Arts and Humanities Commons^™

Présentation, Justin K. Bisanswa, Susanne Gehrmann

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Murambi Et Moisson De Crânes Ou Comment La Fiction Raconte Un Génocide, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This article shows how literary fiction is able to narrate the event of genocide so as to shatter the rational explanations of the world that are the accepted framework for discourse. It studies two texts written on the Rwandan genocide: Murambi by Boubacar Boris Diop and Moisson de crânes by Abdourahman Waberi.

La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame

Présence Francophone: Revue internationale de langue et de littérature

From which viewpoint do Gabonese writers relate to the realities of the political and social policies of their country and what place do political players occupy in their works? Why do they hesitate so much to denounce the problems of their society? Why is there such a pronounced silence within their literary works? This article raises these delicate and complex questions. The report produced on the evolution of Gabonese writing affirms that writers’ silence is the product of self-censorship. They are condemned to fear saying anything, not only because of potential reprisals, but because they are, for the majority, political …

L'Islam En Termes Chrétiens : Quand L’Aventure Ambiguë « Croise » Pascal Et Saint Augustin, Mbaye Diouf

Présence Francophone: Revue internationale de langue et de littérature

If it is recognized that The Ambiguous Adventure is one of Africa’s most studied texts, it should also be noted that most analyses of Cheikh Hamidou Kane’s novel are general sociological commentaries on a mythologized Africa or on a society that is caught in the snares of its own mythic “values.” These commentaries often forget that the text is also the passage through a history that was imposed on Africa, and one which the writer tries to interpret in his own way. If Kane’s text plunges into the Christian faith by invoking Pascal and Augustine, it is in order to …

Présence Francophone, Numéro 67 (2006)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.

L’Espace Sexué Dans Riwan Ou Le Chemin De Sable De Ken Bugul, Antje Ziethen

Présence Francophone: Revue internationale de langue et de littérature

In Riwan ou le chemin de sable by Ken Bugul, the protagonist lives in the interstice between her own house and that of her husband’s, between the life of a woman educated in Europe and the life of a wife subjected to the laws of mouridism. In her circular movement along the sandy road evoked in the novel’s title, she gradually creates a space that allows her to reconcile the two facets of her identity. Merging different genres, stories and languages, the text itself enacts the symbolism of the road as a transitional sphere.

Le Roman Camerounais À La Traversée Des Savoirs Anthropologique, Ethnologique Et Sociologique, Abomo-Maurin Marie-Rose.

Présence Francophone: Revue internationale de langue et de littérature

The Cameroon novel situates itself at the crossroad of knowledges. It brings back to life some practices drawn from ancestral tradition, and shows them to be forms of social science. Thus, the writer acts as an ethnologist who studies the customs of a community. However, contrary to the field researcher, the novelist recreates the situations in which the scientific phenomena occur. various disciplines take place.

Alexie Tcheuyap (2005). De L’Écran À L’Écrit.Les Réécritures Filmiques Du Roman Africain Francophone, Zacharie Petnkeu Nzepa

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The African novel refers to a socio-political as well as a literary History, but does so with guile, expressing this History from an angle. Referring constantly to the social and human sciences, to the point of competing with them, the novel vacillates between dependency and autonomy. It thus proposes a specific knowledge of society, its functioning, and the individuals who constitute it. However, its true intention is not to copy the world, nor even to imitate its life, but to provide a miniaturized replica of both, and set itself up as a vast metonymic duplicate of a certain universe.

Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

The theme of travel occupies an important place in African literature for two reasons. The earliest African writers wanted to substitute their own discourse for the one that had been produced by the West for centuries and which was long considered to be the sole legitimate discourse on Africa. By portraying African heroes and/or narrators who embarked on voyages to Africa or to Europe, African writers showed that the African too could be a traveler. The second reason is linked to generic considerations. Since the time of Don Quixote, the novel unfolds as an itinerary moving from one point to …

A Lost Soul In Search Of The Light : Francois Mauriac's ''Therese Desqueyroux'', Eamon Maher

Articles

Material reproduced by kind permission of Reality

Religião, Direitos Humanos E Educação, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

Não admira que haja atritos, incompreensões, entre as religiões e os poderes. Porque, antes de mais, foi preciso a uns e a outros comprimirem-se para darem lugar (espaço, mesmo) ao outro tipo de normatividade e de poder. Em muitos casos históricos se terá começado com um poder de índole teocrática. E só com o tempo e o progresso social e político se passaria a admitir a cisão do mando, num ramo secular e num ramo sacral. O grande problema do tratamento da questão religiosa do ponto de vista dos Direitos Humanos, é que se trata, no limite, de pôr uma …

Centennial Scholarship On Jules Verne. [Review Of Over Two Dozen Recent Books By/About Jules Verne, Published In Honor Of His Centenary], Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Echoes Of Annie Ernaux In Marie Darrieussecq's Le Bébé, Claire Marrone

Languages Faculty Publications

Le bébé (2002), by Marie Darrieussecq, a candid and touching portrayal of a mother's first nine months with her newborn son, instantly evokes a sorority of women writers. The depiction of a career woman and writer who suddenly finds herself a "stay-at-home mom" recalls the kinds of career versus family, public versus personal thematics characteristic of so many female authors - some who became mothers and others who did not.

Contemporary Perspectives On Sartre's Theater, Dennis Gilbert

Dennis A. Gilbert

No abstract provided.

“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …

A Study Of The Thaïs Legend With Focus On The Novel By Anatole France, Sidney Douglas Engle

Masters Theses

The purpose of this study was to research the various versions of the Thaïs legend, to review the previous criticism concerning the tale, and to apply a method heretofore unused in its interpretation, with a particular focus on the nineteenth-century novel by Anatole France. This was not done with the intent to disparage any previous methods or critiques, but rather to add something new to the considerable body of work that existed.

The primary research tools used were the MLA online bibliography and the WorldCat database. Books and articles were borrowed or provided through the main library as well as …

La Morte Come Pena: Law, Death Penalty, And State Of Exception, Maurizio Vito

Maurizio Vito

My paper deals with a peculiar form of the State of Exception, namely the one that came to light with the death penalty, when this punishment first appeared in Italy during the Middle Ages. In his book La morte come pena. Saggio sulla violenza legale, Italo Mereu analyzes the main reasons that led to its introduction into the Italian penal system up to the moment in which, some six centuries later, it was banned. The point I will make is that a state punishment, such as the death penalty is possible only if the law opens up a space that …

Les Enfants De La Guerre : Adolescence Et Violence Postcoloniale Chez Badjoko, Dongala, Kourouma Et Monénembo, Koffi Anyinefa

Présence Francophone: Revue internationale de langue et de littérature

This essay deals with the representation of African child-soldiers in three novels and an autobiography. Why do children take part in African postcolonial civil wars? How are they portrayed? These children are not —as public opinion would often have it— only the victims of postcolonial violence, but are also agents of social change. Their violent involvement in political affairs constitutes the most radical form of their determination to be heard, and the most eloquent form of their protest against their precarious living conditions in a postcolonial Africa in crisis.

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).

Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim

Présence Francophone: Revue internationale de langue et de littérature

A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.

Présentation, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Imagination Du Corps Greffé : Filtres Bilingues, Mireille Rosello

Présence Francophone: Revue internationale de langue et de littérature

Contemporary narratives featuring organ transplants speak of a painful but also life-saving contact when the “donor” body is African and the receiving body is European. At this point the surgical operation and that of the imagination assume a whole other dimension, as the inequality and interdependence of these two bodies invite the reader to re-imagine the links between the concept of the “body,” on the one hand, and culture and language, on the other. This article looks at the transplanted body as an imagining machine capable of articulating a vision of itself different from the one that words impose upon …

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.

Présence Francophone, Numéro 66 (2006)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.