metaphors of the texts ; however, Condé and Morrison play with that metaphor and redefine this hackneyed common place.

Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye

Présence Francophone: Revue internationale de langue et de littérature

This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …

Index

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Maximizing Student Performance In Written Presentational Communication For Ap French, Heather W. Allen, Deborah Reisinger

Heather Willis Allen

No abstract provided.

Review Of Jean-Christophe Bailly, The Animal Side, Chandler D. Rogers

Between the Species

No abstract provided.

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

Culminating A Decade Of Scholarship On Jules Verne, Arthur B. Evans

Arthur Bruce Evans

No abstract provided.

Les Stars De Notre Quotidien: The Female Concierges In Le Pressentiment (2006) And Le Hérisson (2009), Mariah Devereux Herbeck

Mariah E. Devereux Herbeck

No abstract provided.

The Masquerade In Watteau And Marivaux, Alexis Redish

Kaleidoscope

The bourgeois French of the 18th century were characterized by a social code that required a certain manner of speech and action in the areas of dress, love, parties, and childhood. Following these rules rendered one elegant, charming, and elite, in addition to ensuring social success and proving one’s inner nobility. The comedic works of Marivaux and the breathtaking paintings of Watteau’s collection La Fête Galante eloquently summarize this mode of life. Under the guise of art and entertainment, Watteau and Marivaux, respectively, reveal the lifestyle and intentions of the bourgeois community in the same indirect manner by which that …

A Bibliographical Guide To The Study Of The Troubadours And Old Occitan Literature, Robert A. Taylor

Research in Medieval and Early Modern Culture

Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related …

Unsettling Stereotypes: Approaches To The French Culture And Society Course, John P. Murphy

French Faculty Publications

Beginning with popular commentary on the 2013 Taubira Affair, this article aims to unsettle some common assumptions about “French identity.” More generally, it asks how best to approach the notion of culture in upperdivision culture and society courses. Drawing on recent debates in anthropology, it suggests an approach that moves away from an understanding of culture as a bound entity that promotes a common sense of orientation and purpose toward one where culture is viewed as a reservoir of references, whose meanings and values are continuously interpreted, negotiated, and contested.

Writing Life: Paper As Symbol And Commodity In The Letters Of The Marquise De Sévigné, Kathleen Kasten

Library Faculty Publications

No abstract provided.

Exploring Place In The French Of Italy, 1st Edition, Laura Morreale Phd, Heather V. Hill

Fordham Archived Digital Projects

The goal of the site is to map all of the place names mentioned in a selection of medieval French-language works created or copied on the Italian peninsula from roughly 1250 to 1500 and featured on Fordham's French of Italy website.

Mapping place names provides a view of these texts that varies from more traditional approaches, which often focus on close reading or the examination of one particular textual tradition over time. Exploring these texts from a more distant vantage point is a valuable exercise for both literary and historical interpretation – the maps you see displayed here suggest patterns …