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Full-Text Articles in Arts and Humanities

Écriture Et Oralité Dans L’Oeuvre De Calixthe Beyala, Gloria Nne Onyeziri Dec 2010

Écriture Et Oralité Dans L’Oeuvre De Calixthe Beyala, Gloria Nne Onyeziri

Présence Francophone: Revue internationale de langue et de littérature

A reading of several works of Beyala will help us consider the way orality works for African women and to suggest new forms of the symbolic representation and of narrative framing drawn from the speech of the people. Reference to their African culture, to their consciousness of cultural identity, helps characters such as Édène, Loukoum and Beyala to define themselves and to lay claim to a critical and self-confi dent voice. They learn from orality the ways of saying of the wise, what is to be retained and transmitted through traditional culture and what aspects of collective memory are better …


Beyala Et Le Plagiat : Gary, Buten Et Walker Pourvoyeurs De Textes, Kisito Hona Dec 2010

Beyala Et Le Plagiat : Gary, Buten Et Walker Pourvoyeurs De Textes, Kisito Hona

Présence Francophone: Revue internationale de langue et de littérature

If the name of Calixthe Beyala seems to be linked to controversial issues, it is also because she was repeatedly suspected and accused of plagiarism. One of these accusations led to her condemnation by the tribunal of Paris on May 7th, 1996. The purpose of this article consists not only in recapitulating the facts, but also, in capitalizing on them to study the phenomenon of plagiarism in general and the specifi c aspects which it takes with this writer.


Writers, Rebels, And Cannibals: Léonora Miano’S Rendering Of Africa In L’Intérieur De La Nuit, Magali Compan Jan 2010

Writers, Rebels, And Cannibals: Léonora Miano’S Rendering Of Africa In L’Intérieur De La Nuit, Magali Compan

Studies in 20th & 21st Century Literature

Léonora Miano’s first novel L’Intérieur de la nuit received a laudatory critical reception when it was published by the French publishing house Plon in 2005. The novel’s depiction of an act of cannibalism in a village of a fictional African nation provides the turning point and central event of the narrative. The novel’s cannibalism has also been central to its critical reception in the west. While many Francophone works have employed and developed the metaphor of the act of cannibalism, Miano “cannibalizes” in her novel in unique ways that prove simultaneously problematic and productively revealing.

This article considers the interviews …